Is It French? Popular Postnational Screen Fiction from France / / edited by Mary Harrod and Raphaëlle Moine.
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Superior document: | Palgrave European Film and Media Studies |
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Place / Publishing House: | Cham, Switzerland : : Macmillan Palgrave,, [2023] ©2023 |
Year of Publication: | 2023 |
Edition: | First edition. |
Language: | English |
Series: | Palgrave European film and media studies.
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Physical Description: | 1 online resource (310 pages) |
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Is It French? Popular Postnational Screen Fiction from France / edited by Mary Harrod and Raphaëlle Moine. First edition. Cham, Switzerland : Macmillan Palgrave, [2023] ©2023 1 online resource (310 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Palgrave European Film and Media Studies Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Introduction: The Expanding Imagination of Mainstream French Films and Television Series -- From a Transnational to a Postnational Model -- Screening Postnational Frenchness -- Industry, Identity, Ideology -- References -- Part I: New Figures, New Voices -- From ImpersoNation to ImPosture: (Sub)urban Fantasy in Fanny Herrero's Dix pour cent and Drôle -- Streaming Frenchness: New Spaces, New Speech? -- Commodifying Glamour in Dix pour cent -- Standing Up for Multicultural France -- References -- Sign Language, Multilingualism and the Postnational Popular Screen: From La Famille Bélier and Marie Heurtin to La Révolution -- Contemporary French Multilingual Cinema -- The Rise of Sign Language Cinemas -- French Sign Language on Screen -- A Coda on CODA and Beyond -- Conclusion: The Postnational Within and Beyond French Borders -- Appendix: List of LSF Films and Television Series -- References -- Alexandre Aja: A Postnational Genre Auteur? -- Postnational Genre (and) Stardom -- From Nation to Genre in Aja's Oeuvre and Brand -- Crawl and Oxygène as Postnational Genre Texts -- References -- Part II: Embodying the Postnational: Fans, Filmmakers, Action Spectaculars -- An Alternative to Hollywood? EuropaCorp's 'Blockbusters' and the Global Audience -- American-Style Blockbusters? -- A Europeanness as Seductive As It Is Strange -- Conclusion: A Tenuous Ambition, a Downward Slope -- References -- The Limits of Luc Besson's 'Made-in-France' Blockbusters: From the Transnational to the Postnational in Valerian and Anna -- Critical Contexts and Cultural Settings -- The Evolution of Luc Besson's International Productions -- Valerian: Too French for a Global Blockbuster -- Anna: A Past-Facing Postnational Product -- References. Whose Lost Bullet? Netflix, Cultural Politics and the Branding of French Action Cinema -- Netflix and the French Action Complex -- Action Cinema and Cultural Translation -- Towards a Postnational Typology -- Appendix: Action-Oriented French-Language Netflix Originals (March 2023) -- Films -- Series -- References -- Part III: French Femininity and (Post)Feminism -- Charlotte Rampling Made in France: From a National to a Postnational Identity -- 'Auto-reverse' Dubbing -- Silent Strength as a Universal Language -- From a Specific to a Generic Form of Otherness -- References -- National and Postnational Femininity in Engrenages: The Limits of Empowerment -- Grit and Glamour: A 'Realist' Series? -- Women at Work in Engrenages: Feminist Intervention or Feminised Utopia? -- Female Sexuality in Engrenages: Body Matters -- National, International, Postnational -- References -- Camille Cottin: A Comic Reappropriation of French Femininity in a Globalised, Postfeminist Culture -- An Ironic Incarnation of Americanised Frenchness -- Camille Cottin's franchouillardise: Between Comic Unruliness and Misogynistic Comedy -- Camille Cottin Abroad: The Disintegration of Her Comic Persona -- References -- Part IV: Industry Players: From Product to Brand -- Depuis que le Streaming Existe?: Gaumont and French Cinema in the Streaming Era -- Dumas Takes the Helm: Gaumont Since Intouchables -- Gaumont and French Cinema in the Streaming Era -- Gaumont's Platform Original Films and Contemporary French Cinema -- References -- Netflix's Lupin: Cultural Heritage and Internationalisation in the Age of Global (S)VoD Platforms -- Internationalisation Practices -- Lupin with and Against Heritage Cinema -- Cultural Heritage and Modelling Fandom -- References -- An Industry Perspective on Dix pour cent and Ten Percent -- Index. Description based on print version record. Includes bibliographical references and index. Motion pictures France. Harrod, Mary, editor. Moine, Raphaëlle, editor. 3-031-39194-2 Palgrave European film and media studies. |
