The last great American picture show : : new Hollywood cinema in the 1970s / / edited by Thomas Elsaesser, Alexander Horwath and Noel King.
A unique evaluation of the American cinema of the 1970s, including cult film directors such as Peter Bogdanovich, Robert Altman and Monte Hellman.
Saved in:
Superior document: | Film culture in transition |
---|---|
TeilnehmendeR: | |
Place / Publishing House: | Amsterdam : : Amsterdam University Press,, 2004. |
Year of Publication: | 2004 |
Edition: | 1st ed. |
Language: | English |
Series: | Film culture in transition.
|
Physical Description: | 1 online resource (391 pages) :; digital, PDF file(s). |
Notes: | Title from publisher's bibliographic system (viewed on 05 Feb 2021). |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993628518504498 |
---|---|
ctrlnum |
(CKB)1000000000004531 (EBL)420244 (OCoLC)55848929 (SSID)ssj0000189390 (PQKBManifestationID)11156667 (PQKBTitleCode)TC0000189390 (PQKBWorkID)10156447 (PQKB)10471817 (MiAaPQ)EBC420244 (DE-B1597)518154 (OCoLC)888545476 (DE-B1597)9789048503681 (UkCbUP)CR9789048503681 (Au-PeEL)EBL420244 (CaPaEBR)ebr10065764 (CaONFJC)MIL95894 (EXLCZ)991000000000004531 |
collection |
bib_alma |
record_format |
marc |
spelling |
The last great American picture show : new Hollywood cinema in the 1970s / edited by Thomas Elsaesser, Alexander Horwath and Noel King. 1st ed. Amsterdam : Amsterdam University Press, 2004. 1 online resource (391 pages) : digital, PDF file(s). text txt rdacontent computer c rdamedia online resource cr rdacarrier Film culture in transition English Front matter -- Table of Contents -- Part One: Introductions -- The Impure Cinema: New Hollywood 1967-1976 / Horwath, Alexander -- "The Last Good Time We Ever Had": Remembering the New Hollywood Cinema / King, Noel -- American Auteur Cinema: The Last - or First - Picture Show? / Elsaesser, Thomas -- Part Two: Histories -- The Decade When Movies Mattered / Thomson, David -- A Walking Contradiction (Partly Truth and Partly Fiction) / Horwath, Alexander -- The Exploitation Generation. Or: How Marginal Movies Came in from the Cold / McDonagh, Maitland -- New Hollywood and the Sixties Melting Pot / Rosenbaum, Jonathan -- Part Three: People and Places -- Dinosaurs in the Age of the Cinemobile / Jameson, Richard T. -- "The Cylinders Were Whispering My Name": The Films of Monte Hellman / Jones, Kent -- Nashville Contra Jaws, Or "The Imagination of Disaster" Revisited / Hoberman, J. -- For Wanda / Reynaud, Bérénice -- Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock / Hampton, Howard -- Auteurism and War-teurism: Terrence Malick's War Movie / Polan, Dana -- Part Four: Critical Debates -- The Pathos of Failure: American Films in the 1970's: Notes on the Unmotivated Hero [1975] / Elsaesser, Thomas -- Trapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) / Keathley, Christian -- Grim Fascination: Fingers, James Toback, and 1970's American Cinema / Martin, Adrian -- Allegories of Post-Fordism in 1970's New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling / Robnik, Drehli -- Bibliography -- List of Contributors -- Pictures (with credits) -- Index of Film Titles This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access Title from publisher's bibliographic system (viewed on 05 Feb 2021). A unique evaluation of the American cinema of the 1970s, including cult film directors such as Peter Bogdanovich, Robert Altman and Monte Hellman. Motion pictures United States History. 90-5356-493-4 90-5356-631-7 Elsaesser, Thomas, 1943-2019, editor. Horwath, Alexander, 1964- editor. King, Noel, 1952- editor. Film culture in transition. |
language |
English |
format |
eBook |
author2 |
Elsaesser, Thomas, 1943-2019, Horwath, Alexander, 1964- King, Noel, 1952- |
author_facet |
Elsaesser, Thomas, 1943-2019, Horwath, Alexander, 1964- King, Noel, 1952- |
author2_variant |
t e te a h ah n k nk |
author2_role |
TeilnehmendeR TeilnehmendeR TeilnehmendeR |
author_additional |
Horwath, Alexander -- King, Noel -- Elsaesser, Thomas -- Thomson, David -- McDonagh, Maitland -- Rosenbaum, Jonathan -- Jameson, Richard T. -- Jones, Kent -- Hoberman, J. -- Reynaud, Bérénice -- Hampton, Howard -- Polan, Dana -- Keathley, Christian -- Martin, Adrian -- Robnik, Drehli -- |
title |
The last great American picture show : new Hollywood cinema in the 1970s / |
spellingShingle |
