Visual Culture, Heritage and Identity.

This book presents a fresh perspective on rock art by considering how ancient images function in the present. It focuses on how ancient heritage is recognized and reified in the modern world, and how rock art stimulates contemporary processes of cultural identity-making.

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TeilnehmendeR:
Place / Publishing House:Oxford : : Archaeopress,, 2021.
©2021.
Year of Publication:2021
Edition:1st ed.
Language:English
Physical Description:1 online resource (150 pages)
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spelling Rozwadowski, Andrzej.
Visual Culture, Heritage and Identity.
Visual Culture, Heritage and Identity
1st ed.
Oxford : Archaeopress, 2021.
©2021.
1 online resource (150 pages)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Description based on publisher supplied metadata and other sources.
This book presents a fresh perspective on rock art by considering how ancient images function in the present. It focuses on how ancient heritage is recognized and reified in the modern world, and how rock art stimulates contemporary processes of cultural identity-making.
Cover -- Title Page -- Copyright page -- Contents Page -- A Brief Note about the Editors -- Using Rock Art to Reconnect Past and Present: An Introduction -- Andrzej Rozwadowski and Jamie Hampson -- Indigenous Art in New Contexts: Inspiration or Appropriation? -- Jamie Hampson and Rory Weaver -- The Cave of Altamira and Modern Artistic Creation -- Pilar Fatás Monforte -- Joane Cardinal-Schubert: Ancient Contemporary -- Alisdair MacRae -- Face to Face with Ancestors: Indigenous Codes in the Contemporary Art of Siberia -- Magdalena Boniec and Andrzej Rozwadowski -- Contemporary Views on Rock Art from Within the Frame: Indigenous Cultural Continuity and Artistic Engagement with Rock Art -- Marisa Giorgi and Dale Harding -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- Lina do Carmo -- In the Name of the Ancestors: Repainted Identities and Land Memories -- Laura Teresa Tenti -- Muraycoko Wuyta'a Be Surabudodot / Ibararakat: Rock Art and Territorialization in Contemporary Indigenous Amazonia - the Case of the Munduruku People from the Tapajos River -- Jairo Saw Munduruku, Eliano Kirixi Munduruku and Raoni Valle -- Appropriation, Re-Appropriation, Reclamation: The Re-Use of New Zealand's Most Renowned Māori Rock Art -- Gerard O'Regan -- Reproduction, Simulation and the Hyperreal: A Case Study of 'Lascaux III' 2015-2017 -- Robert J. Wallis.
Rock paintings.
Hampson, Jamie.
language English
format eBook
author Rozwadowski, Andrzej.
spellingShingle Rozwadowski, Andrzej.
Visual Culture, Heritage and Identity.
Cover -- Title Page -- Copyright page -- Contents Page -- A Brief Note about the Editors -- Using Rock Art to Reconnect Past and Present: An Introduction -- Andrzej Rozwadowski and Jamie Hampson -- Indigenous Art in New Contexts: Inspiration or Appropriation? -- Jamie Hampson and Rory Weaver -- The Cave of Altamira and Modern Artistic Creation -- Pilar Fatás Monforte -- Joane Cardinal-Schubert: Ancient Contemporary -- Alisdair MacRae -- Face to Face with Ancestors: Indigenous Codes in the Contemporary Art of Siberia -- Magdalena Boniec and Andrzej Rozwadowski -- Contemporary Views on Rock Art from Within the Frame: Indigenous Cultural Continuity and Artistic Engagement with Rock Art -- Marisa Giorgi and Dale Harding -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- Lina do Carmo -- In the Name of the Ancestors: Repainted Identities and Land Memories -- Laura Teresa Tenti -- Muraycoko Wuyta'a Be Surabudodot / Ibararakat: Rock Art and Territorialization in Contemporary Indigenous Amazonia - the Case of the Munduruku People from the Tapajos River -- Jairo Saw Munduruku, Eliano Kirixi Munduruku and Raoni Valle -- Appropriation, Re-Appropriation, Reclamation: The Re-Use of New Zealand's Most Renowned Māori Rock Art -- Gerard O'Regan -- Reproduction, Simulation and the Hyperreal: A Case Study of 'Lascaux III' 2015-2017 -- Robert J. Wallis.
author_facet Rozwadowski, Andrzej.
Hampson, Jamie.
author_variant a r ar
author2 Hampson, Jamie.
author2_variant j h jh
author2_role TeilnehmendeR
author_sort Rozwadowski, Andrzej.
title Visual Culture, Heritage and Identity.
title_full Visual Culture, Heritage and Identity.
title_fullStr Visual Culture, Heritage and Identity.
title_full_unstemmed Visual Culture, Heritage and Identity.
title_auth Visual Culture, Heritage and Identity.
title_alt Visual Culture, Heritage and Identity
title_new Visual Culture, Heritage and Identity.
title_sort visual culture, heritage and identity.
publisher Archaeopress,
publishDate 2021
physical 1 online resource (150 pages)
edition 1st ed.
contents Cover -- Title Page -- Copyright page -- Contents Page -- A Brief Note about the Editors -- Using Rock Art to Reconnect Past and Present: An Introduction -- Andrzej Rozwadowski and Jamie Hampson -- Indigenous Art in New Contexts: Inspiration or Appropriation? -- Jamie Hampson and Rory Weaver -- The Cave of Altamira and Modern Artistic Creation -- Pilar Fatás Monforte -- Joane Cardinal-Schubert: Ancient Contemporary -- Alisdair MacRae -- Face to Face with Ancestors: Indigenous Codes in the Contemporary Art of Siberia -- Magdalena Boniec and Andrzej Rozwadowski -- Contemporary Views on Rock Art from Within the Frame: Indigenous Cultural Continuity and Artistic Engagement with Rock Art -- Marisa Giorgi and Dale Harding -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- Lina do Carmo -- In the Name of the Ancestors: Repainted Identities and Land Memories -- Laura Teresa Tenti -- Muraycoko Wuyta'a Be Surabudodot / Ibararakat: Rock Art and Territorialization in Contemporary Indigenous Amazonia - the Case of the Munduruku People from the Tapajos River -- Jairo Saw Munduruku, Eliano Kirixi Munduruku and Raoni Valle -- Appropriation, Re-Appropriation, Reclamation: The Re-Use of New Zealand's Most Renowned Māori Rock Art -- Gerard O'Regan -- Reproduction, Simulation and the Hyperreal: A Case Study of 'Lascaux III' 2015-2017 -- Robert J. Wallis.
isbn 1-78969-847-2
callnumber-first N - Fine Arts
callnumber-subject N - Visual Arts
callnumber-label N5310
callnumber-sort N 45310
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 700 - Arts
dewey-ones 709 - Historical, geographic & persons treatment
dewey-full 709.0113
dewey-sort 3709.0113
dewey-raw 709.0113
dewey-search 709.0113
oclc_num 1257667379
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