language |
English |
format |
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author2 |
Harrod, Mary, Moine, Raphaëlle, |
author_facet |
Harrod, Mary, Moine, Raphaëlle, |
author2_variant |
m h mh r m rm |
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TeilnehmendeR TeilnehmendeR |
title |
Is It French? Popular Postnational Screen Fiction from France / |
spellingShingle |
Is It French? Popular Postnational Screen Fiction from France / Palgrave European Film and Media Studies Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Introduction: The Expanding Imagination of Mainstream French Films and Television Series -- From a Transnational to a Postnational Model -- Screening Postnational Frenchness -- Industry, Identity, Ideology -- References -- Part I: New Figures, New Voices -- From ImpersoNation to ImPosture: (Sub)urban Fantasy in Fanny Herrero's Dix pour cent and Drôle -- Streaming Frenchness: New Spaces, New Speech? -- Commodifying Glamour in Dix pour cent -- Standing Up for Multicultural France -- References -- Sign Language, Multilingualism and the Postnational Popular Screen: From La Famille Bélier and Marie Heurtin to La Révolution -- Contemporary French Multilingual Cinema -- The Rise of Sign Language Cinemas -- French Sign Language on Screen -- A Coda on CODA and Beyond -- Conclusion: The Postnational Within and Beyond French Borders -- Appendix: List of LSF Films and Television Series -- References -- Alexandre Aja: A Postnational Genre Auteur? -- Postnational Genre (and) Stardom -- From Nation to Genre in Aja's Oeuvre and Brand -- Crawl and Oxygène as Postnational Genre Texts -- References -- Part II: Embodying the Postnational: Fans, Filmmakers, Action Spectaculars -- An Alternative to Hollywood? EuropaCorp's 'Blockbusters' and the Global Audience -- American-Style Blockbusters? -- A Europeanness as Seductive As It Is Strange -- Conclusion: A Tenuous Ambition, a Downward Slope -- References -- The Limits of Luc Besson's 'Made-in-France' Blockbusters: From the Transnational to the Postnational in Valerian and Anna -- Critical Contexts and Cultural Settings -- The Evolution of Luc Besson's International Productions -- Valerian: Too French for a Global Blockbuster -- Anna: A Past-Facing Postnational Product -- References. Whose Lost Bullet? Netflix, Cultural Politics and the Branding of French Action Cinema -- Netflix and the French Action Complex -- Action Cinema and Cultural Translation -- Towards a Postnational Typology -- Appendix: Action-Oriented French-Language Netflix Originals (March 2023) -- Films -- Series -- References -- Part III: French Femininity and (Post)Feminism -- Charlotte Rampling Made in France: From a National to a Postnational Identity -- 'Auto-reverse' Dubbing -- Silent Strength as a Universal Language -- From a Specific to a Generic Form of Otherness -- References -- National and Postnational Femininity in Engrenages: The Limits of Empowerment -- Grit and Glamour: A 'Realist' Series? -- Women at Work in Engrenages: Feminist Intervention or Feminised Utopia? -- Female Sexuality in Engrenages: Body Matters -- National, International, Postnational -- References -- Camille Cottin: A Comic Reappropriation of French Femininity in a Globalised, Postfeminist Culture -- An Ironic Incarnation of Americanised Frenchness -- Camille Cottin's franchouillardise: Between Comic Unruliness and Misogynistic Comedy -- Camille Cottin Abroad: The Disintegration of Her Comic Persona -- References -- Part IV: Industry Players: From Product to Brand -- Depuis que le Streaming Existe?: Gaumont and French Cinema in the Streaming Era -- Dumas Takes the Helm: Gaumont Since Intouchables -- Gaumont and French Cinema in the Streaming Era -- Gaumont's Platform Original Films and Contemporary French Cinema -- References -- Netflix's Lupin: Cultural Heritage and Internationalisation in the Age of Global (S)VoD Platforms -- Internationalisation Practices -- Lupin with and Against Heritage Cinema -- Cultural Heritage and Modelling Fandom -- References -- An Industry Perspective on Dix pour cent and Ten Percent -- Index. |
title_full |
Is It French? Popular Postnational Screen Fiction from France / edited by Mary Harrod and Raphaëlle Moine. |
title_fullStr |
Is It French? Popular Postnational Screen Fiction from France / edited by Mary Harrod and Raphaëlle Moine. |
