Sights, Sounds, and Sensibilities of Atrocity Prosecutions.
This book explores how international criminal justice interacts with the human senses - sight, sound, smell, taste, and touch - when it comes to perceiving mass atrocity and thereafter holding perpetrators accountable.
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Superior document: | Studies in International Criminal Law Series ; v.06 |
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Place / Publishing House: | Boston : : BRILL,, 2024. ©2024. |
Year of Publication: | 2024 |
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Drumbl, Mark A. Sights, Sounds, and Sensibilities of Atrocity Prosecutions. 1st ed. Boston : BRILL, 2024. ©2024. 1 online resource (558 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Studies in International Criminal Law Series ; v.06 Front Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- Figures -- Notes on Contributors -- Introduction -- 1 Genealogy: Coming of Age to Here and Now -- 2 Looking Intensely at Simulation, Translation, and Projection -- 3 A Note on Aesthetics -- 4 This Book: Structure, Threads, and Themes -- 4.1 Part 1 Shows and Cases: Showcasing(s) in the Courtroom -- 4.2 Part 2 Translating the Senses into Law and Judgment -- 4.3 Part 3 Filtering the Sensory: Language, Evidence, Culture, and Procedure -- 4.4 Part 4 Staging, Re-enactment, Film -- 4.5 Part 5 Sensibility Divides: North-South, Imperial-Colonized, State-Society -- 4.6 Part 6 Reflections on Aesthetics and Methods -- 5 Closing While Opening -- Part 1 Shows and Cases: Showcasing(s) in the Courtroom -- Chapter 1 Optical Allusions, Indecency, and Injustice in the Trial of Japanese War Criminals -- 1 Introduction -- 2 Once Were Warriors? Here Be Dragons? -- 3 Aesthetical Disorder, Allegorical Dissonance -- 4 Over Promise, Under Deliver -- 5 Conclusion: Time, a Wasting -- Acknowledgements -- Chapter 2 'The Show Must Go On': : The Trials and Tribulations of Ludmila Brožová-Polednová -- 1 Introduction -- 2 The Rise and Fall of Communists in Czechoslovakia -- 3 Ludmila Brožová-Polednová: Actress, Prosecutor and Criminal -- 4 Ludmila's 'Role' of a Lifetime -- 5 Ludmila's 'Finale' -- 6 Conclusion: Show Trials Then and Now -- Acknowledgements -- Chapter 3 Atrocity Then, Trial Now: : The Aesthetics, Acoustics, and Visualities of Prosecuting Oskar Gröning -- 1 Introduction -- 2 Prosecuting 'the Small Cog in the Gears' -- 2.1 Gröning: The 'Bookkeeper' of Auschwitz -- 2.2 Gröning after Demjanjuk -- 2.3 Gröning on Trial -- 3 The Visualities and Vocalities of Gröning's Trial -- 4 A Tale of Three Accusers, and Their Differences. 5 Concluding by Counterfactual: The Aesthetics of Silence amid Bee-Keeping and Book-Keeping -- Acknowledgements -- Chapter 4 Performing Justice: The Trial of Bruno Dey and Its Protagonists -- 1 Introduction and Methodology -- 2 Background -- 3 The Director -- 4 Villain or Victim? -- 5 The Heroes -- 6 Hidden Protagonists -- 7 The Extras -- 8 Conclusion -- 9 Epilogue -- Part 2 Translating the Senses into Law and Judgment -- Chapter 5 Does Music Create Killers?: The Role of Music in the Commission of Violent Crimes -- 1 Introduction -- 2 Marching Drums -- 2.1 Music as a Stimulator of Courage and Perseverance -- 2.2 Musical Sadism -- 3 A 'One-Man-Army' -- 3.1 Breivik's Musical Influences: 'The Best and Most Talented Patriotic Musician' -- 3.2 In Preparation to 'Fight' -- 3.2.1 Building Confidence and Suppression of Fear -- 3.2.2 Conditioning Body and Mind -- 4 Music on Trial at the ICTR -- 4.1 The 'Offending' Songs -- 5 Conclusion -- Chapter 6 The Stench of Death: The Olfactory of Genocide in International Criminal Trials -- 1 Introduction -- 2 Smell as a Lower Sense -- 3 Olfactory Testimonies of Genocide -- 4 The Stench of Decomposition: Memories of Rotting Bodies -- 5 A Lingering and Persisting Stench -- 6 Power and Killing at Roadblocks -- 7 Hiding from the Génocidaires -- 8 Killings at Hospitals -- 9 Fear of Contamination and Epidemics -- 10 Stench as a Legal Element -- 10.1 A Tug of War between Visual and Olfactory Impressions -- 10.2 Ignoring Stench as Incitement to Genocide? -- 11 Killings in Churches -- 12 '[I]t Was a Study of Horror' -- 12.1 Smoking Cigars in UNAMIR Helicopters -- 12.2 A Constant Flow of Bodies -- 13 Few and Far between: Prosecutorial References to Stench -- 14 Smelling Dirty: Stench Unrelated to Death -- 15 Implications of Stench on Reconciliation -- 16 Conclusion. Chapter 7 The Sound and Taste of Atrocities: From Cambodia in the 1970s to Bosnia and Herzegovina in the 1990s -- 1 Introduction -- 2 Adducing Witness Testimony -- 3 Setting the Cases in their Historical Context -- 4 The Significance of the Sound and Taste of Atrocities -- 4.1 Proving Murder, Extermination, and Genocide: Revolutionary Music and the Sound of Silence -- 4.2 Proving Persecution: Eating of Pork and Nationalistic Songs -- 4.3 Proving Terrorisation and Forcible Transfer: The Screams of a Slaughtered Pig -- 4.4 Proving Individual Criminal Responsibility -- 5 Sensory Interference: Memory and Time, Language and Interpretation -- 5.1 Memory and Time: Assessing Credibility and Weighing Testimony -- 5.2 Language and Interpretation -- 6 Conclusion -- Chapter 8 The Age-Impunity Rhetoric in Trials for Crimes Committed during the Argentine Genocide (1975-1983) -- 1 Introduction -- 2 Rhetoric of Age-Impunity from the Unseen -- 3 Rhetoric Age-Impunity from the Seen: The Formula of Martyrdom -- 4 Rhetoric Age-Impunity from the Unseen -- 5 Conclusion -- Part 3 Filtering the Sensory: Language, Evidence, Culture, and Procedure -- Chapter 9 Sounds of Atrocity Prosecutions: Intersubjective Interpreting as a Key Ingredient for Effective and Fair Trials in Multilingual and Multicultural War Crimes Courtrooms -- 1 Introduction -- 2 Identifying Sources of Poor Intersubjectivity in Multilinguistic and Multicultural Trials -- 3 Thinking Differently in Different Languages: Biases Affecting the Quality of Intersubjectivity -- 4 Different Interpretation Standards Produce Different Sounds of Atrocity Prosecutions -- 5 Language Rights, Intersubjectivity and Effective Fair Trial Guarantees -- 6 Conclusion -- Chapter 10 The Mind's Eye: The Invisibility of Culture in Individual Criminal Responsibility -- 1 Introduction -- 2 Culture in International Criminal Trials. 3 The Constitutive Role of Culture in Individual Culpability -- 4 Using Culture to (De)Construct the Defendant -- 5 Conclusions -- Chapter 11 Versions of the Truth: Disinformation and Prosecuting Atrocities -- 1 Introduction -- 2 Digital Evidence and Manipulation -- 3 Sights: Can We Believe Our Eyes? -- 4 Authenticity, Voices and Visuals -- 5 In the Minds of Judges -- 6 Sounds of Evidence -- 7 Humanity and the Machine -- 8 Conclusion -- Chapter 12 Putting Things in Play: The Spectacle of Criminal Justice -- 1 Introduction -- 2 Artistic International Law -- 2.1 The Turn to Aesthetics -- 2.2 Trials as Theatre -- 3 Representation at Trial -- 4 Putting Things in Play -- 5 Conclusion -- Part 4 Staging, Re-enactment, Film -- Chapter 13 A Trial without a Defendant: The Mock Trial of Dr. Josef Mengele in Jerusalem -- 1 Introduction -- 2 The State of Israel vs. Josef Mengele: A Public Hearing or a Quasi-criminal Proceeding? -- 3 'A Reminder Shall Come out of Jerusalem' -- 4 'I Swore to My Mother That One Day, I Would Take Revenge on Dr. Mengele' -- 5 Conclusion -- Acknowledgements -- Chapter 14 Reconstructing the Crime: : Memory, Re-enactments, and Space in Atrocity Investigations -- 1 Introduction -- 2 Reconstructions in Law -- 3 Materiality: Walking through the Site -- 4 Testimony in Words and Body -- 5 Creating Evidence for the Future -- 6 Conclusion -- Acknowledgements -- Chapter 15 Staging Atrocity Prosecutions: Re-enactments and Pre-enactments of Atrocity Trials in Theatre -- 1 Introduction -- 2 Peter Weiss: Die Ermittlung. Oratorium in 11 Gesängen (1965) -- 3 Milo Rau: The Congo Tribunal (2015) -- 4 Rainald Goetz: Reich des Todes (2020) -- 5 Conclusion -- Chapter 16 Entertaining Selectivity: 'Narcos', Netflix, and International Crimes -- 1 Introduction: Entertaining Selectivity and Entertaining Images. 2 Theoretical Footholds: Translating between Culture, Crime, and Law -- 2.1 The Translation of Ideas across Epistemological Boundaries -- 2.2 Cultural Criminology -- 3 Reflections of Selectivity in Narco-entertainment -- 3.1 What Is the 'War on Drugs'? What Is a 'Drug War'? -- 3.2 'Child-Soldiers' and 'Cartels' -- 3.3 'Armed Attack' by 'Organized Groups' -- 4 Conclusion: Narco-culture, Entertainment, Politics and Criminal Justice -- Acknowledgements -- Part 5 Sensibility Divides: North-South, Imperial-Colonized, State-Society -- Chapter 17 Hearing Voices: Victim and Witness Demographics at the International Criminal Court -- 1 Introduction -- 2 Demographics and the Evolving Role of Victims and Witnesses in the ICC's Proceedings -- 2.1 Witnesses -- 2.2 Victims -- 3 The Significance of Victim and Witness Demographics for the Goals of International Criminal Justice -- 3.1 Fact-Finding and History-Telling -- 3.2 Expressivism -- 3.3 Restorative Justice -- 4 Whose Voices Are Heard? -- 5 Reconciling Publication of Data with Victim and Witness Protection -- 6 Conclusion -- Chapter 18 Ugly Atrocities, Cathartic Prosecutions: International Criminal Law as Emotional Salve -- 1 Introduction -- 2 Horrific Atrocities -- 3 Cathartic Prosecutions -- 4 Concluding Thoughts -- Chapter 19 Appropriating Sovereignty through Trials: British Imperial Expansion and Staging of Oppression through Law -- 1 Introduction -- 2 Zafar, 'a Beast in a Cage': The Person -- 2.1 Zafar's Role in the Revolt -- 2.2 Zafar's Arrest -- 3 Red Fort: The Place -- 4 'A Solemn Farce': The Trial -- 5 Afterwards and Afterwords: Zafar in 'Our' Memory -- 6 Trial of Tikendrajit Singh: Contrast and Continuity -- 7 Conclusion -- Acknowledgements -- Chapter 20 'Protecting the Environment Is Not Illegal': Ecological Activism, the Visualities of Law and Justice, and the Land Concession Crisis in Cambodia. 1 Introduction. This book explores how international criminal justice interacts with the human senses - sight, sound, smell, taste, and touch - when it comes to perceiving mass atrocity and thereafter holding perpetrators accountable. Description based on publisher supplied metadata and other sources. Fournet, Caroline. Print version: Drumbl, Mark A. Sights, Sounds, and Sensibilities of Atrocity Prosecutions Boston : BRILL,c2024 9789004677944 Studies in International Criminal Law Series |
language |
English |
format |
eBook |
author |
Drumbl, Mark A. |
spellingShingle |
