The History and Anatomy of Auctorial Self-Criticism in the European Middle Ages.

The History and Anatomy of Auctorial Self-Criticism in the European Middle Ages.

This study outlines the history and anatomy of the European apology tradition from the sixth century BCE to 1500 for the first time. The study examines the vernacular and Latin tales, lyrics, epics, and prose compositions of Arabic, English, French, German, Greek, Icelandic, Italian, Spanish, and We...

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Bibliographic Details
Superior document:Internationale Forschungen Zur Allgemeinen und Vergleichenden Literaturwissenschaft Series ; v.32
:
Obermeier, Anita.
Place / Publishing House:Boston : : BRILL,, 1999.
©1999.
Year of Publication:1999
Edition:1st ed.
Language:English
Series:Internationale Forschungen Zur Allgemeinen und Vergleichenden Literaturwissenschaft Series
Physical Description:1 online resource (314 pages)
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Table of Contents:
  • Intro
  • Title Page
  • Copyright Page
  • Table of Contents
  • Acknowledgments
  • Abbreviations
  • Chapter 1: Introduction: Authorship and Authority
  • Chapter 2: The Classical Tradition: The Stesichorean Paradigm
  • 2.1. Stesichorus
  • 2.2. Euripides
  • 2.3. Callimachus
  • 2.4. Catullus
  • 2.5. Horace
  • 2.6. Ovid
  • 2.7. Apuleius
  • 2.8. Lucian
  • Chapter 3: The Early Christian Tradition: Logocentricity and Patriarchy
  • 3.1. Proba
  • 3.2. Augustine
  • 3.3. Sedulius
  • 3.4. Sidonius
  • 3.5. Dracontius
  • 3.6. Boethius
  • Chapter 4: The Medieval Latin Tradition: The Augustinian Legacy
  • 4.1. Bede
  • 4.2. Gerald of Wales
  • 4.3. Wandalbert von Prüm
  • 4.4. Marbod de Rennes
  • 4.5. Guibert de Nogent
  • 4.6. Peter of Blois
  • 4.7. Serlo of Wilton
  • 4.8. Aeneas Silvius Piccolomini: Pope Pius II
  • Chapter 5: The German Tradition: The World behind, the Cross before Me
  • 5.1. Hartmann von Aue
  • 5.2. Konrad von Fußesbrunnen
  • 5.3. Ulrich von Türheim
  • 5.4. Rudolf von Ems
  • 5.5. Walther von der Vogelweide
  • 5.6. Neidhart von Reuental
  • Chapter 6: The French Tradition: Breeding Ground for Misogyny
  • 6.1. Denis Piramus
  • 6.2. Guillaume le Clerc de Normandie
  • 6.3. Rutebeuf
  • 6.4. Jean de Meun
  • 6.5. Nicole Bozon
  • 6.6. Guillaume de Machaut
  • 6.7 Jean le Fèvre
  • 6.8. Alain Chartier
  • Chapter 7: The Italian Tradition: "Always Drawn to the Eternally Feminine"
  • 7.1. Dante Alighieri
  • 7.2. Francesco Petrarch
  • 7.2.1. Canzoniere
  • 7.2.2. Trionfi
  • 7.2.3. Secretum
  • 7.3. Giovanni Boccaccio
  • Chapter 8: The English Tradition: "Blameth nat me if that ye chese amys"
  • 8.1. Cynewulf
  • 8.2. Meilyr Brydydd
  • 8.3. Llywelyn Goch ap Meurig Hen
  • 8.4. Guto'r Glyn
  • 8.5. William Langland
  • 8.6. Geoffrey Chaucer
  • 8.6.1. Troilus and Criseyde
  • 8.6.2. The Legend of Good Women
  • 8.6.3. A Treatise on the Astrolabe.
  • 8.6.4. The Canterbury Tales
  • 8.7. Thomas Hoccleve
  • Chapter 9: The Spanish Tradition: Troubadour's Apology and Misogynist's Excuse
  • 9.1. Ramon Llull
  • 9.2. Juan Ruiz
  • 9.3. Juan Rodríguez del Padrón
  • 9.4. Diego de San Pedro
  • 9.5. Alfonso Martínez de Toledo
  • 9.6. Pere Torroella
  • 9.7. Juan de Tapia
  • 9.8. Hernán Mexía
  • Chapter 10: Conclusion: Gender Differences and General Ruminations
  • 10.1. Baudonivia of Poitiers
  • 10.2. Dhuoda of Uzès
  • 10.3. Hugeberc of Hildesheim
  • 10.4. Hrotswitha von Ganderheim
  • 10.5. Hildegard von Bingen
  • 10.6. Mechthild von Magdeburg
  • 10.7. Teresa de Cartagena
  • 10.8. General Ruminations
  • Bibliography
  • General Index.

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