Mediating the Real : : Self-Reflection in Recent American Reportage.
As a literary genre, the nonfictional reportage has particular implications for the role of the writer. Pascal Sigg shows how six U.S. American writers, including David Foster Wallace, George Saunders, and Rachel Kaadzi Ghansah, reflect on themselves as human media in their reportage. The writers as...
Saved in:
Superior document: | Gegenwartsliteratur Series |
---|---|
Funder: | |
: | |
Place / Publishing House: | Bielefeld : : transcript Verlag,, 2024. ©2024. |
Year of Publication: | 2024 |
Edition: | 1st ed. |
Language: | English |
Series: | Gegenwartsliteratur Series
|
Physical Description: | 1 online resource (307 pages) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993676072904498 |
---|---|
ctrlnum |
(CKB)32140507500041 (MiAaPQ)EBC31361163 (Au-PeEL)EBL31361163 (DE-B1597)684952 (DE-B1597)9783839473269 (EXLCZ)9932140507500041 |
collection |
bib_alma |
record_format |
marc |
spelling |
Sigg, Pascal. Mediating the Real : Self-Reflection in Recent American Reportage. 1st ed. Bielefeld : transcript Verlag, 2024. ©2024. 1 online resource (307 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Gegenwartsliteratur Series Description based on publisher supplied metadata and other sources. This eBook is made available Open Access under a CC BY 4.0 license: https://creativecommons.org/licenses/by/4.0 As a literary genre, the nonfictional reportage has particular implications for the role of the writer. Pascal Sigg shows how six U.S. American writers, including David Foster Wallace, George Saunders, and Rachel Kaadzi Ghansah, reflect on themselves as human media in their reportage. The writers assert themselves in a postmodern way by scrutinizing their own mediation. As it also traces and develops the theorization of reportage as genre along the reporters' early concerns with technical media, this pioneering contribution to literary journalism studies paves a way for a new materialist approach in the under-researched field. funded by Swiss National Science Foundation (SNSF) Frontmatter -- Acknowledgments -- Introduction -- Mediating Mediatized Realities -- 1 Reportage and Mediation -- 1.1 The Complications of ‘Literary Journalism’ -- 1.2 The Human Qualities of Reportage -- 1.3 The Human Medium Inspecting Itself -- 2 On Real Communing: Mediating Coordinated Experience -- 2.1 Authenticity and Uncertainty in Touristic Experience -- 2.2 The Desperate Medium in David Foster Wallace’s “A Supposedly Fun Thing I’ll Never Do Again” (1997) -- 2.3 The Believing Medium in George Saunders’s “The New Mecca” (2005) -- 2.4 The Incapable Medium in John Jeremiah Sullivan’s “Upon This Rock” (2012) -- 2.5 Uncertainties and the Negotiation of Trust in Communing -- 3 On Real Bodies: Mediating Other Human Media -- 3.1 Reflexive Subjectivities and Their Differences -- 3.2 The Mysterious Medium in George Saunders’s “Buddha Boy” (2007) -- 3.3 Aware Media in John Jeremiah Sullivan’s “Getting Down to What is Really Real” (2011) -- 3.4 Different Media in Mac McClelland’s “Delusion is the Thing With Feathers” (2017) -- 3.5 The Possibilities of Reflexivity -- 4 On Real Fragmentation: Mediating Violence -- 4.1 Material and Symbolic Violence -- 4.2 The Fractured Medium in George Saunders’s “Tent City, U.S.A.” (2009) -- 4.3 The Atoning Medium in Michael Paterniti’s “Should We Get Used To Mass Shootings?” (2016) -- 4.4 The Resilient Medium in Rachel Kaadzi Ghansah’s “A Most American Terrorist” (2017) -- 4.5 The Reflexivity of Violence -- Conclusion -- The Possibilities of Human Media -- Bibliography LITERARY CRITICISM / American / General. bisacsh American Studies. Digital Media. Human. Literary Studies. Literature. Media. Mediation. Mediatization. Reportage. Self-Reflection. 3-8376-7326-X Swiss National Science Foundation (SNSF) funder. fnd http://id.loc.gov/vocabulary/relators/fnd |
language |
English |
format |
eBook |
author |
Sigg, Pascal. |
spellingShingle |