Drumbl, Mark A. Sights, Sounds, and Sensibilities of Atrocity Prosecutions. Studies in International Criminal Law Series ; Front Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- Figures -- Notes on Contributors -- Introduction -- 1 Genealogy: Coming of Age to Here and Now -- 2 Looking Intensely at Simulation, Translation, and Projection -- 3 A Note on Aesthetics -- 4 This Book: Structure, Threads, and Themes -- 4.1 Part 1 Shows and Cases: Showcasing(s) in the Courtroom -- 4.2 Part 2 Translating the Senses into Law and Judgment -- 4.3 Part 3 Filtering the Sensory: Language, Evidence, Culture, and Procedure -- 4.4 Part 4 Staging, Re-enactment, Film -- 4.5 Part 5 Sensibility Divides: North-South, Imperial-Colonized, State-Society -- 4.6 Part 6 Reflections on Aesthetics and Methods -- 5 Closing While Opening -- Part 1 Shows and Cases: Showcasing(s) in the Courtroom -- Chapter 1 Optical Allusions, Indecency, and Injustice in the Trial of Japanese War Criminals -- 1 Introduction -- 2 Once Were Warriors? Here Be Dragons? -- 3 Aesthetical Disorder, Allegorical Dissonance -- 4 Over Promise, Under Deliver -- 5 Conclusion: Time, a Wasting -- Acknowledgements -- Chapter 2 'The Show Must Go On': : The Trials and Tribulations of Ludmila Brožová-Polednová -- 1 Introduction -- 2 The Rise and Fall of Communists in Czechoslovakia -- 3 Ludmila Brožová-Polednová: Actress, Prosecutor and Criminal -- 4 Ludmila's 'Role' of a Lifetime -- 5 Ludmila's 'Finale' -- 6 Conclusion: Show Trials Then and Now -- Acknowledgements -- Chapter 3 Atrocity Then, Trial Now: : The Aesthetics, Acoustics, and Visualities of Prosecuting Oskar Gröning -- 1 Introduction -- 2 Prosecuting 'the Small Cog in the Gears' -- 2.1 Gröning: The 'Bookkeeper' of Auschwitz -- 2.2 Gröning after Demjanjuk -- 2.3 Gröning on Trial -- 3 The Visualities and Vocalities of Gröning's Trial -- 4 A Tale of Three Accusers, and Their Differences. 5 Concluding by Counterfactual: The Aesthetics of Silence amid Bee-Keeping and Book-Keeping -- Acknowledgements -- Chapter 4 Performing Justice: The Trial of Bruno Dey and Its Protagonists -- 1 Introduction and Methodology -- 2 Background -- 3 The Director -- 4 Villain or Victim? -- 5 The Heroes -- 6 Hidden Protagonists -- 7 The Extras -- 8 Conclusion -- 9 Epilogue -- Part 2 Translating the Senses into Law and Judgment -- Chapter 5 Does Music Create Killers?: The Role of Music in the Commission of Violent Crimes -- 1 Introduction -- 2 Marching Drums -- 2.1 Music as a Stimulator of Courage and Perseverance -- 2.2 Musical Sadism -- 3 A 'One-Man-Army' -- 3.1 Breivik's Musical Influences: 'The Best and Most Talented Patriotic Musician' -- 3.2 In Preparation to 'Fight' -- 3.2.1 Building Confidence and Suppression of Fear -- 3.2.2 Conditioning Body and Mind -- 4 Music on Trial at the ICTR -- 4.1 The 'Offending' Songs -- 5 Conclusion -- Chapter 6 The Stench of Death: The Olfactory of Genocide in International Criminal Trials -- 1 Introduction -- 2 Smell as a Lower Sense -- 3 Olfactory Testimonies of Genocide -- 4 The Stench of Decomposition: Memories of Rotting Bodies -- 5 A Lingering and Persisting Stench -- 6 Power and Killing at Roadblocks -- 7 Hiding from the Génocidaires -- 8 Killings at Hospitals -- 9 Fear of Contamination and Epidemics -- 10 Stench as a Legal Element -- 10.1 A Tug of War between Visual and Olfactory Impressions -- 10.2 Ignoring Stench as Incitement to Genocide? -- 11 Killings in Churches -- 12 '[I]t Was a Study of Horror' -- 12.1 Smoking Cigars in UNAMIR Helicopters -- 12.2 A Constant Flow of Bodies -- 13 Few and Far between: Prosecutorial References to Stench -- 14 Smelling Dirty: Stench Unrelated to Death -- 15 Implications of Stench on Reconciliation -- 16 Conclusion. Chapter 7 The Sound and Taste of Atrocities: From Cambodia in the 1970s to Bosnia and Herzegovina in the 1990s -- 1 Introduction -- 2 Adducing Witness Testimony -- 3 Setting the Cases in their Historical Context -- 4 The Significance of the Sound and Taste of Atrocities -- 4.1 Proving Murder, Extermination, and Genocide: Revolutionary Music and the Sound of Silence -- 4.2 Proving Persecution: Eating of Pork and Nationalistic Songs -- 4.3 Proving Terrorisation and Forcible Transfer: The Screams of a Slaughtered Pig -- 4.4 Proving Individual Criminal Responsibility -- 5 Sensory Interference: Memory and Time, Language and Interpretation -- 5.1 Memory and Time: Assessing Credibility and Weighing Testimony -- 5.2 Language and Interpretation -- 6 Conclusion -- Chapter 8 The Age-Impunity Rhetoric in Trials for Crimes Committed during the Argentine Genocide (1975-1983) -- 1 Introduction -- 2 Rhetoric of Age-Impunity from the Unseen -- 3 Rhetoric Age-Impunity from the Seen: The Formula of Martyrdom -- 4 Rhetoric Age-Impunity from the Unseen -- 5 Conclusion -- Part 3 Filtering the Sensory: Language, Evidence, Culture, and Procedure -- Chapter 9 Sounds of Atrocity Prosecutions: Intersubjective Interpreting as a Key Ingredient for Effective and Fair Trials in Multilingual and Multicultural War Crimes Courtrooms -- 1 Introduction -- 2 Identifying Sources of Poor Intersubjectivity in Multilinguistic and Multicultural Trials -- 3 Thinking Differently in Different Languages: Biases Affecting the Quality of Intersubjectivity -- 4 Different Interpretation Standards Produce Different Sounds of Atrocity Prosecutions -- 5 Language Rights, Intersubjectivity and Effective Fair Trial Guarantees -- 6 Conclusion -- Chapter 10 The Mind's Eye: The Invisibility of Culture in Individual Criminal Responsibility -- 1 Introduction -- 2 Culture in International Criminal Trials. 