Shakespearean sensations : experiencing literature in early modern England /

Shakespearean sensations : experiencing literature in early modern England / / edited by Katharine A. Craik and Tanya Pollard.

"This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's i...

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ProQuest (Firm)
TeilnehmendeR:
Craik, Katharine A.
Pollard, Tanya.
ProQuest (Firm)
Year of Publication:2013
Language:English
Online Access:
Physical Description:x, 244 p.
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020 |z 9781107028005 (hardback) 
020 |a 9781107306752 (electronic bk.) 
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050 4 |a PR428.P76  |b S47 2013 
082 0 4 |a 820.9/353  |2 23 
245 0 0 |a Shakespearean sensations  |h [electronic resource] :  |b experiencing literature in early modern England /  |c edited by Katharine A. Craik and Tanya Pollard. 
260 |a Cambridge ;  |a New York :  |b Cambridge University Press,  |c 2013. 
300 |a x, 244 p. 
504 |a Includes bibliographical references and index. 
505 8 |a Machine generated contents note: Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith. 
520 |a "This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers"--  |c Provided by publisher. 
533 |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. 
600 1 0 |a Shakespeare, William,  |d 1564-1616  |x Criticism and interpretation. 
650 0 |a English literature  |y Early modern, 1500-1700  |x History and criticism  |x Theory, etc. 
650 0 |a English literature  |x Psychological aspects. 
650 0 |a Reading  |x Physiological aspects. 
650 0 |a Senses and sensation in literature. 
650 0 |a Reader-response criticism. 
650 0 |a Theater audiences  |z England  |x History  |y 16th century. 
650 0 |a Theater audiences  |z England  |x History  |y 17th century. 
650 0 |a Mind and body. 
655 4 |a Electronic books. 
700 1 |a Craik, Katharine A. 
700 1 |a Pollard, Tanya. 
710 2 |a ProQuest (Firm) 
856 4 0 |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=1113089  |z Click to View 

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