Alternative Shakespeares. / 3 / / edited by Diana E. Henderson.
Introducing the most innovative of the new directions emerging in Shakespearean scholarship, this volume identifies and explores the new, the changing and the radically 'other' possibilities for Shakespeare Studies at this current time.
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| Year of Publication: | 2008 |
| Language: | English |
| Series: | New Accents, v.3
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| Physical Description: | 1 online resource (321 p.) |
| Notes: | Description based upon print version of record. |
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Table of Contents:
- BOOK COVER; TITLE; COPYRIGTH; CONTENTS; GENERAL EDITOR'S PREFACE; CONTRIBUTORS; ACKNOWLEDGMENTS; 1 INTRODUCTION; 2 "I DO, I WILL": Hal, Falstaff and the Performative; 3 MEDIUM-SPECIFICITY AND OTHER CRITICAL SCRIPTS FOR SCREEN SHAKESPEARE 3 4 5 6; 4 SHAKESPEARE 3.0: Or Text Versus Performance, the Remix; 5 SHAKESPEARE FOR READERS; 6 CUTTING BOTH WAYS: Bloodletting, Castration/ Circumcision, and the "Lancelet" of The Merchant of Venice; 7 CYMBELINE, THE FONT OF HISTORY, AND THE MATTER OF BRITAIN: From Times New Roman to Italic Type; 8 PLAYING WITH CUPID: Gender, Sexuality and Adolescence
- 9 DEATH BY NUMBERS: Counting and Accounting in The Winter's Tale10 HAMLET, PRINCE: Tragedy, Citizenship, and Political Theology; 11 MEMORY, IDEOLOGY, TRANSLATION: King Lear Behind Bars and Before History; 12 THE MATERIALITY OF THE SCHOLARLY TEXT: What Our Books Reveal About Us; 13 ALTERNATIVE COLLABORATIONS: Shakespeare, Nahum Tate, Our Academy, and the Science of Probability; 14 AFTERWORD: Alternativity at the Theatric