3 The Constitutive Role of Culture in Individual Culpability -- 4 Using Culture to (De)Construct the Defendant -- 5 Conclusions -- Chapter 11 Versions of the Truth: Disinformation and Prosecuting Atrocities -- 1 Introduction -- 2 Digital Evidence and Manipulation -- 3 Sights: Can We Believe Our Eyes? -- 4 Authenticity, Voices and Visuals -- 5 In the Minds of Judges -- 6 Sounds of Evidence -- 7 Humanity and the Machine -- 8 Conclusion -- Chapter 12 Putting Things in Play: The Spectacle of Criminal Justice -- 1 Introduction -- 2 Artistic International Law -- 2.1 The Turn to Aesthetics -- 2.2 Trials as Theatre -- 3 Representation at Trial -- 4 Putting Things in Play -- 5 Conclusion -- Part 4 Staging, Re-enactment, Film -- Chapter 13 A Trial without a Defendant: The Mock Trial of Dr. Josef Mengele in Jerusalem -- 1 Introduction -- 2 The State of Israel vs. Josef Mengele: A Public Hearing or a Quasi-criminal Proceeding? -- 3 'A Reminder Shall Come out of Jerusalem' -- 4 'I Swore to My Mother That One Day, I Would Take Revenge on Dr. Mengele' -- 5 Conclusion -- Acknowledgements -- Chapter 14 Reconstructing the Crime: : Memory, Re-enactments, and Space in Atrocity Investigations -- 1 Introduction -- 2 Reconstructions in Law -- 3 Materiality: Walking through the Site -- 4 Testimony in Words and Body -- 5 Creating Evidence for the Future -- 6 Conclusion -- Acknowledgements -- Chapter 15 Staging Atrocity Prosecutions: Re-enactments and Pre-enactments of Atrocity Trials in Theatre -- 1 Introduction -- 2 Peter Weiss: Die Ermittlung. Oratorium in 11 Gesängen (1965) -- 3 Milo Rau: The Congo Tribunal (2015) -- 4 Rainald Goetz: Reich des Todes (2020) -- 5 Conclusion -- Chapter 16 Entertaining Selectivity: 'Narcos', Netflix, and International Crimes -- 1 Introduction: Entertaining Selectivity and Entertaining Images. 2 Theoretical Footholds: Translating between Culture, Crime, and Law -- 2.1 The Translation of Ideas across Epistemological Boundaries -- 2.2 Cultural Criminology -- 3 Reflections of Selectivity in Narco-entertainment -- 3.1 What Is the 'War on Drugs'? What Is a 'Drug War'? -- 3.2 'Child-Soldiers' and 'Cartels' -- 3.3 'Armed Attack' by 'Organized Groups' -- 4 Conclusion: Narco-culture, Entertainment, Politics and Criminal Justice -- Acknowledgements -- Part 5 Sensibility Divides: North-South, Imperial-Colonized, State-Society -- Chapter 17 Hearing Voices: Victim and Witness Demographics at the International Criminal Court -- 1 Introduction -- 2 Demographics and the Evolving Role of Victims and Witnesses in the ICC's Proceedings -- 2.1 Witnesses -- 2.2 Victims -- 3 The Significance of Victim and Witness Demographics for the Goals of International Criminal Justice -- 3.1 Fact-Finding and History-Telling -- 3.2 Expressivism -- 3.3 Restorative Justice -- 4 Whose Voices Are Heard? -- 5 Reconciling Publication of Data with Victim and Witness Protection -- 6 Conclusion -- Chapter 18 Ugly Atrocities, Cathartic Prosecutions: International Criminal Law as Emotional Salve -- 1 Introduction -- 2 Horrific Atrocities -- 3 Cathartic Prosecutions -- 4 Concluding Thoughts -- Chapter 19 Appropriating Sovereignty through Trials: British Imperial Expansion and Staging of Oppression through Law -- 1 Introduction -- 2 Zafar, 'a Beast in a Cage': The Person -- 2.1 Zafar's Role in the Revolt -- 2.2 Zafar's Arrest -- 3 Red Fort: The Place -- 4 'A Solemn Farce': The Trial -- 5 Afterwards and Afterwords: Zafar in 'Our' Memory -- 6 Trial of Tikendrajit Singh: Contrast and Continuity -- 7 Conclusion -- Acknowledgements -- Chapter 20 'Protecting the Environment Is Not Illegal': Ecological Activism, the Visualities of Law and Justice, and the Land Concession Crisis in Cambodia. 1 Introduction. |
author_facet |
Drumbl, Mark A. Fournet, Caroline. |
author_variant |
m a d ma mad |
author2 |
Fournet, Caroline. |
author2_variant |
c f cf |
author2_role |
TeilnehmendeR |
author_sort |
Drumbl, Mark A. |
title |
Sights, Sounds, and Sensibilities of Atrocity Prosecutions. |
title_full |
Sights, Sounds, and Sensibilities of Atrocity Prosecutions. |
title_fullStr |
Sights, Sounds, and Sensibilities of Atrocity Prosecutions. |
title_full_unstemmed |
Sights, Sounds, and Sensibilities of Atrocity Prosecutions. |
title_auth |
Sights, Sounds, and Sensibilities of Atrocity Prosecutions. |
title_new |
Sights, Sounds, and Sensibilities of Atrocity Prosecutions. |
title_sort |
sights, sounds, and sensibilities of atrocity prosecutions. |
series |
Studies in International Criminal Law Series ; |
series2 |
Studies in International Criminal Law Series ; |
publisher |
BRILL, |
publishDate |
2024 |
physical |
1 online resource (558 pages) |
edition |
1st ed. |
contents |
