Shakespearean sensations : experiencing literature in early modern England /

Shakespearean sensations : experiencing literature in early modern England / / edited by Katharine A. Craik and Tanya Pollard.

"This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's i...

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TeilnehmendeR:
Craik, Katharine A.
Pollard, Tanya.
ProQuest (Firm)
Year of Publication:2013
Language:English
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Physical Description:x, 244 p.
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ctrlnum (MiAaPQ)5001113089
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(CaPaEBR)ebr10649591
(CaONFJC)MIL432158
(OCoLC)827235443
collection bib_alma
record_format marc
spelling Shakespearean sensations [electronic resource] : experiencing literature in early modern England / edited by Katharine A. Craik and Tanya Pollard.
Cambridge ; New York : Cambridge University Press, 2013.
x, 244 p.
Includes bibliographical references and index.
Machine generated contents note: Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith.
"This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers"-- Provided by publisher.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
Shakespeare, William, 1564-1616 Criticism and interpretation.
English literature Early modern, 1500-1700 History and criticism Theory, etc.
English literature Psychological aspects.
Reading Physiological aspects.
Senses and sensation in literature.
Reader-response criticism.
Theater audiences England History 16th century.
Theater audiences England History 17th century.
Mind and body.
Electronic books.
Craik, Katharine A.
Pollard, Tanya.
ProQuest (Firm)
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=1113089 Click to View
language English
format Electronic
eBook
author2 Craik, Katharine A.
Pollard, Tanya.
ProQuest (Firm)
author_facet Craik, Katharine A.
Pollard, Tanya.
ProQuest (Firm)
ProQuest (Firm)
author2_variant k a c ka kac
t p tp
author2_role TeilnehmendeR
TeilnehmendeR
TeilnehmendeR
author_corporate ProQuest (Firm)
author_sort Craik, Katharine A.
title Shakespearean sensations experiencing literature in early modern England /
spellingShingle Shakespearean sensations experiencing literature in early modern England /
Machine generated contents note: Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith.
title_sub experiencing literature in early modern England /
title_full Shakespearean sensations [electronic resource] : experiencing literature in early modern England / edited by Katharine A. Craik and Tanya Pollard.
title_fullStr Shakespearean sensations [electronic resource] : experiencing literature in early modern England / edited by Katharine A. Craik and Tanya Pollard.
title_full_unstemmed Shakespearean sensations [electronic resource] : experiencing literature in early modern England / edited by Katharine A. Craik and Tanya Pollard.
title_auth Shakespearean sensations experiencing literature in early modern England /
title_new Shakespearean sensations
title_sort shakespearean sensations experiencing literature in early modern england /
publisher Cambridge University Press,
publishDate 2013
physical x, 244 p.
contents Machine generated contents note: Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith.
isbn 9781107306752 (electronic bk.)
callnumber-first P - Language and Literature
callnumber-subject PR - English Literature
callnumber-label PR428
callnumber-sort PR 3428 P76 S47 42013
genre Electronic books.
genre_facet Electronic books.
geographic_facet England
era_facet 1564-1616
Early modern, 1500-1700
16th century.
17th century.
url https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=1113089
illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 820 - English & Old English literatures
dewey-ones 820 - English & Old English literatures
dewey-full 820.9/353
dewey-sort 3820.9 3353
dewey-raw 820.9/353
dewey-search 820.9/353
oclc_num 827235443
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