Modernism Beyond the Human : : Transnational Perspectives / / Alberto Godioli and Carmen van den Bergh.
One of the defining features of modernism lies in its far-reaching rethinking of the relation between the human and the non-human. In the present volume, this crucial aspect of modernism's legacy is investigated from an authentically transnational perspective, taking an innovative stance on a d...
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Place / Publishing House: | Leiden, The Netherlands : : Koninklijke Brill nv,, [2024] ©2024 |
Year of Publication: | 2024 |
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Series: | Critical posthumanisms (Leiden, Netherlands) ;
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Godioli, Alberto, 1983- author. Modernism Beyond the Human : Transnational Perspectives / Alberto Godioli and Carmen van den Bergh. First edition. Leiden, The Netherlands : Koninklijke Brill nv, [2024] ©2024 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Critical Posthumanisms Series ; Volume 4 Description based on publisher supplied metadata and other sources. One of the defining features of modernism lies in its far-reaching rethinking of the relation between the human and the non-human. In the present volume, this crucial aspect of modernism's legacy is investigated from an authentically transnational perspective, taking an innovative stance on a diverse range of authors - from posthumanist classics such as Beckett and Woolf to Valentine de Saint-Point, Radoje Domanovic and Aldo Palazzeschi among others. On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts. Front Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Contents -- List of Figures -- Notes on Contributors -- Introduction -- References -- Part 1 Modernism and the Nonhuman -- Chapter 1 Prefiguring Modernist Posthumanism: Baudelaire, Rimbaud and the Objectification of the Lyric Self -- 1 Baudelaire, Rimbaud, and the Humanist Tradition -- 2 From "Subjective" to "Objective" Poetry -- or, from the Human to the Posthuman -- References -- Chapter 2 Becoming-Digit: Valentine de Saint-Point's Posthumanist Futurism -- 1 Metachoric Performance: Virtual Geometry and Saint-Point's Posthumanism -- 2 Saint-Point's Posthuman Futurism as Performance Art: the Multimedia Body-Digit -- Acknowledgments -- References -- Chapter 3 Politics of Identity: Giuseppe Ungaretti's Poetry of the Great War between Nomadic Subjectivity and Performative Realism -- 1 Introduction -- 2 Nomadic Identity -- 3 Nomadic Ethics -- 4 Nomadic Memories and the Life-Death Continuum -- 5 Some Conclusions: an Intra-action of Performative and Nomadic Identities -- References -- Chapter 4 Variations on "Maquinismo": Looking beyond the Human in Ramón Gómez de la Serna's Writings -- 1 "Maquinismo" and the Non-human Art -- 2 Radio Waves, Atoms and Voices beyond the Human -- References -- Chapter 5 The Tender Being of Something Else: Geography and Lists in Gertrude Stein's Ida -- 1 Listing beyond the Human -- 2 Movement, "Nature," and the Accumulation of Lists -- 3 The Intrusive States of America -- 4 Impersonal Being, Negation, and Affirmation -- 5 Conclusion -- Acknowledgements -- References -- Chapter 6 Samuel Beckett and Modernist Vitalism -- 1 Introduction -- 2 The Subject/Object (Non)Relation -- 3 The Inhuman -- 4 An Orgy of False Becoming -- 5 Conclusion -- References -- Part 2 Modernist Animals. Chapter 7 Rumination of a Serbian Ox: Radoje Domanovic's Satire of Anthropocentric Folly -- 1 Context and Overview -- 2 Irrational Humans: Analysis of The Leader, A Mark, and I Do Not Understand -- 3 A Thinking Animal: Analysis of Rumination of a Common Serbian Ox -- 4 Conclusion: Domanović between Serbian Literature, Russian Classics and Western Modernism -- References -- Chapter 8 "Come se": Transcending the Human-Animal Divide in Pirandello's Short Stories -- 1 Introduction -- 2 Human and Animal: Interspecies Relations from Woolf to Pirandello -- 3 Animal Consciousness: Narrative Empathy -- 4 Mediated Empathy: Translating Animal Experience -- 5 