Front Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- Figures -- Notes on Contributors -- Introduction -- 1 Genealogy: Coming of Age to Here and Now -- 2 Looking Intensely at Simulation, Translation, and Projection -- 3 A Note on Aesthetics -- 4 This Book: Structure, Threads, and Themes -- 4.1 Part 1 Shows and Cases: Showcasing(s) in the Courtroom -- 4.2 Part 2 Translating the Senses into Law and Judgment -- 4.3 Part 3 Filtering the Sensory: Language, Evidence, Culture, and Procedure -- 4.4 Part 4 Staging, Re-enactment, Film -- 4.5 Part 5 Sensibility Divides: North-South, Imperial-Colonized, State-Society -- 4.6 Part 6 Reflections on Aesthetics and Methods -- 5 Closing While Opening -- Part 1 Shows and Cases: Showcasing(s) in the Courtroom -- Chapter 1 Optical Allusions, Indecency, and Injustice in the Trial of Japanese War Criminals -- 1 Introduction -- 2 Once Were Warriors? Here Be Dragons? -- 3 Aesthetical Disorder, Allegorical Dissonance -- 4 Over Promise, Under Deliver -- 5 Conclusion: Time, a Wasting -- Acknowledgements -- Chapter 2 'The Show Must Go On': : The Trials and Tribulations of Ludmila Brožová-Polednová -- 1 Introduction -- 2 The Rise and Fall of Communists in Czechoslovakia -- 3 Ludmila Brožová-Polednová: Actress, Prosecutor and Criminal -- 4 Ludmila's 'Role' of a Lifetime -- 5 Ludmila's 'Finale' -- 6 Conclusion: Show Trials Then and Now -- Acknowledgements -- Chapter 3 Atrocity Then, Trial Now: : The Aesthetics, Acoustics, and Visualities of Prosecuting Oskar Gröning -- 1 Introduction -- 2 Prosecuting 'the Small Cog in the Gears' -- 2.1 Gröning: The 'Bookkeeper' of Auschwitz -- 2.2 Gröning after Demjanjuk -- 2.3 Gröning on Trial -- 3 The Visualities and Vocalities of Gröning's Trial -- 4 A Tale of Three Accusers, and Their Differences. 5 Concluding by Counterfactual: The Aesthetics of Silence amid Bee-Keeping and Book-Keeping -- Acknowledgements -- Chapter 4 Performing Justice: The Trial of Bruno Dey and Its Protagonists -- 1 Introduction and Methodology -- 2 Background -- 3 The Director -- 4 Villain or Victim? -- 5 The Heroes -- 6 Hidden Protagonists -- 7 The Extras -- 8 Conclusion -- 9 Epilogue -- Part 2 Translating the Senses into Law and Judgment -- Chapter 5 Does Music Create Killers?: The Role of Music in the Commission of Violent Crimes -- 1 Introduction -- 2 Marching Drums -- 2.1 Music as a Stimulator of Courage and Perseverance -- 2.2 Musical Sadism -- 3 A 'One-Man-Army' -- 3.1 Breivik's Musical Influences: 'The Best and Most Talented Patriotic Musician' -- 3.2 In Preparation to 'Fight' -- 3.2.1 Building Confidence and Suppression of Fear -- 3.2.2 Conditioning Body and Mind -- 4 Music on Trial at the ICTR -- 4.1 The 'Offending' Songs -- 5 Conclusion -- Chapter 6 The Stench of Death: The Olfactory of Genocide in International Criminal Trials -- 1 Introduction -- 2 Smell as a Lower Sense -- 3 Olfactory Testimonies of Genocide -- 4 The Stench of Decomposition: Memories of Rotting Bodies -- 5 A Lingering and Persisting Stench -- 6 Power and Killing at Roadblocks -- 7 Hiding from the Génocidaires -- 8 Killings at Hospitals -- 9 Fear of Contamination and Epidemics -- 10 Stench as a Legal Element -- 10.1 A Tug of War between Visual and Olfactory Impressions -- 10.2 Ignoring Stench as Incitement to Genocide? -- 11 Killings in Churches -- 12 '[I]t Was a Study of Horror' -- 12.1 Smoking Cigars in UNAMIR Helicopters -- 12.2 A Constant Flow of Bodies -- 13 Few and Far between: Prosecutorial References to Stench -- 14 Smelling Dirty: Stench Unrelated to Death -- 15 Implications of Stench on Reconciliation -- 16 Conclusion. Chapter 7 The Sound and Taste of Atrocities: From Cambodia in the 1970s to Bosnia and Herzegovina in the 1990s -- 1 Introduction -- 2 Adducing Witness Testimony -- 3 Setting the Cases in their Historical Context -- 4 The Significance of the Sound and Taste of Atrocities -- 4.1 Proving Murder, Extermination, and Genocide: Revolutionary Music and the Sound of Silence -- 4.2 Proving Persecution: Eating of Pork and Nationalistic Songs -- 4.3 Proving Terrorisation and Forcible Transfer: The Screams of a Slaughtered Pig -- 4.4 Proving Individual Criminal Responsibility -- 5 Sensory Interference: Memory and Time, Language and Interpretation -- 5.1 Memory and Time: Assessing Credibility and Weighing Testimony -- 5.2 Language and Interpretation -- 6 Conclusion -- Chapter 8 The Age-Impunity Rhetoric in Trials for Crimes Committed during the Argentine Genocide (1975-1983) -- 1 Introduction -- 2 Rhetoric of Age-Impunity from the Unseen -- 3 Rhetoric Age-Impunity from the Seen: The Formula of Martyrdom -- 4 Rhetoric Age-Impunity from the Unseen -- 5 Conclusion -- Part 3 Filtering the Sensory: Language, Evidence, Culture, and Procedure -- Chapter 9 Sounds of Atrocity Prosecutions: Intersubjective Interpreting as a Key Ingredient for Effective and Fair Trials in Multilingual and Multicultural War Crimes Courtrooms -- 1 Introduction -- 2 Identifying Sources of Poor Intersubjectivity in Multilinguistic and Multicultural Trials -- 3 Thinking Differently in Different Languages: Biases Affecting the Quality of Intersubjectivity -- 4 Different Interpretation Standards Produce Different Sounds of Atrocity Prosecutions -- 5 Language Rights, Intersubjectivity and Effective Fair Trial Guarantees -- 6 Conclusion -- Chapter 10 The Mind's Eye: The Invisibility of Culture in Individual Criminal Responsibility -- 1 Introduction -- 2 Culture in International Criminal Trials. 