A philosophy of the screenplay / Ted Nannicelli.
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| Year of Publication: | 2013 |
| Language: | English |
| Series: | Routledge studies in contemporary philosophy ;
49 |
| Online Access: | |
| Physical Description: | xiii, 270 p. |
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| 020 | |z 9780415521444 (hardcover alk. paper) | ||
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| 082 | 0 | 4 | |a 808.2/3 |2 23 |
| 100 | 1 | |a Nannicelli, Ted. | |
| 245 | 1 | 2 | |a A philosophy of the screenplay |h [electronic resource] / |c Ted Nannicelli. |
| 260 | |a New York : |b Routledge, |c 2013. | ||
| 300 | |a xiii, 270 p. | ||
| 490 | 0 | |a Routledge studies in contemporary philosophy ; |v 49 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature. | |
| 533 | |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
| 650 | 0 | |a Motion picture authorship. | |
| 650 | 0 | |a Motion picture plays |x History and criticism. | |
| 655 | 4 | |a Electronic books. | |
| 710 | 2 | |a ProQuest (Firm) | |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=1114672 |z Click to View |