Human-Animal Gap: Defamiliarization -- 6 Conclusion -- References -- Chapter 9 Modernist Exiles: the Berlin Years of Viktor Shklovsky, Aleksei Remizov, and the Masturbating Ape -- References -- Chapter 10 "Brandishing Her Plumes": Virginia Woolf, Feather Tropes, and the Plumage (Prohibition) Bill -- 1 Posthumanism -- 2 Virginia Woolf and "The Plumage Bill" -- 3 "The Plumage Bill" and Imperial Feminism -- 4 Tracing Woolf's Feather Tropes -- 5 Imperial and Military Plumes -- 6 India and Plumage in Mrs. Dalloway -- 7 Pluming Orlando: A Biography -- References -- Chapter 11 Posthumanism avant la lettre: Robert Musil's The Man without Qualities and the Boundaries of Humankind -- 1 Humankind and Modernity -- 2 The Boundaries of Humankind -- 2.1 Zoology -- 2.2 Ethnology -- 3 Posthumanist Narrative Form -- 4 Contextualizing and Transgressing the Concept of Man(kind) -- References -- Chapter 12 Animals and Logos in Samuel Beckett's Molloy, Malone Dies, and The Unnamable -- 1 Unsanctifying Logos as Speech and Reason -- 2 Mastery over One's Environment and Objective Knowledge -- 3 Mastery over One's Language and through Language -- 4 Logos as Ground -- 5 Pure Humans -- 6 Toward Humbler Viewpoints -- 7 Conclusion. References -- Chapter 13 Towards an Interpretation of a Modernist Bestiary in Color: Palazzeschi's Bestie del 900 and Maccari's Illustrations -- 1 Introduction -- 2 A Four-Handed Masterpiece -- 3 Palazzeschi's 20th-century Bestiary: Ways of Reading -- 3.1 The Individual and Its Contrast with Society -- 3.2 Power Relations -- 4 Gestalt Theory and the Interpretative Function of Images -- 5 The Hybrid as an Interpretative Category -- References -- Index -- Back Cover. Description based on: online resource; title from pdf title page (Brill, viewed on May 6, 2024). Includes bibliographical references and index. Philosophical anthropology. 90-04-54967-6 Bergh, Carmen Van den, author. Critical posthumanisms (Leiden, Netherlands) ; Volume 4. |
language |
English |
format |
eBook |
author |
Godioli, Alberto, 1983- Bergh, Carmen Van den, |
spellingShingle |
Godioli, Alberto, 1983- Bergh, Carmen Van den, Modernism Beyond the Human : Transnational Perspectives / Critical Posthumanisms Series ; Front Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Contents -- List of Figures -- Notes on Contributors -- Introduction -- References -- Part 1 Modernism and the Nonhuman -- Chapter 1 Prefiguring Modernist Posthumanism: Baudelaire, Rimbaud and the Objectification of the Lyric Self -- 1 Baudelaire, Rimbaud, and the Humanist Tradition -- 2 From "Subjective" to "Objective" Poetry -- or, from the Human to the Posthuman -- References -- Chapter 2 Becoming-Digit: Valentine de Saint-Point's Posthumanist Futurism -- 1 Metachoric Performance: Virtual Geometry and Saint-Point's Posthumanism -- 2 Saint-Point's Posthuman Futurism as Performance Art: the Multimedia Body-Digit -- Acknowledgments -- References -- Chapter 3 Politics of Identity: Giuseppe Ungaretti's Poetry of the Great War between Nomadic Subjectivity and Performative Realism -- 1 Introduction -- 2 Nomadic Identity -- 3 Nomadic Ethics -- 4 Nomadic Memories and the Life-Death Continuum -- 5 Some Conclusions: an Intra-action of Performative and Nomadic Identities -- References -- Chapter 4 Variations on "Maquinismo": Looking beyond the Human in Ramón Gómez de la Serna's Writings -- 1 "Maquinismo" and the Non-human Art -- 2 Radio Waves, Atoms and Voices beyond the Human -- References -- Chapter 5 The Tender Being of Something Else: Geography and Lists in Gertrude Stein's Ida -- 1 Listing beyond the Human -- 2 Movement, "Nature," and the Accumulation of Lists -- 3 The Intrusive States of America -- 4 Impersonal Being, Negation, and Affirmation -- 5 Conclusion -- Acknowledgements -- References -- Chapter 6 Samuel Beckett and Modernist Vitalism -- 1 Introduction -- 2 The Subject/Object (Non)Relation -- 3 The Inhuman -- 4 An Orgy of False Becoming -- 5 Conclusion -- References -- Part 2 Modernist Animals. Chapter 7 Rumination of a Serbian Ox: Radoje Domanovic's Satire