Hercules Performed / / edited by Emma Stafford.

Hercules Performed explores the reception of the ancient Greek hero Herakles – the Roman Hercules – on the western stage from the sixteenth century to the present day, focusing on live theatre, including tragedy, comedy and musical drama. Each chapter considers a particular work or theme in detail,...

Full description

Saved in:
Bibliographic Details
Superior document:Classical Studies E-Books Online, Collection 2024
TeilnehmendeR:
Place / Publishing House:Leiden ;, Boston : : Brill,, 2024.
©2024
Year of Publication:2024
Edition:1st ed.
Language:English
Series:Classical Studies E-Books Online, Collection 2024.
Metaforms ; 25.
Physical Description:1 online resource (418 pages)
Tags: Add Tag
No Tags, Be the first to tag this record!
Table of Contents:
  • Contents
  • Preface
  • Acknowledgements
  • List of Figures and Table
  • Notes on Contributors
  • Introduction: Embodying the Hero and His Story
  •   Emma Stafford
  • Part 1: Labours
  • 1 Sandow the Modern Hercules: or the Twelve Labours of the Class-Conscious Historian of British Classics
  •   Henry Stead
  • 2 Hercules and the Tragicomic in the Epic Theatre of Dürrenmatt
  •   Deborah Chatr Aryamontri
  • 3 ‘Breaking News: Hercules Is the Son of Zeus’: the Chorus in Helen Eastman’s Hercules
  •   Sofia Frade
  • 4 ‘The Moral Madness of the Modern Herakles’: Collage and Fragments in Tony Harrison’s The Labourers of Herakles and the Harrison Archive
  •   Owen Hodkinson
  • Part 2: Madness
  • 5 The Madness of Hercules from Euripides to the Renaissance
  •   Neil W. Bernstein
  • 6 Herakles, Medea and the Reality of Filicide
  •   Sue Hamstead
  • 7 Herakles in Orbit: the Role of Space in Modern Versions of Euripides’ Herakles
  •   Samuel D. Gartland
  • Part 3: Death and Apotheosis
  • 8 The Death and Apotheosis of Hercules at the Comédie-Italienne: from Senecan Tragedy to Commedia dell’Arte
  •   Lucia Degiovanni
  • 9 The Sweet Vitality of Dancing Bodies: Classical Embodiment, Modernist Poetics, and Fascist Visions in Sophocles’ Trachiniae at Syracuse in 1933
  •   Eleftheria Ioannidou
  • 10 Herakles, Sex, Death, and Spin: Sophocles’ Women of Trachis and Its Adaptations
  •   Eleanor OKell
  • 11 Directing The Wife of Heracles (2010) for a Contemporary Audience: Footballers, Hairdressers and Dispensing the Poison
  •   George Rodosthenous
  • Part 4: Setting Hercules to Music
  • 12 Hercules and Opera at the Court of Louis XIV: Ercole amante
  •   Jon Solomon
  • 13 Shattered Female Virtue: Dejanira as Depicted in Handel’s Hercules
  •   Robyn M. Rocklein
  • 14 ‘I Shall Sing of Herakles’: Writing a Hercules Oratorio for the Twenty-First Century
  •   Emma Stafford and Tim Benjamin
  • 15 Herakles in Twenty-First Century Music
  •   Adriana F. Nogueira
  • Epilogue
  •   Emma Stafford
  • Index.