Sigg, Pascal. Mediating the Real : Self-Reflection in Recent American Reportage. Gegenwartsliteratur Series Frontmatter -- Acknowledgments -- Introduction -- Mediating Mediatized Realities -- 1 Reportage and Mediation -- 1.1 The Complications of ‘Literary Journalism’ -- 1.2 The Human Qualities of Reportage -- 1.3 The Human Medium Inspecting Itself -- 2 On Real Communing: Mediating Coordinated Experience -- 2.1 Authenticity and Uncertainty in Touristic Experience -- 2.2 The Desperate Medium in David Foster Wallace’s “A Supposedly Fun Thing I’ll Never Do Again” (1997) -- 2.3 The Believing Medium in George Saunders’s “The New Mecca” (2005) -- 2.4 The Incapable Medium in John Jeremiah Sullivan’s “Upon This Rock” (2012) -- 2.5 Uncertainties and the Negotiation of Trust in Communing -- 3 On Real Bodies: Mediating Other Human Media -- 3.1 Reflexive Subjectivities and Their Differences -- 3.2 The Mysterious Medium in George Saunders’s “Buddha Boy” (2007) -- 3.3 Aware Media in John Jeremiah Sullivan’s “Getting Down to What is Really Real” (2011) -- 3.4 Different Media in Mac McClelland’s “Delusion is the Thing With Feathers” (2017) -- 3.5 The Possibilities of Reflexivity -- 4 On Real Fragmentation: Mediating Violence -- 4.1 Material and Symbolic Violence -- 4.2 The Fractured Medium in George Saunders’s “Tent City, U.S.A.” (2009) -- 4.3 The Atoning Medium in Michael Paterniti’s “Should We Get Used To Mass Shootings?” (2016) -- 4.4 The Resilient Medium in Rachel Kaadzi Ghansah’s “A Most American Terrorist” (2017) -- 4.5 The Reflexivity of Violence -- Conclusion -- The Possibilities of Human Media -- Bibliography |
author_facet |
Sigg, Pascal. Swiss National Science Foundation (SNSF) Swiss National Science Foundation (SNSF) Swiss National Science Foundation (SNSF) |
author_variant |
p s ps |
author2 |
Swiss National Science Foundation (SNSF) Swiss National Science Foundation (SNSF) |
author2_role |
Funder |
author_corporate |
Swiss National Science Foundation (SNSF) |
author_corporate_role |
Funder |
author_sort |
Sigg, Pascal. |
title |
Mediating the Real : Self-Reflection in Recent American Reportage. |
title_sub |
Self-Reflection in Recent American Reportage. |
title_full |
Mediating the Real : Self-Reflection in Recent American Reportage. |
title_fullStr |
Mediating the Real : Self-Reflection in Recent American Reportage. |
title_full_unstemmed |
Mediating the Real : Self-Reflection in Recent American Reportage. |
title_auth |
Mediating the Real : Self-Reflection in Recent American Reportage. |
title_alt |
Frontmatter -- Acknowledgments -- Introduction -- Mediating Mediatized Realities -- 1 Reportage and Mediation -- 1.1 The Complications of ‘Literary Journalism’ -- 1.2 The Human Qualities of Reportage -- 1.3 The Human Medium Inspecting Itself -- 2 On Real Communing: Mediating Coordinated Experience -- 2.1 Authenticity and Uncertainty in Touristic Experience -- 2.2 The Desperate Medium in David Foster Wallace’s “A Supposedly Fun Thing I’ll Never Do Again” (1997) -- 2.3 The Believing Medium in George Saunders’s “The New Mecca” (2005) -- 2.4 The Incapable Medium in John Jeremiah Sullivan’s “Upon This Rock” (2012) -- 2.5 Uncertainties and the Negotiation of Trust in Communing -- 3 On Real Bodies: Mediating Other Human Media -- 3.1 Reflexive Subjectivities and Their Differences -- 3.2 The Mysterious Medium in George Saunders’s “Buddha Boy” (2007) -- 3.3 Aware Media in John Jeremiah Sullivan’s “Getting Down to What is Really Real” (2011) -- 3.4 Different Media in Mac McClelland’s “Delusion is the Thing With Feathers” (2017) -- 3.5 The Possibilities of Reflexivity -- 4 On Real Fragmentation: Mediating Violence -- 4.1 Material and Symbolic Violence -- 4.2 The Fractured Medium in George Saunders’s “Tent City, U.S.A.” (2009) -- 4.3 The Atoning Medium in Michael Paterniti’s “Should We Get Used To Mass Shootings?” (2016) -- 4.4 The Resilient Medium in Rachel Kaadzi Ghansah’s “A Most American Terrorist” (2017) -- 4.5 The Reflexivity of Violence -- Conclusion -- The Possibilities of Human Media -- Bibliography |
title_new |
Mediating the Real : |
title_sort |
mediating the real : self-reflection in recent american reportage. |
series |
Gegenwartsliteratur Series |
series2 |
Gegenwartsliteratur Series |
publisher |
transcript Verlag, |
publishDate |
2024 |
physical |
1 online resource (307 pages) |
edition |
1st ed. |
contents |
