Is It French? Popular Postnational Screen Fiction from France / / edited by Mary Harrod and Raphaëlle Moine.

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Superior document:Palgrave European Film and Media Studies
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Place / Publishing House:Cham, Switzerland : : Macmillan Palgrave,, [2023]
©2023
Year of Publication:2023
Edition:First edition.
Language:English
Series:Palgrave European film and media studies.
Physical Description:1 online resource (310 pages)
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spelling Is It French? Popular Postnational Screen Fiction from France / edited by Mary Harrod and Raphaëlle Moine.
First edition.
Cham, Switzerland : Macmillan Palgrave, [2023]
©2023
1 online resource (310 pages)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Palgrave European Film and Media Studies
Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Introduction: The Expanding Imagination of Mainstream French Films and Television Series -- From a Transnational to a Postnational Model -- Screening Postnational Frenchness -- Industry, Identity, Ideology -- References -- Part I: New Figures, New Voices -- From ImpersoNation to ImPosture: (Sub)urban Fantasy in Fanny Herrero's Dix pour cent and Drôle -- Streaming Frenchness: New Spaces, New Speech? -- Commodifying Glamour in Dix pour cent -- Standing Up for Multicultural France -- References -- Sign Language, Multilingualism and the Postnational Popular Screen: From La Famille Bélier and Marie Heurtin to La Révolution -- Contemporary French Multilingual Cinema -- The Rise of Sign Language Cinemas -- French Sign Language on Screen -- A Coda on CODA and Beyond -- Conclusion: The Postnational Within and Beyond French Borders -- Appendix: List of LSF Films and Television Series -- References -- Alexandre Aja: A Postnational Genre Auteur? -- Postnational Genre (and) Stardom -- From Nation to Genre in Aja's Oeuvre and Brand -- Crawl and Oxygène as Postnational Genre Texts -- References -- Part II: Embodying the Postnational: Fans, Filmmakers, Action Spectaculars -- An Alternative to Hollywood? EuropaCorp's 'Blockbusters' and the Global Audience -- American-Style Blockbusters? -- A Europeanness as Seductive As It Is Strange -- Conclusion: A Tenuous Ambition, a Downward Slope -- References -- The Limits of Luc Besson's 'Made-in-France' Blockbusters: From the Transnational to the Postnational in Valerian and Anna -- Critical Contexts and Cultural Settings -- The Evolution of Luc Besson's International Productions -- Valerian: Too French for a Global Blockbuster -- Anna: A Past-Facing Postnational Product -- References.
Whose Lost Bullet? Netflix, Cultural Politics and the Branding of French Action Cinema -- Netflix and the French Action Complex -- Action Cinema and Cultural Translation -- Towards a Postnational Typology -- Appendix: Action-Oriented French-Language Netflix Originals (March 2023) -- Films -- Series -- References -- Part III: French Femininity and (Post)Feminism -- Charlotte Rampling Made in France: From a National to a Postnational Identity -- 'Auto-reverse' Dubbing -- Silent Strength as a Universal Language -- From a Specific to a Generic Form of Otherness -- References -- National and Postnational Femininity in Engrenages: The Limits of Empowerment -- Grit and Glamour: A 'Realist' Series? -- Women at Work in Engrenages: Feminist Intervention or Feminised Utopia? -- Female Sexuality in Engrenages: Body Matters -- National, International, Postnational -- References -- Camille Cottin: A Comic Reappropriation of French Femininity in a Globalised, Postfeminist Culture -- An Ironic Incarnation of Americanised Frenchness -- Camille Cottin's franchouillardise: Between Comic Unruliness and Misogynistic Comedy -- Camille Cottin Abroad: The Disintegration of Her Comic Persona -- References -- Part IV: Industry Players: From Product to Brand -- Depuis que le Streaming Existe?: Gaumont and French Cinema in the Streaming Era -- Dumas Takes the Helm: Gaumont Since Intouchables -- Gaumont and French Cinema in the Streaming Era -- Gaumont's Platform Original Films and Contemporary French Cinema -- References -- Netflix's Lupin: Cultural Heritage and Internationalisation in the Age of Global (S)VoD Platforms -- Internationalisation Practices -- Lupin with and Against Heritage Cinema -- Cultural Heritage and Modelling Fandom -- References -- An Industry Perspective on Dix pour cent and Ten Percent -- Index.
Description based on print version record.
Includes bibliographical references and index.
Motion pictures France.
