From Rome to Beijing : : Sacred Spaces in Dialogue.
This book explores the relationship between Jesuit enterprise and Ming-Qing China in the seventeenth and eighteenth centuries, showing how paintings, astronomical instruments, spiritual texts and sacred buildings function as sites of cross-cultural exchange.
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Superior document: | East and West Series ; v.17 |
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TeilnehmendeR: | |
Place / Publishing House: | Boston : : BRILL,, 2024. ©2024. |
Year of Publication: | 2024 |
Edition: | 1st ed. |
Language: | English |
Series: | East and West Series
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Physical Description: | 1 online resource (336 pages) |
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100 | 1 | |a M. Greenberg, Daniel. | |
245 | 1 | 0 | |a From Rome to Beijing : |b Sacred Spaces in Dialogue. |
250 | |a 1st ed. | ||
264 | 1 | |a Boston : |b BRILL, |c 2024. | |
264 | 4 | |c ©2024. | |
300 | |a 1 online resource (336 pages) | ||
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490 | 1 | |a East and West Series ; |v v.17 | |
505 | 0 | |a Front Cover -- Half Title -- Series Informations -- Title Page -- Copyrights Page -- Contents -- Acknowledgements -- Daniel M. Greenberg and Mari Yoko Hara -- Figures and Tables -- Figures -- Table -- Notes on Contributors -- Introduction: Cultural Exchange through a Spatial Lens -- Bibliography -- Part 1: Space and Order: Visible and Invisible Constructions of Beijing -- 1 An Invisible City: Urban Life and Networks of European Missionaries -- 1 Two Fox Spirits and a Church -- 2 The Churches of Beijing: Architecture, Urbanism, and Socioreligious History -- 3 The City of Beijing as "Imperial Initiative" -- 4 The Visibility and Invisibility of Catholic Churches and Communities in the Tartar City -- 4.1 Southern Church: from Invisibility to Prominence -- 5 Eastern Church: Prominence Sought and Fought -- 6 Northern Church: an Imperial Gift Hidden behind Walls -- 1.7 Western Church: the "Pariah" Church and Administrative Invisibility -- 8 Conclusion -- Bibliography -- Primary Sources -- Published Primary Sources -- Secondary Sources -- 2 Beijing as Political Theater: the 1761 Syzygy in Painting and Legitimizing the Qianlong Regime -- 1 Historical Capitals in Visual Representation -- 2 The Making of the Painting -- 3 Heavenly Phenomena, Scientific Instruments, and Political Discourse -- 4 Narrative Details, Concrete Spaces, and the Eyewitness Effect -- 5 Conclusion -- Bibliography -- Primary Sources -- Secondary Sources -- 3 Crossing Bridges and Borders: the Political -- 1 Introduction -- 2 From China's Frontier to the Imperial Bedchamber -- 2.1 Connoisseurship -- 2.2 Entangled Identities: Emperor/Khan and Consort/Jiupin -- 3 From Private Studio to State Ritual: Foreign Relations and the Lunar New Year -- Appendix: Original Poems -- Bibliography -- Primary Sources -- Secondary Sources. | |
505 | 8 | |a Part 2: Spaces of Artistic Practice: Invention and Exchange in the Palace Workshops -- 4 "My Eyes and Taste Are Grown a Little Chinese": Jean-Denis Attiret, SJ, Recognizes -- Bibliography -- Primary Sources -- Secondary Sources -- 5 The Drawings of Ferdinando Bonaventura Moggi (1684−1761) and the Applied Arts -- 1 -- 2 -- 3 Conclusion -- Bibliography -- Primary Sources -- Secondary Sources -- Part 3: Space, Knowledge Production, and Cross-Cultural Exchange -- 6 Before Sinology: Early European Attempts to Translate the Chinese Language -- 1 False Starts -- 2 Captive Expertise -- 3 The Collaboration Model -- 4 Study Abroad -- 5 Conclusion -- Bibliography -- 7 Out of Habit: Jesuits in Flux -- 1 What Did Jesuits Wear? -- 2 Sartorial Experiments -- 3 Campion's Clothes -- 4 Habitual Flux -- 5 Forming Habits -- Bibliography -- 8 What's in an Image?: the Annotated Manuscripts of Jerónimo -- Bibliography -- Primary Source -- Secondary Sources -- 9 The Double Hemisphere Star Atlas (1634): Rhetoric of Empiricism in Sino-Jesuit Technical Images -- 1 A Shared Knowledge Space -- 2 Language of Empiricism -- 3 Knowledge and Experience: within and beyond Science -- 4 Empiricism, Performance, and Received Knowledge -- Bibliography -- Index -- Back Cover. | |
520 | |a This book explores the relationship between Jesuit enterprise and Ming-Qing China in the seventeenth and eighteenth centuries, showing how paintings, astronomical instruments, spiritual texts and sacred buildings function as sites of cross-cultural exchange. | ||
588 | |a Description based on publisher supplied metadata and other sources. | ||
700 | 1 | |a Yoko Hara, Mari. | |
776 | |z 90-04-69336-X | ||
830 | 0 | |a East and West Series | |
906 | |a BOOK | ||
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