3 The Constitutive Role of Culture in Individual Culpability -- 4 Using Culture to (De)Construct the Defendant -- 5 Conclusions -- Chapter 11 Versions of the Truth: Disinformation and Prosecuting Atrocities -- 1 Introduction -- 2 Digital Evidence and Manipulation -- 3 Sights: Can We Believe Our Eyes? -- 4 Authenticity, Voices and Visuals -- 5 In the Minds of Judges -- 6 Sounds of Evidence -- 7 Humanity and the Machine -- 8 Conclusion -- Chapter 12 Putting Things in Play: The Spectacle of Criminal Justice -- 1 Introduction -- 2 Artistic International Law -- 2.1 The Turn to Aesthetics -- 2.2 Trials as Theatre -- 3 Representation at Trial -- 4 Putting Things in Play -- 5 Conclusion -- Part 4 Staging, Re-enactment, Film -- Chapter 13 A Trial without a Defendant: The Mock Trial of Dr. Josef Mengele in Jerusalem -- 1 Introduction -- 2 The State of Israel vs. Josef Mengele: A Public Hearing or a Quasi-criminal Proceeding? -- 3 'A Reminder Shall Come out of Jerusalem' -- 4 'I Swore to My Mother That One Day, I Would Take Revenge on Dr. Mengele' -- 5 Conclusion -- Acknowledgements -- Chapter 14 Reconstructing the Crime: : Memory, Re-enactments, and Space in Atrocity Investigations -- 1 Introduction -- 2 Reconstructions in Law -- 3 Materiality: Walking through the Site -- 4 Testimony in Words and Body -- 5 Creating Evidence for the Future -- 6 Conclusion -- Acknowledgements -- Chapter 15 Staging Atrocity Prosecutions: Re-enactments and Pre-enactments of Atrocity Trials in Theatre -- 1 Introduction -- 2 Peter Weiss: Die Ermittlung. Oratorium in 11 Gesängen (1965) -- 3 Milo Rau: The Congo Tribunal (2015) -- 4 Rainald Goetz: Reich des Todes (2020) -- 5 Conclusion -- Chapter 16 Entertaining Selectivity: 'Narcos', Netflix, and International Crimes -- 1 Introduction: Entertaining Selectivity and Entertaining Images. 2 Theoretical Footholds: Translating between Culture, Crime, and Law -- 2.1 The Translation of Ideas across Epistemological Boundaries -- 2.2 Cultural Criminology -- 3 Reflections of Selectivity in Narco-entertainment -- 3.1 What Is the 'War on Drugs'? What Is a 'Drug War'? -- 3.2 'Child-Soldiers' and 'Cartels' -- 3.3 'Armed Attack' by 'Organized Groups' -- 4 Conclusion: Narco-culture, Entertainment, Politics and Criminal Justice -- Acknowledgements -- Part 5 Sensibility Divides: North-South, Imperial-Colonized, State-Society -- Chapter 17 Hearing Voices: Victim and Witness Demographics at the International Criminal Court -- 1 Introduction -- 2 Demographics and the Evolving Role of Victims and Witnesses in the ICC's Proceedings -- 2.1 Witnesses -- 2.2 Victims -- 3 The Significance of Victim and Witness Demographics for the Goals of International Criminal Justice -- 3.1 Fact-Finding and History-Telling -- 3.2 Expressivism -- 3.3 Restorative Justice -- 4 Whose Voices Are Heard? -- 5 Reconciling Publication of Data with Victim and Witness Protection -- 6 Conclusion -- Chapter 18 Ugly Atrocities, Cathartic Prosecutions: International Criminal Law as Emotional Salve -- 1 Introduction -- 2 Horrific Atrocities -- 3 Cathartic Prosecutions -- 4 Concluding Thoughts -- Chapter 19 Appropriating Sovereignty through Trials: British Imperial Expansion and Staging of Oppression through Law -- 1 Introduction -- 2 Zafar, 'a Beast in a Cage': The Person -- 2.1 Zafar's Role in the Revolt -- 2.2 Zafar's Arrest -- 3 Red Fort: The Place -- 4 'A Solemn Farce': The Trial -- 5 Afterwards and Afterwords: Zafar in 'Our' Memory -- 6 Trial of Tikendrajit Singh: Contrast and Continuity -- 7 Conclusion -- Acknowledgements -- Chapter 20 'Protecting the Environment Is Not Illegal': Ecological Activism, the Visualities of Law and Justice, and the Land Concession Crisis in Cambodia. 1 Introduction. |
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Studies in International Criminal Law Series ; v.06 |
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Sights, Sounds, and Sensibilities of Atrocity Prosecutions. |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>11172nam a22004693i 4500</leader><controlfield tag="001">993684765504498</controlfield><controlfield tag="005">20240730080253.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr cnu||||||||</controlfield><controlfield tag="008">240730s2024 xx o ||||0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789004677951</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9789004677944</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC31570048</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL31570048</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)33469062900041</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)9933469062900041</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">341.6/9</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Drumbl, Mark A.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Sights, Sounds, and Sensibilities of Atrocity Prosecutions.</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Boston :</subfield><subfield code="b">BRILL,</subfield><subfield code="c">2024.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2024.