Harrod, Mary, editor.
Moine, Raphaëlle, editor.
3-031-39194-2
Palgrave European film and media studies.
language English
format eBook
author2 Harrod, Mary,
Moine, Raphaëlle,
author_facet Harrod, Mary,
Moine, Raphaëlle,
author2_variant m h mh
r m rm
author2_role TeilnehmendeR
TeilnehmendeR
title Is It French? Popular Postnational Screen Fiction from France /
spellingShingle Is It French? Popular Postnational Screen Fiction from France /
Palgrave European Film and Media Studies
Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Introduction: The Expanding Imagination of Mainstream French Films and Television Series -- From a Transnational to a Postnational Model -- Screening Postnational Frenchness -- Industry, Identity, Ideology -- References -- Part I: New Figures, New Voices -- From ImpersoNation to ImPosture: (Sub)urban Fantasy in Fanny Herrero's Dix pour cent and Drôle -- Streaming Frenchness: New Spaces, New Speech? -- Commodifying Glamour in Dix pour cent -- Standing Up for Multicultural France -- References -- Sign Language, Multilingualism and the Postnational Popular Screen: From La Famille Bélier and Marie Heurtin to La Révolution -- Contemporary French Multilingual Cinema -- The Rise of Sign Language Cinemas -- French Sign Language on Screen -- A Coda on CODA and Beyond -- Conclusion: The Postnational Within and Beyond French Borders -- Appendix: List of LSF Films and Television Series -- References -- Alexandre Aja: A Postnational Genre Auteur? -- Postnational Genre (and) Stardom -- From Nation to Genre in Aja's Oeuvre and Brand -- Crawl and Oxygène as Postnational Genre Texts -- References -- Part II: Embodying the Postnational: Fans, Filmmakers, Action Spectaculars -- An Alternative to Hollywood? EuropaCorp's 'Blockbusters' and the Global Audience -- American-Style Blockbusters? -- A Europeanness as Seductive As It Is Strange -- Conclusion: A Tenuous Ambition, a Downward Slope -- References -- The Limits of Luc Besson's 'Made-in-France' Blockbusters: From the Transnational to the Postnational in Valerian and Anna -- Critical Contexts and Cultural Settings -- The Evolution of Luc Besson's International Productions -- Valerian: Too French for a Global Blockbuster -- Anna: A Past-Facing Postnational Product -- References.
Whose Lost Bullet? Netflix, Cultural Politics and the Branding of French Action Cinema -- Netflix and the French Action Complex -- Action Cinema and Cultural Translation -- Towards a Postnational Typology -- Appendix: Action-Oriented French-Language Netflix Originals (March 2023) -- Films -- Series -- References -- Part III: French Femininity and (Post)Feminism -- Charlotte Rampling Made in France: From a National to a Postnational Identity -- 'Auto-reverse' Dubbing -- Silent Strength as a Universal Language -- From a Specific to a Generic Form of Otherness -- References -- National and Postnational Femininity in Engrenages: The Limits of Empowerment -- Grit and Glamour: A 'Realist' Series? -- Women at Work in Engrenages: Feminist Intervention or Feminised Utopia? -- Female Sexuality in Engrenages: Body Matters -- National, International, Postnational -- References -- Camille Cottin: A Comic Reappropriation of French Femininity in a Globalised, Postfeminist Culture -- An Ironic Incarnation of Americanised Frenchness -- Camille Cottin's franchouillardise: Between Comic Unruliness and Misogynistic Comedy -- Camille Cottin Abroad: The Disintegration of Her Comic Persona -- References -- Part IV: Industry Players: From Product to Brand -- Depuis que le Streaming Existe?: Gaumont and French Cinema in the Streaming Era -- Dumas Takes the Helm: Gaumont Since Intouchables -- Gaumont and French Cinema in the Streaming Era -- Gaumont's Platform Original Films and Contemporary French Cinema -- References -- Netflix's Lupin: Cultural Heritage and Internationalisation in the Age of Global (S)VoD Platforms -- Internationalisation Practices -- Lupin with and Against Heritage Cinema -- Cultural Heritage and Modelling Fandom -- References -- An Industry Perspective on Dix pour cent and Ten Percent -- Index.
title_full Is It French? Popular Postnational Screen Fiction from France / edited by Mary Harrod and Raphaëlle Moine.
title_fullStr Is It French? Popular Postnational Screen Fiction from France / edited by Mary Harrod and Raphaëlle Moine.
