Playing Dystopia : Nightmarish Worlds in Video Games and the Player's Aesthetic Response / Gerald Farca
Video games permeate our everyday existence. They immerse players in fascinating gameworlds and exciting experiences, often inviting them in various ways to reflect on the enacted events. Gerald Farca explores the genre of dystopian video games and the player's aesthetic response to their nigh...
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Year of Publication: | 2018 |
Edition: | 1st ed. |
Language: | English |
Series: | Bild und Bit. Studien zur digitalen Medienkultur
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Physical Description: | 1 online resource (435 pages). |
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1\u Farca, Gerald aut Playing Dystopia Nightmarish Worlds in Video Games and the Player's Aesthetic Response Gerald Farca 1st ed. Bielefeld transcript Verlag 2018 1 online resource (435 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Bild und Bit. Studien zur digitalen Medienkultur 8 In English. Frontmatter 1 Contents 5 Acknowledgments 9 Introduction 11 Preface to Part I 35 1. Utopia and the Dream of a Better World 37 2. Dystopia: Nightmarish Worlds as Distorted Anxiety Dreams 65 3. Warning, Effectiveness, and Targets of the Video Game Dystopia 113 Preface to Part II 155 4. Towards the Implied Player 159 5. Estrangement Through World and Agency 251 Preface to Part III 323 6. Night-Time Dreams and Wish-Fulfilment: The Struggle for Utopia in BIOSHOCK INFINITE 325 7. THE LAST OF US and the Journey to Nature 373 8. Horizons and the Video Game Dystopia 403 List of Abbreviations 409 Glossary 411 Ludography 415 Bibliography 417 Video games permeate our everyday existence. They immerse players in fascinating gameworlds and exciting experiences, often inviting them in various ways to reflect on the enacted events. Gerald Farca explores the genre of dystopian video games and the player's aesthetic response to their nightmarish gameworlds. Players, he argues, will gradually come to see similarities between the virtual dystopia and their own ›offline‹ environment, thus learning to stay wary of social and political developments. In his analysis, Farca draws from a variety of research fields, such as literary theory and game studies, combining them into a coherent theory of aesthetic response to dystopian games. »Farca ist ein Grundlagenwerk des Computerspiel(en)s gelungen, das Strukturen des Spiels mit den Aktivitäten der Spieler verbindet.« Lothar Mikos, tv diskurs, 1 (2020) Besprochen in: gmk-Newsletter, 9 (2019) 1\u Gerald Farca, born in 1983, did his doctorate at the University of Augsburg (English Literature) and is a member of the Augsburg Cultural Ecology Research Group. In 2016, the digital culture and game studies scholar worked as a visiting researcher and lecturer at the Center for Computer Games Research of the IT University in Copenhagen. Issued also in print. Video Games; Utopia; Dystopia; Science Fiction; Culture; Phenomenology; Media; Computer Games; Media Aesthetics; Digital Media; Sociology of Technology; Media Studies; Computer Games. Culture. Digital Media. Dystopia. Media Aesthetics. Media Studies. Media. Phenomenology. Science Fiction. Sociology of Technology. Utopia. 3-8376-4597-5 Bild und Bit. Studien zur digitalen Medienkultur |
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English |
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Farca, Gerald |
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Farca, Gerald Playing Dystopia Nightmarish Worlds in Video Games and the Player's Aesthetic Response Bild und Bit. Studien zur digitalen Medienkultur Frontmatter 1 Contents 5 Acknowledgments 9 Introduction 11 Preface to Part I 35 1. Utopia and the Dream of a Better World 37 2. Dystopia: Nightmarish Worlds as Distorted Anxiety Dreams 65 3. Warning, Effectiveness, and Targets of the Video Game Dystopia 113 Preface to Part II 155 4. Towards the Implied Player 159 5. Estrangement Through World and Agency 251 Preface to Part III 323 6. Night-Time Dreams and Wish-Fulfilment: The Struggle for Utopia in BIOSHOCK INFINITE 325 7. THE LAST OF US and the Journey to Nature 373 8. Horizons and the Video Game Dystopia 403 List of Abbreviations 409 Glossary 411 Ludography 415 Bibliography 417 |
author_facet |
Farca, Gerald |
author_variant |
g f gf |
author_role |
VerfasserIn |
author_sort |
Farca, Gerald |
title |
Playing Dystopia Nightmarish Worlds in Video Games and the Player's Aesthetic Response |
title_sub |
Nightmarish Worlds in Video Games and the Player's Aesthetic Response |
title_full |
Playing Dystopia Nightmarish Worlds in Video Games and the Player's Aesthetic Response Gerald Farca |
title_fullStr |
Playing Dystopia Nightmarish Worlds in Video Games and the Player's Aesthetic Response Gerald Farca |
title_full_unstemmed |
Playing Dystopia Nightmarish Worlds in Video Games and the Player's Aesthetic Response Gerald Farca |
title_auth |
Playing Dystopia Nightmarish Worlds in Video Games and the Player's Aesthetic Response |
title_new |
Playing Dystopia |
title_sort |
playing dystopia nightmarish worlds in video games and the player's aesthetic response |
series |
Bild und Bit. Studien zur digitalen Medienkultur |
series2 |
Bild und Bit. Studien zur digitalen Medienkultur |
publisher |
transcript Verlag |
publishDate |
2018 |
physical |
1 online resource (435 pages). Issued also in print. |
edition |
1st ed. |
contents |
Frontmatter 1 Contents 5 Acknowledgments 9 Introduction 11 Preface to Part I 35 1. Utopia and the Dream of a Better World 37 2. Dystopia: Nightmarish Worlds as Distorted Anxiety Dreams 65 3. Warning, Effectiveness, and Targets of the Video Game Dystopia 113 Preface to Part II 155 4. Towards the Implied Player 159 5. Estrangement Through World and Agency 251 Preface to Part III 323 6. Night-Time Dreams and Wish-Fulfilment: The Struggle for Utopia in BIOSHOCK INFINITE 325 7. THE LAST OF US and the Journey to Nature 373 8. Horizons and the Video Game Dystopia 403 List of Abbreviations 409 Glossary 411 Ludography 415 Bibliography 417 |
isbn |
3-8394-4597-3 3-8376-4597-5 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PR - English Literature |
callnumber-label |
PR6110 |
callnumber-sort |
PR 46110 E554 F373 42018 |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
820 - English & Old English literatures |
dewey-ones |
822 - English drama |
dewey-full |
822 |
dewey-sort |
3822 |
dewey-raw |
822 |
dewey-search |
822 |
oclc_num |
1064063091 |
work_keys_str_mv |
AT farcagerald playingdystopianightmarishworldsinvideogamesandtheplayersaestheticresponse |
status_str |
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Playing Dystopia Nightmarish Worlds in Video Games and the Player's Aesthetic Response |
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