Women As Writing Subjects in High Qing China : : Reconfiguring the Poetics of Feminine Propriety.

This study investigates how mid-Qing gentry women exploited prevailing literary and intellectual thought and state ideology for self-expression and self-empowerment. It aims to go beyond a rigid dichotomy between compliance and resistance and examines their gendered revision of literary convention.

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Bibliographic Details
Superior document:Women and Gender in China Studies ; v.14
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Place / Publishing House:Boston : : BRILL,, 2024.
©2024.
Year of Publication:2024
Edition:1st ed.
Language:English
Series:Women and Gender in China Studies
Physical Description:1 online resource (233 pages)
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Table of Contents:
  • Front Cover
  • Half Title
  • Series Information
  • Ttile Page
  • Copyright Page
  • Dedication
  • Contents
  • Acknowledgments
  • Figures
  • Introduction
  • 1 From the Feat of Preservation to Moral Packaging
  • 2 The Xingling Ideal and the Innovative Reinscription of Female Experience
  • 3 Exploiting the Mid-Qing Conditions of Wifehood, Widowhood, and Motherhood for Self-Empowerment
  • 4 Conjugal Love and the Assertion of Wifely Admonitions
  • 5 Chaste Widowhood and the Celebration of Self-Reliance and Autonomy
  • 6 Veneration of Maternal Teaching and Promotion of Girls' Education
  • 7 Moral Agency, Female Virtue, and Historical Justice: Wang Duan's Scholarly and Historical Writings
  • 8 An Overview: Structure, Sources, and Disclaimers
  • Part 1 Xi Peilan (1762-c.1831)
  • Chapter 1 Xi Peilan's Remedy to Yuan Mei's Xingling Poetics and Refashioning of Conjugal Poetry
  • 1 Xi Peilan's Critical Acceptance of Xingling Aesthetics
  • 2 Moral Scrutiny in Xi's Evaluations of Female Characters
  • 3 The Xingling-Inspired Conjugal Poetry and the Problem of Conveying Marital Love
  • 4 Blending Conjugal Love with Wifely Admonition: Xingling Refashioned
  • 5 Conjugal Love and Romantic/Erotic Poetry: Two Contrasting Approaches
  • 6 Zhen (Admonitions) and Two Different Understandings of Qing
  • 7 Conclusion
  • Part 2 Luo Qilan (1756-c.1813)
  • Chapter 2 Poking Holes and Reclaiming the Boudoir: Luo Qilan's Playful Poems in the Perfumed Cosmetic Case Style
  • 1 Reconciling Xianglian with Women's Writing
  • 2 Poking Holes in the Imagined Femininity: Luo's Xianglian Verse Done in Jest
  • 3 Reinscribing Boudoir and Femininity: Pride in Perseverance, Self-Reliance, and Productivity
  • 4 Conclusion
  • Chapter 3 The Song of a Lone Crane: Luo Qilan's Exaltation of Widowhood and Female Agency
  • 1 Widowhood, Leisure, and Women's Writing.
  • 2 From a Widowed Swan to a Transcendental Crane: Reinscribing Solitude
  • 3 The Emotional Arc of a Happily Married Wife and Faithful Widow: Luo's Imitation of "Yan Terrace"
  • 4 Conclusion
  • Chapter 4 From Amused Indulgence to Serious Instruction: Maternal Teaching and Girls' Education
  • 1 Celebrating "My Cherished Daughter": Its Origin and Evolution
  • 2 "Tutoring My Daughter": A Matter of Pride and Anxiety
  • 3 Poems on the Paintings of Tutoring the Daughter: The Case of Luo Qilan
  • 4 An Interlude: The Choice of Adopting a Daughter and Its Potential Benefits
  • 5 One Painting, Varied Responses
  • 6 Conclusion
  • Part 3 Wang Duan (1793-1839)
  • Chapter 5 Transposing Chunqiu into Poetry: Wang Duan's Writing on History
  • 1 Putting It in Perspective: Wang Duan and Historical Scholarship in the Reigns of Qianlong and Jiaqing
  • 2 A Lifelong Fascination with History and Recurring Anxiety
  • 3 At a Crossroads: Juxtaposing Comparable Moments in History
  • 4 The Repurposed Preface: A New Form of Historical Writing
  • 5 Conclusion
  • Chapter 6 Female Martyrdom, Historical Justice, and Local Memory: Wang Duan's Poems on the Zhangwu
  • 1 Setting the Stage: The First Poem
  • 2 The Revisionist and the Localist Perspective
  • 3 Exemplars of Loyalty: Redeeming the Vilified Zhangwu Men
  • 4 The Murky Matter of Female Martyrdom
  • 5 Eulogizing Exemplary Women: A Remedy for the Suppression of Local History
  • 6 Conclusion
  • Conclusion
  • Bibliography
  • Index
  • Back Cover.