A Walk in the Park: Kinesthesia in the Arts of Landscape / / Susan Pashman.
Current neuroscience discloses that all emotional feeling originates as movement. Kinesthesia, our sixth sense, begins with movement of muscle cells and ends as emotion. Depth perception, which depends on movement, is always feeling-laden. To be expressive, art must somehow move our bodies. Studies...
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| Superior document: | Religious Studies, Theology and Philosophy E-Books Online, Collection 2024 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Leiden ;, Boston : : Brill,, 2024. ©2024 |
| Year of Publication: | 2024 |
| Edition: | 1st ed. |
| Language: | English |
| Series: | Religious Studies, Theology and Philosophy E-Books Online, Collection 2024.
Transcultural Aesthetics ; 3. |
| Physical Description: | 1 online resource (341 pages) |
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| 100 | 1 | |a Pashman, Susan, |e author. | |
| 245 | 1 | 2 | |a A Walk in the Park: Kinesthesia in the Arts of Landscape / |c Susan Pashman. |
| 250 | |a 1st ed. | ||
| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c 2024. | |
| 264 | 4 | |c ©2024 | |
| 300 | |a 1 online resource (341 pages) | ||
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| 490 | 1 | |a Religious Studies, Theology and Philosophy E-Books Online, Collection 2024 | |
| 490 | 1 | |a Transcultural Aesthetics ; |v 3 | |
| 588 | |a Description based on publisher supplied metadata and other sources. | ||
| 588 | |a Description based on print version record. | ||
| 505 | 0 | |t Introduction / |r Susan Pashman -- Part 1 The Double Problem of Landscape / |r Susan Pashman -- Part 2 Kinesthesia: the Key to Understanding Landscape’s Medium / |r Susan Pashman -- Part 3 From Motion to Emotion / |r Susan Pashman -- Part 4 Kinesthesia Lies at the Core of Artistic Expression / |r Susan Pashman -- Part 5 Landscape as Art / |r Susan Pashman -- Part 6 Kinesthesia is the Basis of All Artistic Expression / |r Susan Pashman. | |
| 520 | |a Current neuroscience discloses that all emotional feeling originates as movement. Kinesthesia, our sixth sense, begins with movement of muscle cells and ends as emotion. Depth perception, which depends on movement, is always feeling-laden. To be expressive, art must somehow move our bodies. Studies of expressive dance demonstrate that we unconsciously model observed movements, duplicating in ourselves the feelings that generated the dancer's movements. The art of landscape creates choreography for a walk. But each of the fine arts play a role in landscape design. Here, then, is a new theory of landscape that easily extends to all the fine arts, explaining our enjoyment in landscape, as well as aesthetic enjoyment more generally. | ||
| 546 | |a English | ||
| 504 | |a Includes bibliographical references and index. | ||
| 650 | 0 | |a Landscapes. | |
| 650 | 0 | |a Muscular sense. | |
| 650 | 0 | |a Paysages. | |
| 650 | 0 | |a Senses and sensation. | |
| 776 | |z 90-04-69692-X | ||
| 830 | 0 | |a Religious Studies, Theology and Philosophy E-Books Online, Collection 2024. | |
| 830 | 0 | |a Transcultural Aesthetics ; |v 3. | |
| 906 | |a BOOK | ||
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