Religious Entanglements Between Germans and Indians, 1800-1945.

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Bibliographic Details
Superior document:Palgrave Series in Asian German Studies
:
TeilnehmendeR:
Place / Publishing House:Cham : : Palgrave Macmillan,, 2024.
©2023.
Year of Publication:2024
Edition:1st ed.
Language:English
Series:Palgrave Series in Asian German Studies
Physical Description:1 online resource (339 pages)
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Table of Contents:
  • Intro
  • Note on Transliteration
  • Acknowledgements
  • Contents
  • Notes on Contributors
  • List of Figures
  • Chapter 1: Introduction
  • Interfaces and Entanglements
  • The Historical Constellation
  • The Religious Field
  • The Chapters
  • References
  • Chapter 2: 'To Read in an Indian Way' (Johann Gottfried Herder): Pre-Emergent Colonial Epistemologies in Indian-German Entanglements, Showcased in Protestant Theology c.1800
  • In Search of the Entanglement: German Orientalism, a Specific Understanding of Wissenschaft, and Their Relationship to Colonialism
  • Hebrew People as Role Models: Theology in a New Era of Ethnography
  • The Old Testament as a Space for the German Colonial Imagination and Johann Gottfried Herder as an Intermediary
  • To Read in an Indian Way: The Romanticized Orient
  • Interlude: India as Method?
  • Summary
  • References
  • Chapter 3: In Search of Purity: German-Speaking Vegetarians and the Lure of India (1833-1939)
  • India and German Vormärz Vegetarianism
  • Indian Connections with German Theosophists
  • German Buddhists on the Subcontinent
  • Aryanism Without Hindus: Mazdaznan
  • Völkisch Vegetarianism: Claims to Teutonic Superiority
  • German Vegetarians and the Cult of the Ascetic Leader in Weimar Germany
  • Contacts with the Indian Independence Movement in the Interwar Period
  • Conclusion
  • References
  • Chapter 4: The Indian Challenge: Indology and New Conceptions of Christianity as 'Religion' at the End of the Nineteenth Century
  • The Challenge
  • The Antagonism of Religion and Science and the Birth of a New Concept of Religion
  • The Problem of Religious History
  • India and the 'Religion of the Future'
  • Oldenberg's Role in Troeltsch's Philosophy of Religions
  • Troeltsch's Reception of Oldenberg's Buddha (1881)
  • Troeltsch's Reception of Oldenberg's The Religion of the Veda (1894).
  • Summary of Troeltsch's Reception of Oldenberg
  • Conclusion
  • References
  • Chapter 5: Death and Transfiguration: Religion and Belonging in Felix Gotthelf's Indian Opera Mahadeva (1910)
  • Faith and Modernity: A Difficult Relationship
  • A Forgotten Indian Opera
  • Mahadeva: The Plot
  • Press Reaction
  • Schopenhauer, Wagner, and the Redemption Dramas
  • Wagner's Share: Mahadeva-A Cosmic Drama About Love, Death, and Salvation
  • 'Büßerin in der Hülle des Zauberweibs' (Penitent in the Cloak of the Sorceress): Obsession or Liberation?
  • Schopenhauer's Share: Maya, the Will, and Pessimism
  • Gotthelf and the Indian Renaissance
  • The Role of Religion in National Identity: Some Conclusions
  • References
  • Chapter 6: The Indian Parsifal: Revisiting Felix Gotthelf's Forgotten Opera Mahadeva
  • An Artist's Biography
  • The Tail of Wagner's Comet
  • The Indian Parsifal
  • The Final Threshold
  • Conclusion: The Possibility of Revision
  • References
  • Chapter 7: Modernism in Disguise? Neglected Aspects of the So-Called Revival of a Classical Indian Dance Form
  • Previous Research and Open Questions
  • Indian Influences on Western Performing Arts
  • Developments in India's Performing and Visual Arts
  • Earlier and Later 'Revivals' of the South Asian Performing Arts
  • Conclusion
  • References
  • Chapter 8: 'The Priestess of Hindu Dance': Leila Sokhey's Repertoire and Its Reception in the Netherlands and Germany (1927-38)
  • Indian Debut
  • Preparing for the European Stage
  • Constructing Continuity
  • Artistic Individuality
  • Where the Gods Are Nigh: Dutch Reception
  • 'Noble Grace in the Highest Perfection': German Reviews
  • Conclusion
  • References
  • Chapter 9: Roaming Between East and West: In Search of Religious Ecstasy in the Interwar Period
  • Sources and Steps Ahead
  • 'A Sea of Ecstasy'
  • The Convert Register
  • Parallel Experiences.
  • The 1880 Generation
  • Debating the Future of Religion
  • Conclusions
  • References
  • Chapter 10: Negotiating Germanness with Indian Religious History: Transfers of Academic Knowledge and Notions of völkisch Belief
  • Indology, Nazism, and Germanness
  • Knowledge of the Other for One's Own Changing Society
  • Example of History or Pre-Eminence of 'Life'? Religion, the Social Bond, and the Individual
  • The Self-Realization of Life Through a Racist Evaluation of Religious Experience
  • Herman Wirth and the 'Arctic Vedas': Constructing Primordial Aryan Experience and Sensational Forms
  • The Artist-Philosopher-Prehistorian from Youth Movement to Ahnenerbe Foundation
  • How to Draw Religious Knowledge from the Dawn of Mankind: India and Indology as Resources for Human Experience
  • How to Pass on Religious Knowledge in Sensational Forms: Readings of the Rising Sun
  • Conflicting Evaluations of the Origins at the Conference of the Coffee Magnate
  • Conclusion
  • References
  • Chapter 11: Hakenkreuz, Swastika and Crescent: The Religious Factor in Nazi Cultural Politics Regarding India
  • Introduction
  • The Nazi Network in India
  • Cultural Politics as Nazi Propaganda: Deutsche Akademie's India Institute
  • Nazism, Hindu Revivalism and Aryanism
  • The Gaudiya Order: Krishna Worship and Nazi Propaganda
  • Playing the Aryan Card: The Arya Samaj
  • Hindu Mahasabha and Nazism
  • Buddhist Anti-Colonialism, Aryanism and the Nazis
  • Nazi Propaganda and Islamic Nationalism
  • The "German Society" of the Aligarh Muslim University
  • Decline of Religion Based Propaganda
  • Conclusion
  • References
  • Chapter 12: Curating the Fragments of Local Modernities: The Menaka Digital Archive from the Perspective of Ongoing Research
  • Building the Archive
  • Scholarly Approaches and Focus of Research
  • Artistic Research
  • Aryan Bodies on Stage.
  • Debate on the 'Revival' of Indian Classical Dance
  • Some Conclusions
  • References
  • Glossary
  • Index of Names
  • Index of Terms.