Performing Arguments : : Debate in Early English Poetry and Drama.
"Performing Arguments: Debate in Early English Poetry and Drama proposes a fresh performance-centered view of rhetoric by recovering, tracing, and analyzing the trope and tradition of aestheticized argumentation as a mode of performance across several early ludic genres: Middle English debate p...
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Superior document: | Ludus Series ; v.17 |
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Place / Publishing House: | Boston : : BRILL,, 2024. ©2024. |
Year of Publication: | 2024 |
Edition: | 1st ed. |
Language: | English |
Series: | Ludus Series
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Physical Description: | 1 online resource (268 pages) |
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Table of Contents:
- Front Cover
- Half Title
- Series Information
- Title Page
- Copyright Page
- Contents
- Acknowledgements
- List of Figures
- Introduction
- Chapter 1 Toward a Performance-Centred Perspective on Rhetoric
- 1 Guiding Principles
- 2 Rhetorical Aesthetics and Epistemics
- 3 Ethos and Ethopoeia
- 4 Ludic Agonistics
- Chapter 2 The Argument Is the Action: Intersections of Rhetoric, Poetry, and Premodern Performance Culture
- 1 Introduction
- 2 The Aesthetics of Disputatio
- 3 Varieties of Rhetorico-Poetic Performance
- 4 'When Is a Text a Play?'
- Chapter 3 Rhetorical Theatre: Middle English Debate Poetry in Performative Perspective
- 1 Introduction
- 2 Rhetoric, Poetics, and Performance
- 3 Recovering Rhetorical Theatre
- 4 Reconstructing Rhetorico-Poetic Performance
- 5 The Performability of The Owl and the Nightingale
- 6 Representation and Ethopoeia in Wynnere and Wastoure
- 7 Unsettled Questions: Lydgate's Disguising at Hertford
- Chapter 4 Chamber Theatre: Tudor Humanist Debate Interludes and the Participatory Audience
- 1 Introduction
- 2 The Thomas More Circle and Rhetorico-Theatrical Aesthetics
- 3 "An Interlude!"
- 4 Chamber Theatre and the Activated Audience
- 5 Reconstructing Tudor Performance Spaces and Audience Experience
- 6 The Foure PP and Religious Satire
- 7 The Play of the Wether: Improvisation and Satire at Court
- 8 A Play of Love and Mock Legal Argumentation
- 9 Conclusion
- Chapter 5 "Who Shall Be Most Right?" Ethos, Eloquence, and Argumentation in Shakespeare's Rhetorical Problem Plays
- 1 Introduction
- 2 Shakespeare's Rhetorical Culture
- 3 Fields of Argumentation in the Dramatic Frame
- 4 Debate in the 'Rhetorical Problem Plays'
- 5 The Moral Argument in Measure for Measure
- 6 Pseudo-legal Debate in The Merchant of Venice.
- 7 Political Debate and Sexual Politics in Troilus and Cressida
- 8 The "Sweet Smoke of Rhetoric" in Love's Labour's Lost
- 9 Conclusion
- Epilogue
- Bibliography
- Primary Sources
- Secondary Sources
- Index
- Back Cover.