Performance Practice of Electroacoustic Music / / edited by Germán Toro-Pérez.
This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI's Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological a...
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| Superior document: | Zürcher Musikstudien ; Volume 10 |
|---|---|
| TeilnehmendeR: | |
| Place / Publishing House: | Bern : : Peter Lang AG, Internationaler Verlag der Wissenschaften,, 2018. |
| Year of Publication: | 2018 |
| Language: | English |
| Series: | Zürcher Musikstudien ;
Volume 10. |
| Physical Description: | 1 online resource (158 pages) |
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Table of Contents:
- Historically informed performance in electroacoustic music? The Studio di Fonologia years as a case study / Germa´n Toro Pe´rez
- Some problems of the present-day realisation of historical electronic pieces / Ulrich Mosch
- The beginnings of the Studio di Fonologia Musicale and Bruno Maderna's Notturno / Angela Ida De Benedictis
- There's always only the first page. On the ambivalent relation between sound and notation in some early electroacoustic music, and the problems of modern editions / Veniero Rizzardi
- A question of versions!? Three case studies about performing tape compositions of the 1950s (taken from the European repertoire)
- The revision of Henri Pousseur's Rimes at Tempo Reale / Kilian Schwoon
- Auctorial Tradition and Contemporary Practice: Performing Musica su due dimensioni by Bruno Maderna / Germa´n Toro Pe´rez
- Sound direction of 1950s and 1960s tape pieces from the Studio di Fonologia / Alvise Vidolin
- Henri Posseur. Three source texts concerning Rime.