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (558 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Studies in International Criminal Law Series ;</subfield><subfield code="v">v.06</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Front Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- Figures -- Notes on Contributors -- Introduction -- 1 Genealogy: Coming of Age to Here and Now -- 2 Looking Intensely at Simulation, Translation, and Projection -- 3 A Note on Aesthetics -- 4 This Book: Structure, Threads, and Themes -- 4.1 Part 1 Shows and Cases: Showcasing(s) in the Courtroom -- 4.2 Part 2 Translating the Senses into Law and Judgment -- 4.3 Part 3 Filtering the Sensory: Language, Evidence, Culture, and Procedure -- 4.4 Part 4 Staging, Re-enactment, Film -- 4.5 Part 5 Sensibility Divides: North-South, Imperial-Colonized, State-Society -- 4.6 Part 6 Reflections on Aesthetics and Methods -- 5 Closing While Opening -- Part 1 Shows and Cases: Showcasing(s) in the Courtroom -- Chapter 1 Optical Allusions, Indecency, and Injustice in the Trial of Japanese War Criminals -- 1 Introduction -- 2 Once Were Warriors? Here Be Dragons? -- 3 Aesthetical Disorder, Allegorical Dissonance -- 4 Over Promise, Under Deliver -- 5 Conclusion: Time, a Wasting -- Acknowledgements -- Chapter 2 'The Show Must Go On': : The Trials and Tribulations of Ludmila Brožová-Polednová -- 1 Introduction -- 2 The Rise and Fall of Communists in Czechoslovakia -- 3 Ludmila Brožová-Polednová: Actress, Prosecutor and Criminal -- 4 Ludmila's 'Role' of a Lifetime -- 5 Ludmila's 'Finale' -- 6 Conclusion: Show Trials Then and Now -- Acknowledgements -- Chapter 3 Atrocity Then, Trial Now: : The Aesthetics, Acoustics, and Visualities of Prosecuting Oskar Gröning -- 1 Introduction -- 2 Prosecuting 'the Small Cog in the Gears' -- 2.1 Gröning: The 'Bookkeeper' of Auschwitz -- 2.2 Gröning after Demjanjuk -- 2.3 Gröning on Trial -- 3 The Visualities and Vocalities of Gröning's Trial -- 4 A Tale of Three Accusers, and Their Differences.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">5 Concluding by Counterfactual: The Aesthetics of Silence amid Bee-Keeping and Book-Keeping -- Acknowledgements -- Chapter 4 Performing Justice: The Trial of Bruno Dey and Its Protagonists -- 1 Introduction and Methodology -- 2 Background -- 3 The Director -- 4 Villain or Victim? -- 5 The Heroes -- 6 Hidden Protagonists -- 7 The Extras -- 8 Conclusion -- 9 Epilogue -- Part 2 Translating the Senses into Law and Judgment -- Chapter 5 Does Music Create Killers?: The Role of Music in the Commission of Violent Crimes -- 1 Introduction -- 2 Marching Drums -- 2.1 Music as a Stimulator of Courage and Perseverance -- 2.2 Musical Sadism -- 3 A 'One-Man-Army' -- 3.1 Breivik's Musical Influences: 'The Best and Most Talented Patriotic Musician' -- 3.2 In Preparation to 'Fight' -- 3.2.1 Building Confidence and Suppression of Fear -- 3.2.2 Conditioning Body and Mind -- 4 Music on Trial at the ICTR -- 4.1 The 'Offending' Songs -- 5 Conclusion -- Chapter 6 The Stench of Death: The Olfactory of Genocide in International Criminal Trials -- 1 Introduction -- 2 Smell as a Lower Sense -- 3 Olfactory Testimonies of Genocide -- 4 The Stench of Decomposition: Memories of Rotting Bodies -- 5 A Lingering and Persisting Stench -- 6 Power and Killing at Roadblocks -- 7 Hiding from the Génocidaires -- 8 Killings at Hospitals -- 9 Fear of Contamination and Epidemics -- 10 Stench as a Legal Element -- 10.1 A Tug of War between Visual and Olfactory Impressions -- 10.2 Ignoring Stench as Incitement to Genocide? -- 11 Killings in Churches -- 12 '[I]t Was a Study of Horror' -- 12.1 Smoking Cigars in UNAMIR Helicopters -- 12.2 A Constant Flow of Bodies -- 13 Few and Far between: Prosecutorial References to Stench -- 14 Smelling Dirty: Stench Unrelated to Death -- 15 Implications of Stench on Reconciliation -- 16 Conclusion.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Chapter 7 The Sound and Taste of Atrocities: From Cambodia in the 1970s to Bosnia and Herzegovina in the 1990s -- 1 Introduction -- 2 Adducing Witness Testimony -- 3 Setting the Cases in their Historical Context -- 4 The Significance of the Sound and Taste of Atrocities -- 4.1 Proving Murder, Extermination, and Genocide: Revolutionary Music and the Sound of Silence -- 4.2 Proving Persecution: Eating of Pork and Nationalistic Songs -- 4.3 Proving Terrorisation and Forcible Transfer: The Screams of a Slaughtered Pig -- 4.4 Proving Individual Criminal Responsibility -- 5 Sensory Interference: Memory and Time, Language and Interpretation -- 5.1 Memory and Time: Assessing Credibility and Weighing Testimony -- 5.2 Language and Interpretation -- 6 Conclusion -- Chapter 8 The Age-Impunity Rhetoric in Trials for Crimes Committed during the Argentine Genocide (1975-1983) -- 1 Introduction -- 2 Rhetoric of Age-Impunity from the Unseen -- 3 Rhetoric Age-Impunity from the Seen: The Formula of Martyrdom -- 4 Rhetoric Age-Impunity from the Unseen -- 5 Conclusion -- Part 3 Filtering the Sensory: Language, Evidence, Culture, and Procedure -- Chapter 9 Sounds of Atrocity Prosecutions: Intersubjective Interpreting as a Key Ingredient for Effective and Fair Trials in Multilingual and Multicultural War Crimes Courtrooms -- 1 Introduction -- 2 Identifying Sources of Poor Intersubjectivity in Multilinguistic and Multicultural Trials -- 3 Thinking Differently in Different Languages: Biases Affecting the Quality of Intersubjectivity -- 4 Different Interpretation Standards Produce Different Sounds of Atrocity Prosecutions -- 5 Language Rights, Intersubjectivity and Effective Fair Trial Guarantees -- 6 Conclusion -- Chapter 10 The Mind's Eye: The Invisibility of Culture in Individual Criminal Responsibility -- 1 Introduction -- 2 Culture in International Criminal Trials.