The last great American picture show : new Hollywood cinema in the 1970s / Film culture in transition Front matter -- Table of Contents -- Part One: Introductions -- The Impure Cinema: New Hollywood 1967-1976 / "The Last Good Time We Ever Had": Remembering the New Hollywood Cinema / American Auteur Cinema: The Last - or First - Picture Show? / Part Two: Histories -- The Decade When Movies Mattered / A Walking Contradiction (Partly Truth and Partly Fiction) / The Exploitation Generation. Or: How Marginal Movies Came in from the Cold / New Hollywood and the Sixties Melting Pot / Part Three: People and Places -- Dinosaurs in the Age of the Cinemobile / "The Cylinders Were Whispering My Name": The Films of Monte Hellman / Nashville Contra Jaws, Or "The Imagination of Disaster" Revisited / For Wanda / Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock / Auteurism and War-teurism: Terrence Malick's War Movie / Part Four: Critical Debates -- The Pathos of Failure: American Films in the 1970's: Notes on the Unmotivated Hero [1975] / Trapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) / Grim Fascination: Fingers, James Toback, and 1970's American Cinema / Allegories of Post-Fordism in 1970's New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling / Bibliography -- List of Contributors -- Pictures (with credits) -- Index of Film Titles |
title_sub |
new Hollywood cinema in the 1970s / |
title_full |
The last great American picture show : new Hollywood cinema in the 1970s / edited by Thomas Elsaesser, Alexander Horwath and Noel King. |
title_fullStr |
The last great American picture show : new Hollywood cinema in the 1970s / edited by Thomas Elsaesser, Alexander Horwath and Noel King. |
title_full_unstemmed |
The last great American picture show : new Hollywood cinema in the 1970s / edited by Thomas Elsaesser, Alexander Horwath and Noel King. |
title_auth |
The last great American picture show : new Hollywood cinema in the 1970s / |
title_alt |
Front matter -- Table of Contents -- Part One: Introductions -- The Impure Cinema: New Hollywood 1967-1976 / "The Last Good Time We Ever Had": Remembering the New Hollywood Cinema / American Auteur Cinema: The Last - or First - Picture Show? / Part Two: Histories -- The Decade When Movies Mattered / A Walking Contradiction (Partly Truth and Partly Fiction) / The Exploitation Generation. Or: How Marginal Movies Came in from the Cold / New Hollywood and the Sixties Melting Pot / Part Three: People and Places -- Dinosaurs in the Age of the Cinemobile / "The Cylinders Were Whispering My Name": The Films of Monte Hellman / Nashville Contra Jaws, Or "The Imagination of Disaster" Revisited / For Wanda / Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock / Auteurism and War-teurism: Terrence Malick's War Movie / Part Four: Critical Debates -- The Pathos of Failure: American Films in the 1970's: Notes on the Unmotivated Hero [1975] / Trapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) / Grim Fascination: Fingers, James Toback, and 1970's American Cinema / Allegories of Post-Fordism in 1970's New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling / Bibliography -- List of Contributors -- Pictures (with credits) -- Index of Film Titles |
title_new |
The last great American picture show : |
title_sort |
the last great american picture show : new hollywood cinema in the 1970s / |
series |
Film culture in transition |
series2 |
Film culture in transition |
publisher |
Amsterdam University Press, |
publishDate |
2004 |
physical |
1 online resource (391 pages) : digital, PDF file(s). |
edition |
1st ed. |
contents |
Front matter -- Table of Contents -- Part One: Introductions -- The Impure Cinema: New Hollywood 1967-1976 / "The Last Good Time We Ever Had": Remembering the New Hollywood Cinema / American Auteur Cinema: The Last - or First - Picture Show? / Part Two: Histories -- The Decade When Movies Mattered / A Walking Contradiction (Partly Truth and Partly Fiction) / The Exploitation Generation. Or: How Marginal Movies Came in from the Cold / New Hollywood and the Sixties Melting Pot / Part Three: People and Places -- Dinosaurs in the Age of the Cinemobile / "The Cylinders Were Whispering My Name": The Films of Monte Hellman / Nashville Contra Jaws, Or "The Imagination of Disaster" Revisited / For Wanda / Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock / Auteurism and War-teurism: Terrence Malick's War Movie / Part Four: Critical Debates -- The Pathos of Failure: American Films in the 1970's: Notes on the Unmotivated Hero [1975] / Trapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) / Grim Fascination: Fingers, James Toback, and 1970's American Cinema / Allegories of Post-Fordism in 1970's New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling / Bibliography -- List of Contributors -- Pictures (with credits) -- Index of Film Titles |
