Religious dissimulation and early modern drama : : the limits of toleration / / Kilian Schindler.
Examining how playwrights from Shakespeare to Marlowe represented religious dissimulation on stage, Kilian Schindler argues that debates about the legitimacy of dissembling one's faith were closely bound up with early modern conceptions of theatricality.
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| Place / Publishing House: | Cambridge : : Cambridge University Press,, 2023. |
| Year of Publication: | 2023 |
| Edition: | First edition. |
| Language: | English |
| Physical Description: | 1 online resource (xi, 274 pages) :; digital, PDF file(s) |
| Notes: | Also issued in print: 2023. |
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Table of Contents:
- Religious dissimulation and toleration in early modern England
- From Oldcastle to Falstaff : the politics of martyrdom and conformity in 1 and 2 Henry IV
- Falstaff revisited : Puritan nonconformity and loyal dissent in 1 Sir John Oldcastle
- Silence denied : Sir Thomas More and the incrimination of inward dissent
- Free speech and neo-stoicist inwardness : the divided self in Ben Jonson's Sejanus his fall
- Exposing religious dissimulation : the stage Machiavel in Christopher Marlowe's The Jew of Malta
- Semi-conformity, idolatrous pollution, and conversion : the permeable self in Ben Jonson's Bartholomew Fair.