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">3 The Constitutive Role of Culture in Individual Culpability -- 4 Using Culture to (De)Construct the Defendant -- 5 Conclusions -- Chapter 11 Versions of the Truth: Disinformation and Prosecuting Atrocities -- 1 Introduction -- 2 Digital Evidence and Manipulation -- 3 Sights: Can We Believe Our Eyes? -- 4 Authenticity, Voices and Visuals -- 5 In the Minds of Judges -- 6 Sounds of Evidence -- 7 Humanity and the Machine -- 8 Conclusion -- Chapter 12 Putting Things in Play: The Spectacle of Criminal Justice -- 1 Introduction -- 2 Artistic International Law -- 2.1 The Turn to Aesthetics -- 2.2 Trials as Theatre -- 3 Representation at Trial -- 4 Putting Things in Play -- 5 Conclusion -- Part 4 Staging, Re-enactment, Film -- Chapter 13 A Trial without a Defendant: The Mock Trial of Dr. Josef Mengele in Jerusalem -- 1 Introduction -- 2 The State of Israel vs. Josef Mengele: A Public Hearing or a Quasi-criminal Proceeding? -- 3 'A Reminder Shall Come out of Jerusalem' -- 4 'I Swore to My Mother That One Day, I Would Take Revenge on Dr. Mengele' -- 5 Conclusion -- Acknowledgements -- Chapter 14 Reconstructing the Crime: : Memory, Re-enactments, and Space in Atrocity Investigations -- 1 Introduction -- 2 Reconstructions in Law -- 3 Materiality: Walking through the Site -- 4 Testimony in Words and Body -- 5 Creating Evidence for the Future -- 6 Conclusion -- Acknowledgements -- Chapter 15 Staging Atrocity Prosecutions: Re-enactments and Pre-enactments of Atrocity Trials in Theatre -- 1 Introduction -- 2 Peter Weiss: Die Ermittlung. Oratorium in 11 Gesängen (1965) -- 3 Milo Rau: The Congo Tribunal (2015) -- 4 Rainald Goetz: Reich des Todes (2020) -- 5 Conclusion -- Chapter 16 Entertaining Selectivity: 'Narcos', Netflix, and International Crimes -- 1 Introduction: Entertaining Selectivity and Entertaining Images.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">2 Theoretical Footholds: Translating between Culture, Crime, and Law -- 2.1 The Translation of Ideas across Epistemological Boundaries -- 2.2 Cultural Criminology -- 3 Reflections of Selectivity in Narco-entertainment -- 3.1 What Is the 'War on Drugs'? What Is a 'Drug War'? -- 3.2 'Child-Soldiers' and 'Cartels' -- 3.3 'Armed Attack' by 'Organized Groups' -- 4 Conclusion: Narco-culture, Entertainment, Politics and Criminal Justice -- Acknowledgements -- Part 5 Sensibility Divides: North-South, Imperial-Colonized, State-Society -- Chapter 17 Hearing Voices: Victim and Witness Demographics at the International Criminal Court -- 1 Introduction -- 2 Demographics and the Evolving Role of Victims and Witnesses in the ICC's Proceedings -- 2.1 Witnesses -- 2.2 Victims -- 3 The Significance of Victim and Witness Demographics for the Goals of International Criminal Justice -- 3.1 Fact-Finding and History-Telling -- 3.2 Expressivism -- 3.3 Restorative Justice -- 4 Whose Voices Are Heard? -- 5 Reconciling Publication of Data with Victim and Witness Protection -- 6 Conclusion -- Chapter 18 Ugly Atrocities, Cathartic Prosecutions: International Criminal Law as Emotional Salve -- 1 Introduction -- 2 Horrific Atrocities -- 3 Cathartic Prosecutions -- 4 Concluding Thoughts -- Chapter 19 Appropriating Sovereignty through Trials: British Imperial Expansion and Staging of Oppression through Law -- 1 Introduction -- 2 Zafar, 'a Beast in a Cage': The Person -- 2.1 Zafar's Role in the Revolt -- 2.2 Zafar's Arrest -- 3 Red Fort: The Place -- 4 'A Solemn Farce': The Trial -- 5 Afterwards and Afterwords: Zafar in 'Our' Memory -- 6 Trial of Tikendrajit Singh: Contrast and Continuity -- 7 Conclusion -- Acknowledgements -- Chapter 20 'Protecting the Environment Is Not Illegal': Ecological Activism, the Visualities of Law and Justice, and the Land Concession Crisis in Cambodia.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">1 Introduction.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This book explores how international criminal justice interacts with the human senses - sight, sound, smell, taste, and touch - when it comes to perceiving mass atrocity and thereafter holding perpetrators accountable.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Fournet, Caroline.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Drumbl, Mark A.</subfield><subfield code="t">Sights, Sounds, and Sensibilities of Atrocity Prosecutions</subfield><subfield code="d">Boston : BRILL,c2024</subfield><subfield code="z">9789004677944</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Studies in International Criminal Law Series</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2024-08-12 00:22:33 Europe/Vienna</subfield><subfield code="d">00</subfield><subfield code="f">System</subfield><subfield code="c">marc21</subfield><subfield code="a">2024-07-30 11:01:20 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">Brill</subfield><subfield code="P">EBA Brill All</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5357218700004498&Force_direct=true</subfield><subfield code="Z">5357218700004498</subfield><subfield code="b">Available</subfield><subfield code="8">5357218700004498</subfield></datafield></record></collection> |