isbn |
1-280-95894-4 9786610958948 90-485-0368-X 1-4175-2172-4 90-5356-493-4 90-5356-631-7 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 U65 L38 42004 |
geographic_facet |
United States |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430979494 |
dewey-sort |
3791.430979494 |
dewey-raw |
791.430979494 |
dewey-search |
791.430979494 |
oclc_num |
55848929 888545476 |
work_keys_str_mv |
AT elsaesserthomas thelastgreatamericanpictureshownewhollywoodcinemainthe1970s AT horwathalexander thelastgreatamericanpictureshownewhollywoodcinemainthe1970s AT kingnoel thelastgreatamericanpictureshownewhollywoodcinemainthe1970s AT elsaesserthomas lastgreatamericanpictureshownewhollywoodcinemainthe1970s AT horwathalexander lastgreatamericanpictureshownewhollywoodcinemainthe1970s AT kingnoel lastgreatamericanpictureshownewhollywoodcinemainthe1970s |
status_str |
n |
ids_txt_mv |
(CKB)1000000000004531 (EBL)420244 (OCoLC)55848929 (SSID)ssj0000189390 (PQKBManifestationID)11156667 (PQKBTitleCode)TC0000189390 (PQKBWorkID)10156447 (PQKB)10471817 (MiAaPQ)EBC420244 (DE-B1597)518154 (OCoLC)888545476 (DE-B1597)9789048503681 (UkCbUP)CR9789048503681 (Au-PeEL)EBL420244 (CaPaEBR)ebr10065764 (CaONFJC)MIL95894 (EXLCZ)991000000000004531 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Film culture in transition |
is_hierarchy_title |
The last great American picture show : new Hollywood cinema in the 1970s / |
container_title |
Film culture in transition |
author2_original_writing_str_mv |
noLinkedField noLinkedField noLinkedField |
_version_ |
1801065183364251648 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01524nam a2200361 i 4500</leader><controlfield tag="001">993628518504498</controlfield><controlfield tag="005">20210208145827.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr||||||||||||</controlfield><controlfield tag="008">210107s2004||||ne o ||1 0|eng|d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1-280-95894-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9786610958948</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">90-485-0368-X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1-4175-2172-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9789048503681</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)1000000000004531</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBL)420244</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)55848929</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(SSID)ssj0000189390</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBManifestationID)11156667</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBTitleCode)TC0000189390</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBWorkID)10156447</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKB)10471817</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC420244</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)518154</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)888545476</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)9789048503681</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(UkCbUP)CR9789048503681</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL420244</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaPaEBR)ebr10065764</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaONFJC)MIL95894</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)991000000000004531</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">UkCbUP</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="c">UkCbUP</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">n-us---</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">ne</subfield><subfield code="c">NL</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1993.5.U65</subfield><subfield code="b">L38 2004</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.430979494</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="0" ind2="4"><subfield code="a">The last great American picture show :</subfield><subfield code="b">new Hollywood cinema in the 1970s /</subfield><subfield code="c">edited by Thomas Elsaesser, Alexander Horwath and Noel King.</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam :</subfield><subfield code="b">Amsterdam University Press,</subfield><subfield code="c">2004.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (391 pages) :</subfield><subfield code="b">digital, PDF file(s).