title_full_unstemmed |
Is It French? Popular Postnational Screen Fiction from France / edited by Mary Harrod and Raphaëlle Moine. |
title_auth |
Is It French? Popular Postnational Screen Fiction from France / |
title_new |
Is It French? Popular Postnational Screen Fiction from France / |
title_sort |
is it french? popular postnational screen fiction from france / |
series |
Palgrave European Film and Media Studies |
series2 |
Palgrave European Film and Media Studies |
publisher |
Macmillan Palgrave, |
publishDate |
2023 |
physical |
1 online resource (310 pages) |
edition |
First edition. |
contents |
Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Introduction: The Expanding Imagination of Mainstream French Films and Television Series -- From a Transnational to a Postnational Model -- Screening Postnational Frenchness -- Industry, Identity, Ideology -- References -- Part I: New Figures, New Voices -- From ImpersoNation to ImPosture: (Sub)urban Fantasy in Fanny Herrero's Dix pour cent and Drôle -- Streaming Frenchness: New Spaces, New Speech? -- Commodifying Glamour in Dix pour cent -- Standing Up for Multicultural France -- References -- Sign Language, Multilingualism and the Postnational Popular Screen: From La Famille Bélier and Marie Heurtin to La Révolution -- Contemporary French Multilingual Cinema -- The Rise of Sign Language Cinemas -- French Sign Language on Screen -- A Coda on CODA and Beyond -- Conclusion: The Postnational Within and Beyond French Borders -- Appendix: List of LSF Films and Television Series -- References -- Alexandre Aja: A Postnational Genre Auteur? -- Postnational Genre (and) Stardom -- From Nation to Genre in Aja's Oeuvre and Brand -- Crawl and Oxygène as Postnational Genre Texts -- References -- Part II: Embodying the Postnational: Fans, Filmmakers, Action Spectaculars -- An Alternative to Hollywood? EuropaCorp's 'Blockbusters' and the Global Audience -- American-Style Blockbusters? -- A Europeanness as Seductive As It Is Strange -- Conclusion: A Tenuous Ambition, a Downward Slope -- References -- The Limits of Luc Besson's 'Made-in-France' Blockbusters: From the Transnational to the Postnational in Valerian and Anna -- Critical Contexts and Cultural Settings -- The Evolution of Luc Besson's International Productions -- Valerian: Too French for a Global Blockbuster -- Anna: A Past-Facing Postnational Product -- References. Whose Lost Bullet? Netflix, Cultural Politics and the Branding of French Action Cinema -- Netflix and the French Action Complex -- Action Cinema and Cultural Translation -- Towards a Postnational Typology -- Appendix: Action-Oriented French-Language Netflix Originals (March 2023) -- Films -- Series -- References -- Part III: French Femininity and (Post)Feminism -- Charlotte Rampling Made in France: From a National to a Postnational Identity -- 'Auto-reverse' Dubbing -- Silent Strength as a Universal Language -- From a Specific to a Generic Form of Otherness -- References -- National and Postnational Femininity in Engrenages: The Limits of Empowerment -- Grit and Glamour: A 'Realist' Series? -- Women at Work in Engrenages: Feminist Intervention or Feminised Utopia? -- Female Sexuality in Engrenages: Body Matters -- National, International, Postnational -- References -- Camille Cottin: A Comic Reappropriation of French Femininity in a Globalised, Postfeminist Culture -- An Ironic Incarnation of Americanised Frenchness -- Camille Cottin's franchouillardise: Between Comic Unruliness and Misogynistic Comedy -- Camille Cottin Abroad: The Disintegration of Her Comic Persona -- References -- Part IV: Industry Players: From Product to Brand -- Depuis que le Streaming Existe?: Gaumont and French Cinema in the Streaming Era -- Dumas Takes the Helm: Gaumont Since Intouchables -- Gaumont and French Cinema in the Streaming Era -- Gaumont's Platform Original Films and Contemporary French Cinema -- References -- Netflix's Lupin: Cultural Heritage and Internationalisation in the Age of Global (S)VoD Platforms -- Internationalisation Practices -- Lupin with and Against Heritage Cinema -- Cultural Heritage and Modelling Fandom -- References -- An Industry Perspective on Dix pour cent and Ten Percent -- Index. |
isbn |
3-031-39195-0 3-031-39194-2 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 F7 I8 42023 |
geographic_facet |
France. |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430944 |
dewey-sort |
3791.430944 |
dewey-raw |
791.430944 |
dewey-search |
791.430944 |
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