The Mitre: Its Origins and Early Development / / Nancy Spies.

The story of the mitre began during the 11th-century church reform movements and was, surprisingly, inspired by a popular pastime. After a thousand years of bare heads, the Church finally had an official hat, signaling newly-structured internal dynamics, an increase in power and influence in society...

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Bibliographic Details
Superior document:Art and Material Culture in Medieval and Renaissance Europe ; 21
VerfasserIn:
Place / Publishing House:Leiden ;, Boston : : Brill,, 2024.
©2024
Year of Publication:2024
Edition:1st ed.
Language:English
Series:Art and Material Culture in Medieval and Renaissance Europe ; 21.
Late Antiquity and Medieval Studies E-Books Online, Collection 2023.
Physical Description:1 online resource (383 pages)
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Table of Contents:
  • Front Cover
  • Contents
  • Preface
  • Acknowledgements
  • Figures and Tables
  • Introduction
  • 1 What Is a Mitre? A New Definition
  • 2 Terminology
  • 3 Terms Specific to the Mitre
  • 3.1 (a) Mitre
  • 3.2 (b) A Simple Folding Hat: the Peaked Mitre
  • 3.3 (c) Lobed
  • 3.4 (d) Peaked
  • 4 Bands, Ornamental
  • 4.1 (a) Circular
  • 4.2 (b) Vertical
  • 4.3 (c) Terminal
  • 4.4 (d) Median
  • 4.5 (e) Transverse
  • 4.6 (f) Pendants
  • Chapter 1 Finding and Examining the Evidence
  • 1 Sample Collecting: Methodology
  • 2 Examination of the Visual Evidence
  • 3 General Statistics
  • 4 The First Mitre Images - Styles and Orientation - from the End of the Eleventh Century to 1115
  • 5 Mitres from 1119 to the End of the Twelfth Century-Beginning of the Thirteenth Century
  • 6 Lobed Mitres
  • 7 Peaked Mitres
  • 8 Details of the Mitres Themselves
  • 9 Mitres at the End of the Twelfth Century-Beginning of the Thirteenth Century
  • 10 The Choice of Images
  • 11 Issues for Consideration
  • 11.1 (a) Source Availability
  • 11.2 (b) Dating
  • 11.3 (c) Provenance
  • 11.4 (d) Proficiency of the Artist
  • 11.5 (e) Color and Decoration
  • 11.6 (f) Style Oddities and Further Artistic Issues
  • 12 Extant Mitres
  • 13 Who Wore the Mitre?
  • Chapter 2 Testing the Development
  • 1 Braun's Version of the Early Evolution of the Mitre
  • 2 The Conical Hat on Ecclesiastical Heads
  • 3 The Round Hat on Ecclesiastical Heads
  • 4 Experimental Archaeology
  • 5 The Conical Hat and the Round Hat
  • 6 The Lobed Mitre
  • 7 The Peaked Mitre
  • Chapter 3 Understanding the Institutional Context
  • 1 Vestments
  • 2 Church Rituals
  • Chapter 4 Reading the Documents
  • 1 Eleventh-Century Written Evidence
  • 2 Twelfth-Century Written Evidence
  • 3 Gifting, the Miraculous, the Purely Political
  • Chapter 5 Searching for Origins
  • 1 Religious and Political Factors.
  • 2 Origins of the Peaks and the Lobes
  • 3 Geographical Origins
  • 4 A Special Situation: Bohemia (Poland and the Czech Republic)
  • Chapter 6 Declaring the Winner
  • Conclusions
  • Appendices
  • Appendices A-G
  • Appendix A Examples of the Conical Hat on Ecclesiastical Heads
  • Appendix B Examples of the Round Hat on Ecclesiastical Heads
  • Appendix C Examples of Mitra Interpretations from Old Testament and Ancient Greek Sources
  • Appendix D Outlier Hats on Ecclesiastical Heads
  • Appendix E Mitres on Ecclesiastical Heads from the Late 11th Century to the Beginning of the 13th Century
  • Appendix F 13th Century (to 1250) Mitres on Ecclesiastical Heads (Exceptions Only)
  • Appendix G Secular Lobed Hats and Pouches (Bags)
  • Glossary
  • Bibliography
  • Index
  • Back Cover.