Frontmatter -- Acknowledgments -- Introduction -- Mediating Mediatized Realities -- 1 Reportage and Mediation -- 1.1 The Complications of ‘Literary Journalism’ -- 1.2 The Human Qualities of Reportage -- 1.3 The Human Medium Inspecting Itself -- 2 On Real Communing: Mediating Coordinated Experience -- 2.1 Authenticity and Uncertainty in Touristic Experience -- 2.2 The Desperate Medium in David Foster Wallace’s “A Supposedly Fun Thing I’ll Never Do Again” (1997) -- 2.3 The Believing Medium in George Saunders’s “The New Mecca” (2005) -- 2.4 The Incapable Medium in John Jeremiah Sullivan’s “Upon This Rock” (2012) -- 2.5 Uncertainties and the Negotiation of Trust in Communing -- 3 On Real Bodies: Mediating Other Human Media -- 3.1 Reflexive Subjectivities and Their Differences -- 3.2 The Mysterious Medium in George Saunders’s “Buddha Boy” (2007) -- 3.3 Aware Media in John Jeremiah Sullivan’s “Getting Down to What is Really Real” (2011) -- 3.4 Different Media in Mac McClelland’s “Delusion is the Thing With Feathers” (2017) -- 3.5 The Possibilities of Reflexivity -- 4 On Real Fragmentation: Mediating Violence -- 4.1 Material and Symbolic Violence -- 4.2 The Fractured Medium in George Saunders’s “Tent City, U.S.A.” (2009) -- 4.3 The Atoning Medium in Michael Paterniti’s “Should We Get Used To Mass Shootings?” (2016) -- 4.4 The Resilient Medium in Rachel Kaadzi Ghansah’s “A Most American Terrorist” (2017) -- 4.5 The Reflexivity of Violence -- Conclusion -- The Possibilities of Human Media -- Bibliography |
isbn |
3-8394-7326-8 3-8376-7326-X |
illustrated |
Not Illustrated |
work_keys_str_mv |
AT siggpascal mediatingtherealselfreflectioninrecentamericanreportage AT swissnationalsciencefoundationsnsf mediatingtherealselfreflectioninrecentamericanreportage |
status_str |
n |
ids_txt_mv |
(CKB)32140507500041 (MiAaPQ)EBC31361163 (Au-PeEL)EBL31361163 (DE-B1597)684952 (DE-B1597)9783839473269 (EXLCZ)9932140507500041 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Gegenwartsliteratur Series |
is_hierarchy_title |
Mediating the Real : Self-Reflection in Recent American Reportage. |
container_title |
Gegenwartsliteratur Series |
author2_original_writing_str_mv |
noLinkedField noLinkedField |
_version_ |
1803515087204384768 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01448nam a22003613i 4500</leader><controlfield tag="001">993676072904498</controlfield><controlfield tag="005">20240605084506.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">240605s2024 xx o ||||0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3-8394-7326-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9783839473269</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)32140507500041</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC31361163</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL31361163</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)684952</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)9783839473269</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)9932140507500041</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">gw</subfield><subfield code="c">DE</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT004020</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Sigg, Pascal.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Mediating the Real :</subfield><subfield code="b">Self-Reflection in Recent American Reportage.</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bielefeld :</subfield><subfield code="b">transcript Verlag,</subfield><subfield code="c">2024.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2024.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (307 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Gegenwartsliteratur Series</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources.</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">This eBook is made available Open Access under a CC BY 4.0 license: </subfield><subfield code="u">https://creativecommons.org/licenses/by/4.0</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">As a literary genre, the nonfictional reportage has particular implications for the role of the writer. Pascal Sigg shows how six U.S. American writers, including David Foster Wallace, George Saunders, and Rachel Kaadzi Ghansah, reflect on themselves as human media in their reportage. The writers assert themselves in a postmodern way by scrutinizing their own mediation. As it also traces and develops the theorization of reportage as genre along the reporters' early concerns with technical media, this pioneering contribution to literary journalism studies paves a way for a new materialist approach in the under-researched field.