Art As Ritual Engagement in the Funerary Programme of Watetkhethor at Saqqara, C. 2345 BC.
Art as Ritual Engagement is examined through a case study of feminised funerary representation in the repertoire of Watetkhethor, an elite woman interred in the mastaba tomb of her spouse, Mereruka, at Saqqara, c.2345-2181 BCE.
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| Place / Publishing House: | Oxford : : Archaeopress,, 2023. ©2023. |
| Year of Publication: | 2023 |
| Edition: | 1st ed. |
| Language: | English |
| Physical Description: | 1 online resource (62 pages) |
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| 100 | 1 | |a O'Neill, Barbara. | |
| 245 | 1 | 0 | |a Art As Ritual Engagement in the Funerary Programme of Watetkhethor at Saqqara, C. 2345 BC. |
| 250 | |a 1st ed. | ||
| 264 | 1 | |a Oxford : |b Archaeopress, |c 2023. | |
| 264 | 4 | |c ©2023. | |
| 300 | |a 1 online resource (62 pages) | ||
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| 520 | |a Art as Ritual Engagement is examined through a case study of feminised funerary representation in the repertoire of Watetkhethor, an elite woman interred in the mastaba tomb of her spouse, Mereruka, at Saqqara, c.2345-2181 BCE. | ||
| 588 | |a Description based on publisher supplied metadata and other sources. | ||
| 776 | 0 | 8 | |i Print version: |a O'Neill, Barbara |t Art As Ritual Engagement in the Funerary Programme of Watetkhethor at Saqqara, C. 2345 BC |d Oxford : Archaeopress,c2023 |
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