European Visions : Small Cinemas in Transition / Janelle Blankenship, Tobias Nagl

This volume examines the challenges cinemas in small European countries have faced since 1989. It explores how notions of scale and »small cinemas« relate to questions of territory, transnational media flows, and globalization. Employing a variety of approaches from industry analysis to Deleuze &...

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Year of Publication:2015
Edition:1st ed.
Language:English
Series:Film (Transcript (Firm))
Physical Description:1 online resource (350 p.)
Notes:Description based upon print version of record.
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505 0 |a Frontmatter 1 Contents 5 List of Illustrations 9 Acknowledgments 13 Introduction: Towards a Politics of Scale 15 The Risk Environment of Small-Nation Filmmaking 49 Maltese Cinema? 65 Luxembourg's Film Finance Model, Andy Bausch, and Cultural Identity 85 The Best of Both Worlds 101 Anxiety, Memory, and Place in Belgian Cinema 115 Varieties of Smallness 129 At the Crossroads of Time 141 The Archival Impulse and the Digitization of European Film History 151 Framed by Definitions 173 In the Country of Panpan 187 A Decade with the New Romanian Cinema 197 "A Typical Icelandic Murder?" 213 How Corto Maltese Died 229 Exposed: A Short History of Austrian Science Fiction Film 249 The "Quixote" Myth and the New Eastern Europe 259 The Moral Microhistory of Post-Communism 285 Polish Film Culture in Transition 299 Desires and Memories of a Small Man 317 Félix Guattari and Minor Cinema 337 Veit Helmer's Tuvalu, Cinema Babel, and the (Dis-)location of Europe 351 At the Crossroads of Genre and Identity 367 National or Transnational German Cinema Post-1989? 389 The Cinema of the Abject and the Cinema of Capitalist Fantasy in Poland 399 Contributor Biographies 411 
520 |a This volume examines the challenges cinemas in small European countries have faced since 1989. It explores how notions of scale and »small cinemas« relate to questions of territory, transnational media flows, and globalization. Employing a variety of approaches from industry analysis to Deleuze & Guattari's concept of the »minor«, contributions address the relationship of small cinemas to Hollywood, the role of history and memory, and the politics of place in post-Socialist cinemas. 
520 1 |a »Die Globalität von Herausgebern, Autorinnen und Autoren dieses Bandes ist beeindruckend.« Hans Helmut Prinzler, www.hhprinzler.de, 28.07.2015 
545 0 |8 1\u  |a Janelle Blankenship is Associate Professor of Film Studies at the University of Western Ontario (Canada). 
545 0 |8 2\u  |a Tobias Nagl is Associate Professor of Film Studies at the University of Western Ontario (Canada). 
530 |a Issued also in print. 
650 4 |a Film; National Cinemas; Europe; Globalization; Media Studies; 
653 |a Europe. 
653 |a Globalization. 
653 |a Media Studies. 
653 |a National Cinemas. 
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700 1 |8 1\u  |a Blankenship, Janelle  |e editor  |4 edt 
700 1 |8 2\u  |a Nagl, Tobias  |e editor  |4 edt 
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