</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Film culture in transition</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Front matter --</subfield><subfield code="t">Table of Contents --</subfield><subfield code="t">Part One: Introductions --</subfield><subfield code="t">The Impure Cinema: New Hollywood 1967-1976 /</subfield><subfield code="r">Horwath, Alexander --</subfield><subfield code="t">"The Last Good Time We Ever Had": Remembering the New Hollywood Cinema /</subfield><subfield code="r">King, Noel --</subfield><subfield code="t">American Auteur Cinema: The Last - or First - Picture Show? /</subfield><subfield code="r">Elsaesser, Thomas --</subfield><subfield code="t">Part Two: Histories --</subfield><subfield code="t">The Decade When Movies Mattered /</subfield><subfield code="r">Thomson, David --</subfield><subfield code="t">A Walking Contradiction (Partly Truth and Partly Fiction) /</subfield><subfield code="r">Horwath, Alexander --</subfield><subfield code="t">The Exploitation Generation. Or: How Marginal Movies Came in from the Cold /</subfield><subfield code="r">McDonagh, Maitland --</subfield><subfield code="t">New Hollywood and the Sixties Melting Pot /</subfield><subfield code="r">Rosenbaum, Jonathan --</subfield><subfield code="t">Part Three: People and Places --</subfield><subfield code="t">Dinosaurs in the Age of the Cinemobile /</subfield><subfield code="r">Jameson, Richard T. --</subfield><subfield code="t">"The Cylinders Were Whispering My Name": The Films of Monte Hellman /</subfield><subfield code="r">Jones, Kent --</subfield><subfield code="t">Nashville Contra Jaws, Or "The Imagination of Disaster" Revisited /</subfield><subfield code="r">Hoberman, J. --</subfield><subfield code="t">For Wanda /</subfield><subfield code="r">Reynaud, Bérénice --</subfield><subfield code="t">Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock /</subfield><subfield code="r">Hampton, Howard --</subfield><subfield code="t">Auteurism and War-teurism: Terrence Malick's War Movie /</subfield><subfield code="r">Polan, Dana --</subfield><subfield code="t">Part Four: Critical Debates --</subfield><subfield code="t">The Pathos of Failure: American Films in the 1970's: Notes on the Unmotivated Hero [1975] /</subfield><subfield code="r">Elsaesser, Thomas --</subfield><subfield code="t">Trapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) /</subfield><subfield code="r">Keathley, Christian --</subfield><subfield code="t">Grim Fascination: Fingers, James Toback, and 1970's American Cinema /</subfield><subfield code="r">Martin, Adrian --</subfield><subfield code="t">Allegories of Post-Fordism in 1970's New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling /</subfield><subfield code="r">Robnik, Drehli --</subfield><subfield code="t">Bibliography --</subfield><subfield code="t">List of Contributors --</subfield><subfield code="t">Pictures (with credits) --</subfield><subfield code="t">Index of Film Titles</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: </subfield><subfield code="u">https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 05 Feb 2021).</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">A unique evaluation of the American cinema of the 1970s, including cult film directors such as Peter Bogdanovich, Robert Altman and Monte Hellman.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">United States</subfield><subfield code="x">History.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">90-5356-493-4</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">90-5356-631-7</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Elsaesser, Thomas,</subfield><subfield code="d">1943-2019,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Horwath, Alexander,</subfield><subfield code="d">1964-</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">King, Noel,</subfield><subfield code="d">1952-</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Film culture in transition.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2024-06-06 00:39:07 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2012-02-26 02:36:00 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">DOAB Directory of Open Access Books</subfield><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5350493940004498&Force_direct=true</subfield><subfield code="Z">5350493940004498</subfield><subfield code="b">Available</subfield><subfield code="8">5350493940004498</subfield></datafield></record></collection> |