title_full_unstemmed Is It French? Popular Postnational Screen Fiction from France / edited by Mary Harrod and Raphaëlle Moine.
title_auth Is It French? Popular Postnational Screen Fiction from France /
title_new Is It French? Popular Postnational Screen Fiction from France /
title_sort is it french? popular postnational screen fiction from france /
series Palgrave European Film and Media Studies
series2 Palgrave European Film and Media Studies
publisher Macmillan Palgrave,
publishDate 2023
physical 1 online resource (310 pages)
edition First edition.
contents Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Introduction: The Expanding Imagination of Mainstream French Films and Television Series -- From a Transnational to a Postnational Model -- Screening Postnational Frenchness -- Industry, Identity, Ideology -- References -- Part I: New Figures, New Voices -- From ImpersoNation to ImPosture: (Sub)urban Fantasy in Fanny Herrero's Dix pour cent and Drôle -- Streaming Frenchness: New Spaces, New Speech? -- Commodifying Glamour in Dix pour cent -- Standing Up for Multicultural France -- References -- Sign Language, Multilingualism and the Postnational Popular Screen: From La Famille Bélier and Marie Heurtin to La Révolution -- Contemporary French Multilingual Cinema -- The Rise of Sign Language Cinemas -- French Sign Language on Screen -- A Coda on CODA and Beyond -- Conclusion: The Postnational Within and Beyond French Borders -- Appendix: List of LSF Films and Television Series -- References -- Alexandre Aja: A Postnational Genre Auteur? -- Postnational Genre (and) Stardom -- From Nation to Genre in Aja's Oeuvre and Brand -- Crawl and Oxygène as Postnational Genre Texts -- References -- Part II: Embodying the Postnational: Fans, Filmmakers, Action Spectaculars -- An Alternative to Hollywood? EuropaCorp's 'Blockbusters' and the Global Audience -- American-Style Blockbusters? -- A Europeanness as Seductive As It Is Strange -- Conclusion: A Tenuous Ambition, a Downward Slope -- References -- The Limits of Luc Besson's 'Made-in-France' Blockbusters: From the Transnational to the Postnational in Valerian and Anna -- Critical Contexts and Cultural Settings -- The Evolution of Luc Besson's International Productions -- Valerian: Too French for a Global Blockbuster -- Anna: A Past-Facing Postnational Product -- References.
Whose Lost Bullet? Netflix, Cultural Politics and the Branding of French Action Cinema -- Netflix and the French Action Complex -- Action Cinema and Cultural Translation -- Towards a Postnational Typology -- Appendix: Action-Oriented French-Language Netflix Originals (March 2023) -- Films -- Series -- References -- Part III: French Femininity and (Post)Feminism -- Charlotte Rampling Made in France: From a National to a Postnational Identity -- 'Auto-reverse' Dubbing -- Silent Strength as a Universal Language -- From a Specific to a Generic Form of Otherness -- References -- National and Postnational Femininity in Engrenages: The Limits of Empowerment -- Grit and Glamour: A 'Realist' Series? -- Women at Work in Engrenages: Feminist Intervention or Feminised Utopia? -- Female Sexuality in Engrenages: Body Matters -- National, International, Postnational -- References -- Camille Cottin: A Comic Reappropriation of French Femininity in a Globalised, Postfeminist Culture -- An Ironic Incarnation of Americanised Frenchness -- Camille Cottin's franchouillardise: Between Comic Unruliness and Misogynistic Comedy -- Camille Cottin Abroad: The Disintegration of Her Comic Persona -- References -- Part IV: Industry Players: From Product to Brand -- Depuis que le Streaming Existe?: Gaumont and French Cinema in the Streaming Era -- Dumas Takes the Helm: Gaumont Since Intouchables -- Gaumont and French Cinema in the Streaming Era -- Gaumont's Platform Original Films and Contemporary French Cinema -- References -- Netflix's Lupin: Cultural Heritage and Internationalisation in the Age of Global (S)VoD Platforms -- Internationalisation Practices -- Lupin with and Against Heritage Cinema -- Cultural Heritage and Modelling Fandom -- References -- An Industry Perspective on Dix pour cent and Ten Percent -- Index.
isbn 3-031-39195-0
3-031-39194-2
callnumber-first P - Language and Literature
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dewey-ones 791 - Public performances
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dewey-sort 3791.430944
dewey-raw 791.430944
dewey-search 791.430944
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