Table of Contents: Cultural interactions during the Zhou period (c. 1000-350 B.C.) :

Cultural interactions during the Zhou period (c. 1000-350 B.C.) : : a study of networks from the Suizao corridor / / Beichen Chen.

This volume concerns the cultural interactions during the Zhou period of China (c.a. 1000-350 BCE) between the Suizao corridor (near the present-day Yangtze River region) and its contemporaries within or outside the Zhou realm. It mainly, but not exclusively, concentrates on bronze ritual vessels fr...

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Bibliographic Details
VerfasserIn:	Chen, Beichen,
Place / Publishing House:	Oxford : : Archaeopress Archaeology,, [2019] ©2019
Year of Publication:	2019
Edition:	1st ed.
Language:	English
Physical Description:	1 online resource (151 pages) :; illustrations, maps
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Table of Contents:

Cover
Copyright Page
Contents Page
List of Figures
List of Tables
Acknowledgements
Chapter I Introduction
1. Social background
2. Archaeological background
3. Geographical background
4. Literature review
5. Research approach
6. Research framework
7. Chapter outline
Figure 1. Distribution of important sites dated to the Shang and Zhou period. Drawn by Beichen Chen.
Figure 2. Distribution of the main locations of Jī lineages and non-Jī lineages in the Zhou period. After Khayutina 2014, map I.
Figure 3. Layout of the main tombs and chariot/horse pits of the Jin marquis cemetery. Redrawn after Beijingdaxue kaogu wenbo xueyuan and Shanxi sheng kaogu yanjiusuo 2001: fig. 1.
Figure 4. Profile and chamber layout of M62 in the Jin marquis cemetery. Redrawn after Shanxi sheng kaogu yanjiusuo and Beijingdaxue kaoguxi 1994a: figs. 9 and 10.
Figure 5. Profile and chamber layout of Zhuyuangou M13. Redrawn after Lu Liancheng and Hu Zhisheng 1988: figs. 33 and 34.
Figure 6. Bird's eye view of a waist pit and a sacrificial dog inside Dahekou M2139. Redrawn after Xie Yaoting 2012: 15.
Figure 7. Profile and chamber layout of Shigushan M3. Redrawn after Shigushan kaogudui 2013: figs. 3 and 11.
Figure 8. Bird's eye view of Hengshui M2 and Dahekou M1. Redrawn after Shanxi sheng kaogu yanjiusuo et al. 2006b: pl. 5.3, and Xie Yaoting 2012: 27.
Figure 10. Liulihe tomb M1193 and its four 'sloping ramps'. Redrawn after Zhongguo shehui kexueyuan kaogu yanjiusuo and Beijing shi wenwu yanjiusuo Liulihe kaogudui 1990: pl. 1.1.
Figure 9. Dahekou tomb M1 and its four inclined tunnels. Redrawn after Xie Yaoting 2012: 17-18.
Figure 11. Layout and major burials of the Yejiashan cemetery. Redrawn after Hubei sheng bowuguan et al. 2013: 12.
Figure 12. Layout and major burials of Guojiamiao cemetery. Redrawn after Xiangfan shi kaogudui et al. 2005: fig. 3.
Figure 13. Layout of Wenfengta cemetery. Redrawn after Hubei sheng wenwu kaogu yanjiusuo 2013: fig. 1.
Figure 14. Local river network in the Suizao corridor, and three zones of the main Zeng burials in Zhou period. Drawn by Beichen Chen.
Figure 15. General map of the arc of territory. Redrawn after Tong Enzheng 1986: 19.
Figure 16. Map of extended river network. Drawn by Beichen Chen.
Figure 17. A sketch of general river network. Drawn based on Figure 16, by Beichen Chen.
Figure 18. Early documented Zeng bronzes: Zeng-shi-ji-X pan. Redrawn after Xue Shanggong 1986: 332-333.