of Anthropocentric Folly -- 1 Context and Overview -- 2 Irrational Humans: Analysis of The Leader, A Mark, and I Do Not Understand -- 3 A Thinking Animal: Analysis of Rumination of a Common Serbian Ox -- 4 Conclusion: Domanović between Serbian Literature, Russian Classics and Western Modernism -- References -- Chapter 8 "Come se": Transcending the Human-Animal Divide in Pirandello's Short Stories -- 1 Introduction -- 2 Human and Animal: Interspecies Relations from Woolf to Pirandello -- 3 Animal Consciousness: Narrative Empathy -- 4 Mediated Empathy: Translating Animal Experience -- 5 Human-Animal Gap: Defamiliarization -- 6 Conclusion -- References -- Chapter 9 Modernist Exiles: the Berlin Years of Viktor Shklovsky, Aleksei Remizov, and the Masturbating Ape -- References -- Chapter 10 "Brandishing Her Plumes": Virginia Woolf, Feather Tropes, and the Plumage (Prohibition) Bill -- 1 Posthumanism -- 2 Virginia Woolf and "The Plumage Bill" -- 3 "The Plumage Bill" and Imperial Feminism -- 4 Tracing Woolf's Feather Tropes -- 5 Imperial and Military Plumes -- 6 India and Plumage in Mrs. Dalloway -- 7 Pluming Orlando: A Biography -- References -- Chapter 11 Posthumanism avant la lettre: Robert Musil's The Man without Qualities and the Boundaries of Humankind -- 1 Humankind and Modernity -- 2 The Boundaries of Humankind -- 2.1 Zoology -- 2.2 Ethnology -- 3 Posthumanist Narrative Form -- 4 Contextualizing and Transgressing the Concept of Man(kind) -- References -- Chapter 12 Animals and Logos in Samuel Beckett's Molloy, Malone Dies, and The Unnamable -- 1 Unsanctifying Logos as Speech and Reason -- 2 Mastery over One's Environment and Objective Knowledge -- 3 Mastery over One's Language and through Language -- 4 Logos as Ground -- 5 Pure Humans -- 6 Toward Humbler Viewpoints -- 7 Conclusion. References -- Chapter 13 Towards an Interpretation of a Modernist Bestiary in Color: Palazzeschi's Bestie del 900 and Maccari's Illustrations -- 1 Introduction -- 2 A Four-Handed Masterpiece -- 3 Palazzeschi's 20th-century Bestiary: Ways of Reading -- 3.1 The Individual and Its Contrast with Society -- 3.2 Power Relations -- 4 Gestalt Theory and the Interpretative Function of Images -- 5 The Hybrid as an Interpretative Category -- References -- Index -- Back Cover. |
author_facet |
Godioli, Alberto, 1983- Bergh, Carmen Van den, Bergh, Carmen Van den, |
author_variant |
a g ag c v d b cvd cvdb |
author_role |
VerfasserIn VerfasserIn |
author2 |
Bergh, Carmen Van den, |
author2_role |
TeilnehmendeR |
author_sort |
Godioli, Alberto, 1983- |
title |
Modernism Beyond the Human : Transnational Perspectives / |
title_sub |
Transnational Perspectives / |
title_full |
Modernism Beyond the Human : Transnational Perspectives / Alberto Godioli and Carmen van den Bergh. |
title_fullStr |
Modernism Beyond the Human : Transnational Perspectives / Alberto Godioli and Carmen van den Bergh. |
title_full_unstemmed |
Modernism Beyond the Human : Transnational Perspectives / Alberto Godioli and Carmen van den Bergh. |
title_auth |
Modernism Beyond the Human : Transnational Perspectives / |
title_new |
Modernism Beyond the Human : |
title_sort |
modernism beyond the human : transnational perspectives / |
series |
Critical Posthumanisms Series ; |
series2 |
Critical Posthumanisms Series ; |
publisher |
Koninklijke Brill nv, |
publishDate |
2024 |
physical |
1 online resource. |
edition |
First edition. |
contents |
Front Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Contents -- List of Figures -- Notes on Contributors -- Introduction -- References -- Part 1 Modernism and the Nonhuman -- Chapter 1 Prefiguring Modernist Posthumanism: Baudelaire, Rimbaud and the Objectification of the Lyric Self -- 1 Baudelaire, Rimbaud, and the Humanist Tradition -- 2 From "Subjective" to "Objective" Poetry -- or, from the Human to the Posthuman -- References -- Chapter 2 Becoming-Digit: Valentine de Saint-Point's Posthumanist Futurism -- 1 Metachoric Performance: Virtual Geometry and Saint-Point's Posthumanism -- 2 Saint-Point's Posthuman Futurism as