Sonic Signatures : : Music, Migration and the City at Night / / edited by Derek Pardue, Ailbhe Kenny, Katherine Young Steele.

• TeilnehmendeR: Pardue, Derek, 1969-; Kenny, Ailbhe,; Steele, Katherine Young, 1979-
• Place / Publishing House: Bristol : : Intellect,, 2023.
• Year of Publication: 2023
• Edition: NED - New edition.
• Language: English
• Physical Description: 1 online resource (x, 244 pages) :; illustrations

<p><em>Sonic Signatures</em> is an interdisciplinary collaborationof scholars and music-makers who come together to explore how musicmakes cities. More specifically, they argue that the musicalencounter, composed of an array of production and consumptionpractices, takes on particular and essential meaning at night.Thinking about music as an encounter allows one to appreciate thevalue and power of migration within the act of music-making.</p><p>The majority of voices amplified in the book come from so-called"migrants," understood as someone who was born in one country andcurrently lives and works in another. Yet, these words, migration,migrant and migrancy, are more expansive than that as they indicatea range of movement, politics and place-making.</p><p>Contributions from Emilie Amrein<em>,</em> André de Quadros,Nick Dunn, Pol Esteve, Jillian Fulton-Melanson, Jacqueline Georgis,Masimba Hwati, Ailbhe Kenny, Seger Kersbergen, Brendan Kibbee, ÁineMangaoang, Derek Pardue, Nick Prior, Austin T. Richie, WilliansSantos, Sipho Sithole, Gibran Teixeira Braga, Katie Young.</p><p>A great, engaging transdisciplinary contribution to nightlifestudies, music and the city.</p>.

Table of Contents

List of Figures 1. Sensorial Belonging and Urban Migration: An Introduction to Sonic Signatures -- Derek Pardue -- PART 1: COLLABORATION -- 2. Music, Memory and Migration at Night: Relational Ways of Knowing through Arts-Based Collaborations -- Katie Young and Ailbhe Kenny -- 3. Resonating Restrictions: Dreaming with EDM 'In-between' Casablanca and Montreal -- Jillian Fulton-Melanson -- Interlude 1. 'How "Free" Is the Free Africa Festival?' Willians Santos and Derek Pardue -- PART 2: STREET SOUNDS -- 4. Nocturnal Polyphony: Mobile Music-Making as Urban Composition -- Nick Dunn -- Interlude 2. 'Tokyo After Hours'Nick Prior -- PART 3: HISTORICITY -- 5. Manolo D'Aro Postmortem: The Eternal and the Futurible in the Musical Landscapes of Francoist Experiential Capitalism -- Pol Esteve Castelló -- 6. Dancing Down Memory Lane: (Re)experiences of Cape Verdean Nightlife in Rotterdam -- Seger Kersbergen -- Interlude 3. Karingido: Vigilante Tricksters and Feedback-Loop Approaches to a Liberation Struggle -- Masimba Hwati and Austin T. Richey -- PART 4: BELONGING -- 7. Lisbon Under Construction: The Nocturnal Stylings of batida do gueto -- Jacqueline Georgis -- 8. (Be)Longing: Irish Musicking and Place-Making in Oslo, Norway -- Áine Mangaoang -- Interlude 4. 'New York Ne Dort Pas' -- Brendan Kibbee -- PART 5: DISCORD -- 9. Urban Outcasts and the Defiant iSicathamiya Music -- Sipho Sithole -- 10. Rooms for Resistance: Migration and Social Markers of Difference in Berlin Queer Underground Electronic Music Scene -- Gibran Teixeira Braga -- Interlude 5. Sounding In, Sounding Out: Remembrance and Resistance at the Border -- Emilie Amrein and André de Quadros -- Notes on Contributors -- Index.