Figure 19. Early documented Zeng bronzes: a) Zeng bo fu
b) Zeng zhong pan. Redrawn after Ruan Yuan 1937: 69-70, and 107.
Figure 20. Excavated Sui bronzes: Sui dasima Jiayou zhi xing ge (Wenfengta M21: 1). Redrawn after Hubei sheng wenwu kaogu yanjiusuo and Suizhou shi bowuguan 2014a: fig. 45 (scale is not provided).
Figure 21. Collected Sui bronzes: Sui zhong mi jia ding. Redrawn after Cao Jinyan 2011: figs. 1 and 2 (scale is not provided).
Figure 22. A comparison of rounded ding. Redrawn after Hubei sheng wenwu kaogu yanjiusuo and Suizhou shi bowuguan 2011a: fig 62.1
Beijing shi wenwu yanjiusuo 1995: fig. 76.a
Lu Liancheng and Hu Zhisheng 1988: fig. 36.1.
Figure 23. A comparison of flamboyant style bronzes. Redrawn after Wang Jiayou 1961: pl. 1
Suizhou shi bowuguan 2009: no. 35
Hubei sheng bowuguan et al. 2013: 217
Lu Liancheng and Hu Zhisheng 1988: figs. 19 and 79.
Figure 24. A comparison of matching sets of ding vessel. Redrawn after Henan sheng wenwu kaogu yanjiusuo and Sanmenxia shi wenwu gongzuodui 1999: fig. 22.1
Beijingdaxue kaoguxi and Shanxi sheng kaogu yanjiusuo 1995: fig. 37.3.
Hubei sheng wenwu kaogu yan
Figure 25. Suizao bronzes with southern traditions. Redrawn after Tan Weisi 2003: 117-118
Hubei sheng bowuguan 2007: 38 and 43
Anhui sheng wenwu guanli weiyuanhui 1956: fig. 13
and Henan sheng wenwu yanjiusuo et al. 1991: fig. 49.
Figure 26. Suizao bronzes with northern traditions. Redrawn after Hubei sheng bowuguan 1989: M1-C65
Taiyuan shi wenwu kaogu yanjiusuo 2004: 25
and private photos took on 21 September 2012 by Beichen Chen.
Figure 27. Location of major sites in the Suizao corridor around 11th century BC. Drawn by Beichen Chen.
Figure 28. Key features on E flamboyant style bronzes - (a) human-eyed animal masks
(b) hooked flanges and variations
and (c) underside bells. Redrawn after Suizhou shi bowuguan 2009: nos. 31, 32, and 35
and images of E Hou gui in Shanghai Museum, view
Figure 29. Distribution of major burials of Zeng lords and their consorts in Yejiashan site, and key features of their burial practice. Redrawn after Hubei sheng bowuguan et al. 2013: 12.
Figure 30. Key features on Zeng flamboyant bronzes - (a) Imaginary animal-shaped lids on lei
(b) T-shaped flanges on lei
(c) projecting horns on he and lei
d) underside bells on lei and gui
and e) special-shaped weapons. Redrawn after Hubei sheng bowu
Figure 31. 'New style' of Shang casting on Xiaomintun clay moulds, and the related examples on bronzes: a) parallel lines and dragon scheme
b) triangular motif and dragon in profile
c) rectangular structure under handle. Redrawn after Li et al. 2007: fi
Figure 32. 'Yue Zi' ding. Redrawn after Hubei sheng wenwu kaogu yanjiusuo and Suizhou shi bowuguan 2011: fig. 21.
Figure 33. Zhuwajie flamboyant style lei: a) animal head
and b) eyed flange. Redrawn after Chengdu wenwu kaogu yanjiusuo 2005: pl. I.
and private photos took on 18 September 2012 by Beichen Chen.
Figure 34. Flamboyant style bronzes: a) five lei and one gui from Yejiashan
and b) a set of square lei, you, and zun from Yangzishan. Redrawn after Hubei sheng bowuguan et al. 2013: 92-99, 132-135, and 216-219
Suizhou shi bowuguan 2009: nos. 31, 32, and
Figure 35. Casting defects on Yejiashan M27 bronze lei: a) asymmetric animal head
