Shakespeare and the legacy of loss / / Emily Hodgson Anderson.
How do we recapture, or hold on to, the live performances we most love, and the talented artists and performers we most revere? Shakespeare and the Legacy of Loss tells the story of how 18th-century actors, novelists, and artists, key among them David Garrick, struggled with these questions through...
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Place / Publishing House: | Ann Arbor, Michigan : : University of Michigan Press,, 2018. ©2018 |
Year of Publication: | 2018 |
Language: | English |
Physical Description: | 1 online resource |
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Anderson, Emily Hodgson, 1977- author. Shakespeare and the legacy of loss / Emily Hodgson Anderson. Ann Arbor, Michigan : University of Michigan Press, 2018. ©2018 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Introduction: the actor -- Against loss -- The chronology of Garrick -- Theatrical time -- Celebrating performance -- Black Garrick versus Richard III -- Aphra Behn and the memory of Othello -- Becoming Richard, becoming Othello -- Garrick, ascendant -- Hamlet, David Garrick, and Laurence Sterne -- Garrick and the immortality of the stage -- Theatrical Tristram -- Garrick's autopsy, "Yorick's" skull -- Retelling The winter's tale -- The return of Leontes -- "Perdita" Robinson and the burden of the past -- Reanimating Lady Macbeth -- Siddons and the memory of Garrick -- The merchant of Venice and memorial debts -- "Shakespeare's" Shylock -- Clive's Portia -- Trial by theater and tradition -- Macklin's exit, Garrick's stage -- Shakespeare, retired -- Garrick's farewell -- Siddons, offstage -- Mourning performance. Includes bibliographical references and index. How do we recapture, or hold on to, the live performances we most love, and the talented artists and performers we most revere? Shakespeare and the Legacy of Loss tells the story of how 18th-century actors, novelists, and artists, key among them David Garrick, struggled with these questions through their reenactments of Shakespearean plays. For these artists, the resurgence of Shakespeare, a playwright whose works just decades earlier had nearly been erased, represented their own chance for eternal life. Despite the ephemeral nature of performance, Garrick and company would find a way to make Shakespeare, and through him the actor, rise again. In chapters featuring Othello, Richard III, Hamlet, The Winter's Tale, and The Merchant of Venice, Emily Hodgson Anderson illuminates how Garrick's performances of Shakespeare came to offer his contemporaries an alternative and even an antidote to the commemoration associated with the monument, the portrait, and the printed text. The first account to read 18th-century visual and textual references to Shakespeare alongside the performance history of his plays, this innovative study sheds new light on how we experience performance, and why we gravitate toward an art, and artists, we know will disappear. Description based on information from the publisher. Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 Unported CC BY-NC-ND 3.0 https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode Shakespeare, William, 1564-1616 Stage history England London. Shakespeare, William, 1564-1616 Stage history 1625-1800. Shakespeare, William, 1564-1616 Stage history 1800-1950. Garrick, David, 1717-1779 Performances. Garrick, David, 1717-1779 Influence. Siddons, Sarah, 1755-1831 Performances. Performing arts Michigan Publishing (University of Michigan) publisher. 0-472-13093-5 |
language |
English |
format |
eBook |
author |
Anderson, Emily Hodgson, 1977- |
spellingShingle |
Anderson, Emily Hodgson, 1977- Shakespeare and the legacy of loss / Introduction: the actor -- Against loss -- The chronology of Garrick -- Theatrical time -- Celebrating performance -- Black Garrick versus Richard III -- Aphra Behn and the memory of Othello -- Becoming Richard, becoming Othello -- Garrick, ascendant -- Hamlet, David Garrick, and Laurence Sterne -- Garrick and the immortality of the stage -- Theatrical Tristram -- Garrick's autopsy, "Yorick's" skull -- Retelling The winter's tale -- The return of Leontes -- "Perdita" Robinson and the burden of the past -- Reanimating Lady Macbeth -- Siddons and the memory of Garrick -- The merchant of Venice and memorial debts -- "Shakespeare's" Shylock -- Clive's Portia -- Trial by theater and tradition -- Macklin's exit, Garrick's stage -- Shakespeare, retired -- Garrick's farewell -- Siddons, offstage -- Mourning performance. |
author_facet |
Anderson, Emily Hodgson, 1977- Michigan Publishing (University of Michigan) |
author_variant |
e h a eh eha |
author_role |
VerfasserIn |
author2 |
Michigan Publishing (University of Michigan) |
author2_role |
TeilnehmendeR |
author_sort |
Anderson, Emily Hodgson, 1977- |
title |
Shakespeare and the legacy of loss / |
title_full |
Shakespeare and the legacy of loss / Emily Hodgson Anderson. |
title_fullStr |
Shakespeare and the legacy of loss / Emily Hodgson Anderson. |
title_full_unstemmed |
Shakespeare and the legacy of loss / Emily Hodgson Anderson. |
title_auth |
Shakespeare and the legacy of loss / |
title_new |
Shakespeare and the legacy of loss / |
title_sort |
shakespeare and the legacy of loss / |
publisher |
University of Michigan Press, |
publishDate |
2018 |
physical |
1 online resource |
contents |
Introduction: the actor -- Against loss -- The chronology of Garrick -- Theatrical time -- Celebrating performance -- Black Garrick versus Richard III -- Aphra Behn and the memory of Othello -- Becoming Richard, becoming Othello -- Garrick, ascendant -- Hamlet, David Garrick, and Laurence Sterne -- Garrick and the immortality of the stage -- Theatrical Tristram -- Garrick's autopsy, "Yorick's" skull -- Retelling The winter's tale -- The return of Leontes -- "Perdita" Robinson and the burden of the past -- Reanimating Lady Macbeth -- Siddons and the memory of Garrick -- The merchant of Venice and memorial debts -- "Shakespeare's" Shylock -- Clive's Portia -- Trial by theater and tradition -- Macklin's exit, Garrick's stage -- Shakespeare, retired -- Garrick's farewell -- Siddons, offstage -- Mourning performance. |
isbn |
0-472-90236-9 0-472-12412-9 0-472-13093-5 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PR - English Literature |
callnumber-label |
PR3106 |
callnumber-sort |
PR 43106 A53 42018 |
geographic_facet |
England London. |
era_facet |
1564-1616 1717-1779 1755-1831 |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
792 - Stage presentations |
dewey-full |
792.02/8092 |
dewey-sort |
3792.02 48092 |
dewey-raw |
792.02/8092 |
dewey-search |
792.02/8092 |
oclc_num |
1029094949 |
work_keys_str_mv |
AT andersonemilyhodgson shakespeareandthelegacyofloss AT michiganpublishinguniversityofmichigan shakespeareandthelegacyofloss |
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