</subfield></datafield><datafield tag="536" ind1=" " ind2=" "><subfield code="a">funded by Swiss National Science Foundation (SNSF)</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">Mediating Mediatized Realities -- </subfield><subfield code="t">1 Reportage and Mediation -- </subfield><subfield code="t">1.1 The Complications of ‘Literary Journalism’ -- </subfield><subfield code="t">1.2 The Human Qualities of Reportage -- </subfield><subfield code="t">1.3 The Human Medium Inspecting Itself -- </subfield><subfield code="t">2 On Real Communing: Mediating Coordinated Experience -- </subfield><subfield code="t">2.1 Authenticity and Uncertainty in Touristic Experience -- </subfield><subfield code="t">2.2 The Desperate Medium in David Foster Wallace’s “A Supposedly Fun Thing I’ll Never Do Again” (1997) -- </subfield><subfield code="t">2.3 The Believing Medium in George Saunders’s “The New Mecca” (2005) -- </subfield><subfield code="t">2.4 The Incapable Medium in John Jeremiah Sullivan’s “Upon This Rock” (2012) -- </subfield><subfield code="t">2.5 Uncertainties and the Negotiation of Trust in Communing -- </subfield><subfield code="t">3 On Real Bodies: Mediating Other Human Media -- </subfield><subfield code="t">3.1 Reflexive Subjectivities and Their Differences -- </subfield><subfield code="t">3.2 The Mysterious Medium in George Saunders’s “Buddha Boy” (2007) -- </subfield><subfield code="t">3.3 Aware Media in John Jeremiah Sullivan’s “Getting Down to What is Really Real” (2011) -- </subfield><subfield code="t">3.4 Different Media in Mac McClelland’s “Delusion is the Thing With Feathers” (2017) -- </subfield><subfield code="t">3.5 The Possibilities of Reflexivity -- </subfield><subfield code="t">4 On Real Fragmentation: Mediating Violence -- </subfield><subfield code="t">4.1 Material and Symbolic Violence -- </subfield><subfield code="t">4.2 The Fractured Medium in George Saunders’s “Tent City, U.S.A.” (2009) -- </subfield><subfield code="t">4.3 The Atoning Medium in Michael Paterniti’s “Should We Get Used To Mass Shootings?” (2016) -- </subfield><subfield code="t">4.4 The Resilient Medium in Rachel Kaadzi Ghansah’s “A Most American Terrorist” (2017) -- </subfield><subfield code="t">4.5 The Reflexivity of Violence -- </subfield><subfield code="t">Conclusion -- </subfield><subfield code="t">The Possibilities of Human Media -- </subfield><subfield code="t">Bibliography</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / American / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">American Studies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Digital Media.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Human.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Literary Studies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Literature.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Media.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Mediation.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Mediatization.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Reportage.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Self-Reflection.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">3-8376-7326-X</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Swiss National Science Foundation (SNSF)</subfield><subfield code="e">funder.</subfield><subfield code="4">fnd</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/fnd</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Gegenwartsliteratur Series</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2024-07-03 00:45:21 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2024-05-24 15:31:56 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">DOAB Directory of Open Access Books</subfield><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5356211680004498&Force_direct=true</subfield><subfield code="Z">5356211680004498</subfield><subfield code="b">Available</subfield><subfield code="8">5356211680004498</subfield></datafield></record></collection> |