b) simplified elephant trunks and spillovers. Imitated features on Yangzishan set: c) eyed flange
d) pinstripe eyebrows. Redrawn after Hubei sheng bowuguan et al. 2013: 13
Figure 36. Bronze vessels with underside bells: a) five gui from Shaanxi Baoji
b) two gui from Shanxi Yicheng
c) three gui from Hubei Suizhou
d) four lei from Hubei Suizhou. Redrawn after Lu Liancheng and Hu Zhisheng 1988: pls. iv, v, and xix
Yan Hong
Figure 37. Bronze gu with an underside bell. Redrawn after Zhongguo qingtongqi quanji bianji weiyuanhui 1998: no.65
and Xie Qingshan and Yang Shaoshun 1960: 51.
Figure 38. Rings and sign of use on Yejiashan M111 metropolitan bronze lei vessel. Redrawn after Hubei sheng bowuguan et al. 2013: 136-137.
Figure 39. Rings and underside bells on Yejiashan M27 bronze lei. Redrawn after Hubei sheng bowuguan et al. 2013: 216-219
and private photos took on 17 September 2014 by Beichen Chen.
Figure 40. Identical designed Shang and Zhou vessels: Fu Yi ding (M2: 4), and Zeng hou Jian ding (M2: 5). Redrawn after Hubei sheng bowuguan et al. 2013: 170, and 175.
Figure 41. Seven lei vessels with similar decorative motifs. Redrawn after Wang Jiayou 1961: figs. 1, 2, and 5
Zhongguo kexueyuan kaogu yanjiusuo et al. 1974: fig. 4 and pl. I
Chengdu wenwu kaogu yanjiusuo 2005: pl. 1v
and Hubei sheng bowuguan et al. 2.
Figure 42. Rubbings of animal masks and dragons in profile on related lei. Redrawn after Wang Jiayou 1961: figs. 1, 2, and 5
Zhongguo kexueyuan kaogu yanjiusuo et al. 1974: fig. 4 (part of the rubbings are redrawn based on direct observations by Beichen
Figure 43. Distribution of the reported Zeng sites in the Suizao corridor, dated between mid-9th and mid-7th century BC. Drawn by Beichen Chen.
Figure 44. Bronze matching sets of ding and gui vessels found at Sujialong tomb M1 (1966). Redrawn after Hubei sheng wenwu kaogu yanjiusuo 2007: 11-47.
Figure 45. Bronze matching sets of gui vessels found at Sujialong tomb M2. Redrawn after Hubei sheng wenwu kaogu yanjiusuo 2011: fig. 3.
Figure 46. Layout of the Sujialong site: 1) 1966 Sujialong (marked by a dark triangle)
and 2008 Sujialong M2. Redrawn after Hubei sheng wenwu kaogu yanjiusuo 2011: fig. 1.
Figure 47. Layout of the Guojiamiao cemetery. Redrawn after Xiangfan shi kaogudui et al. 2005: fig. 3.
Figure 48. Burial assemblages in Guojiamiao cemetery: a) 2 ding vessels and a damaged leg of ding from GM17
b) a set of bells from GM21
and c) a bronze yue from GM21. Redrawn after Xiangfan shi kaogudui et al. 2005: figs. 6, 8, 10, 12, 14, 16, 18, 21, 5
Figure 49. Drawings of a selection of ritual bronzes of the four generations of the Wei clan, buried in Zhuangbai Hoard no.1: a) the Zhe vessels
b) the Feng vessels
c) the Qiang vessels
d) the Xing vessels. Redrawn after Rawson 1989: figs. 5 and 6.
Figure 50. A comparison of the burial assemblages from Yejiashan M28 and Sujialong M1 (1966). Redrawn after Hubei sheng wenwu kaogu yanjiusuo 2007: 11-47
and Hubei sheng bowuguan 2013: 52-102.
Figure 51. A comparison of the burial assemblages from Sujialong M1 (1966) and Sanmenxia M2001. Redrawn after Henan sheng wenwu kaogu yanjiusuo and Sanmenxia shi wenwu gongzuodui 1999: 30-79.

Cultural interactions during the Zhou period (c. 1000-350 B.C.) : : a study of networks from the Suizao corridor / / Beichen Chen.

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