The chatter of the visible : : montage and narrative in Weimar Germany / / Patrizia C. McBride.
"Examines the paradoxical narrative features of the photomontage aesthetics of artists associated with Dada, Constructivism, and the New Objectivity. While montage strategies have commonly been associated with the purposeful interruption of and challenge to narrative consistency and continuity,...
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Place / Publishing House: | Ann Arbor : : University of Michigan Press,, [2016] |
Year of Publication: | 2016 |
Language: | English |
Physical Description: | 1 online resource (x, 236 pages) :; illustrations |
Notes: | Includes index. |
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100 | 1 | |a McBride, Patrizia C., |e author. | |
245 | 1 | 4 | |a The chatter of the visible : |b montage and narrative in Weimar Germany / |c Patrizia C. McBride. |
246 | |a Chatter of the Visible | ||
260 | |a Ann Arbor |b University of Michigan Press |c 2016 | ||
264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c [2016] | |
300 | |a 1 online resource (x, 236 pages) : |b illustrations | ||
336 | |a still image |b sti |2 rdacontent | ||
336 | |a text |b txt |2 rdacontent | ||
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338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a Text file |2 rda | ||
520 | 1 | |a "Examines the paradoxical narrative features of the photomontage aesthetics of artists associated with Dada, Constructivism, and the New Objectivity. While montage strategies have commonly been associated with the purposeful interruption of and challenge to narrative consistency and continuity, McBride offers a historicized reappraisal of 1920s and 1930s German photomontage work to show that its peculiar mimicry was less a rejection of narrative and more an extension or permutation of it - a means for thinking in narrative textures exceeding constraints imposed by "flat" print media (especially the novel and other literary genres). McBride's contribution to the conversation around Weimar-era montage is in her situation of the form of the work as a discursive practice in its own right, which affords humans a new way to negotiate temporality, as a particular mode of thinking that productively relates the particular to the universal, or as a culturally specific form of cognition." | |
530 | |a Also available in print form. | ||
546 | |a English | ||
540 | |f CC BY | ||
504 | |a Includes bibliographical references and index. | ||
588 | |a Description based on information from the publisher. | ||
500 | |a Includes index. | ||
536 | |a Knowledge Unlatched | ||
650 | 0 | |a Photography |z Germany |x History |y 1918-1933. | |
653 | |a History | ||
653 | |a Aesthetics | ||
653 | |a Dada | ||
653 | |a Kurt Schwitters | ||
653 | |a László Moholy-Nagy | ||
653 | |a Mimesis | ||
653 | |a Photography | ||
710 | 2 | |a Michigan Publishing (University of Michigan) |e publisher. | |
776 | |z 0-472-07303-6 | ||
906 | |a BOOK | ||
ADM | |b 2024-08-05 00:33:41 Europe/Vienna |f system |c marc21 |a 2016-05-26 14:39:27 Europe/Vienna |g false | ||
AVE | |i DOAB Directory of Open Access Books |P DOAB Directory of Open Access Books |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5338238600004498&Force_direct=true |Z 5338238600004498 |b Available |8 5338238600004498 |