Performance Art: the Multimedia Body-Digit -- Acknowledgments -- References -- Chapter 3 Politics of Identity: Giuseppe Ungaretti's Poetry of the Great War between Nomadic Subjectivity and Performative Realism -- 1 Introduction -- 2 Nomadic Identity -- 3 Nomadic Ethics -- 4 Nomadic Memories and the Life-Death Continuum -- 5 Some Conclusions: an Intra-action of Performative and Nomadic Identities -- References -- Chapter 4 Variations on "Maquinismo": Looking beyond the Human in Ramón Gómez de la Serna's Writings -- 1 "Maquinismo" and the Non-human Art -- 2 Radio Waves, Atoms and Voices beyond the Human -- References -- Chapter 5 The Tender Being of Something Else: Geography and Lists in Gertrude Stein's Ida -- 1 Listing beyond the Human -- 2 Movement, "Nature," and the Accumulation of Lists -- 3 The Intrusive States of America -- 4 Impersonal Being, Negation, and Affirmation -- 5 Conclusion -- Acknowledgements -- References -- Chapter 6 Samuel Beckett and Modernist Vitalism -- 1 Introduction -- 2 The Subject/Object (Non)Relation -- 3 The Inhuman -- 4 An Orgy of False Becoming -- 5 Conclusion -- References -- Part 2 Modernist Animals. Chapter 7 Rumination of a Serbian Ox: Radoje Domanovic's Satire of Anthropocentric Folly -- 1 Context and Overview -- 2 Irrational Humans: Analysis of The Leader, A Mark, and I Do Not Understand -- 3 A Thinking Animal: Analysis of Rumination of a Common Serbian Ox -- 4 Conclusion: Domanović between Serbian Literature, Russian Classics and Western Modernism -- References -- Chapter 8 "Come se": Transcending the Human-Animal Divide in Pirandello's Short Stories -- 1 Introduction -- 2 Human and Animal: Interspecies Relations from Woolf to Pirandello -- 3 Animal Consciousness: Narrative Empathy -- 4 Mediated Empathy: Translating Animal Experience -- 5 Human-Animal Gap: Defamiliarization -- 6 Conclusion -- References -- Chapter 9 Modernist Exiles: the Berlin Years of Viktor Shklovsky, Aleksei Remizov, and the Masturbating Ape -- References -- Chapter 10 "Brandishing Her Plumes": Virginia Woolf, Feather Tropes, and the Plumage (Prohibition) Bill -- 1 Posthumanism -- 2 Virginia Woolf and "The Plumage Bill" -- 3 "The Plumage Bill" and Imperial Feminism -- 4 Tracing Woolf's Feather Tropes -- 5 Imperial and Military Plumes -- 6 India and Plumage in Mrs. Dalloway -- 7 Pluming Orlando: A Biography -- References -- Chapter 11 Posthumanism avant la lettre: Robert Musil's The Man without Qualities and the Boundaries of Humankind -- 1 Humankind and Modernity -- 2 The Boundaries of Humankind -- 2.1 Zoology -- 2.2 Ethnology -- 3 Posthumanist Narrative Form -- 4 Contextualizing and Transgressing the Concept of Man(kind) -- References -- Chapter 12 Animals and Logos in Samuel Beckett's Molloy, Malone Dies, and The Unnamable -- 1 Unsanctifying Logos as Speech and Reason -- 2 Mastery over One's Environment and Objective Knowledge -- 3 Mastery over One's Language and through Language -- 4 Logos as Ground -- 5 Pure Humans -- 6 Toward Humbler Viewpoints -- 7 Conclusion. References -- Chapter 13 Towards an Interpretation of a Modernist Bestiary in Color: Palazzeschi's Bestie del 900 and Maccari's Illustrations -- 1 Introduction -- 2 A Four-Handed Masterpiece -- 3 Palazzeschi's 20th-century Bestiary: Ways of Reading -- 3.1 The Individual and Its Contrast with Society -- 3.2 Power Relations -- 4 Gestalt Theory and the Interpretative Function of Images -- 5 The Hybrid as an Interpretative Category -- References -- Index -- Back Cover. |
isbn |
90-04-54968-4 90-04-54967-6 |
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B - Philosophy, Psychology, Religion |
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100 - Philosophy & psychology |
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120 - Epistemology |
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128 - Humankind |
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128 |
dewey-sort |
3128 |
dewey-raw |
128 |
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128 |
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