The last great American picture show : : new Hollywood cinema in the 1970s / / edited by Thomas Elsaesser, Alexander Horwath and Noel King.

A unique evaluation of the American cinema of the 1970s, including cult film directors such as Peter Bogdanovich, Robert Altman and Monte Hellman.

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Bibliographic Details
Superior document:Film culture in transition
TeilnehmendeR:
Place / Publishing House:Amsterdam : : Amsterdam University Press,, 2004.
Year of Publication:2004
Edition:1st ed.
Language:English
Series:Film culture in transition.
Physical Description:1 online resource (391 pages) :; digital, PDF file(s).
Notes:Title from publisher's bibliographic system (viewed on 05 Feb 2021).
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spelling The last great American picture show : new Hollywood cinema in the 1970s / edited by Thomas Elsaesser, Alexander Horwath and Noel King.
1st ed.
Amsterdam : Amsterdam University Press, 2004.
1 online resource (391 pages) : digital, PDF file(s).
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Film culture in transition
English
Front matter -- Table of Contents -- Part One: Introductions -- The Impure Cinema: New Hollywood 1967-1976 / Horwath, Alexander -- "The Last Good Time We Ever Had": Remembering the New Hollywood Cinema / King, Noel -- American Auteur Cinema: The Last - or First - Picture Show? / Elsaesser, Thomas -- Part Two: Histories -- The Decade When Movies Mattered / Thomson, David -- A Walking Contradiction (Partly Truth and Partly Fiction) / Horwath, Alexander -- The Exploitation Generation. Or: How Marginal Movies Came in from the Cold / McDonagh, Maitland -- New Hollywood and the Sixties Melting Pot / Rosenbaum, Jonathan -- Part Three: People and Places -- Dinosaurs in the Age of the Cinemobile / Jameson, Richard T. -- "The Cylinders Were Whispering My Name": The Films of Monte Hellman / Jones, Kent -- Nashville Contra Jaws, Or "The Imagination of Disaster" Revisited / Hoberman, J. -- For Wanda / Reynaud, Bérénice -- Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock / Hampton, Howard -- Auteurism and War-teurism: Terrence Malick's War Movie / Polan, Dana -- Part Four: Critical Debates -- The Pathos of Failure: American Films in the 1970's: Notes on the Unmotivated Hero [1975] / Elsaesser, Thomas -- Trapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) / Keathley, Christian -- Grim Fascination: Fingers, James Toback, and 1970's American Cinema / Martin, Adrian -- Allegories of Post-Fordism in 1970's New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling / Robnik, Drehli -- Bibliography -- List of Contributors -- Pictures (with credits) -- Index of Film Titles
This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access
Title from publisher's bibliographic system (viewed on 05 Feb 2021).
A unique evaluation of the American cinema of the 1970s, including cult film directors such as Peter Bogdanovich, Robert Altman and Monte Hellman.
Motion pictures United States History.
90-5356-493-4
90-5356-631-7
Elsaesser, Thomas, 1943-2019, editor.
Horwath, Alexander, 1964- editor.
King, Noel, 1952- editor.
Film culture in transition.
language English
format eBook
author2 Elsaesser, Thomas, 1943-2019,
Horwath, Alexander, 1964-
King, Noel, 1952-
author_facet Elsaesser, Thomas, 1943-2019,
Horwath, Alexander, 1964-
King, Noel, 1952-
author2_variant t e te
a h ah
n k nk
author2_role TeilnehmendeR
TeilnehmendeR
TeilnehmendeR
author_additional Horwath, Alexander --
King, Noel --
Elsaesser, Thomas --
Thomson, David --
McDonagh, Maitland --
Rosenbaum, Jonathan --
Jameson, Richard T. --
Jones, Kent --
Hoberman, J. --
Reynaud, Bérénice --
Hampton, Howard --
Polan, Dana --
Keathley, Christian --
Martin, Adrian --
Robnik, Drehli --
title The last great American picture show : new Hollywood cinema in the 1970s /
spellingShingle The last great American picture show : new Hollywood cinema in the 1970s /
Film culture in transition
Front matter --
Table of Contents --
Part One: Introductions --
The Impure Cinema: New Hollywood 1967-1976 /
"The Last Good Time We Ever Had": Remembering the New Hollywood Cinema /
American Auteur Cinema: The Last - or First - Picture Show? /
Part Two: Histories --
The Decade When Movies Mattered /
A Walking Contradiction (Partly Truth and Partly Fiction) /
The Exploitation Generation. Or: How Marginal Movies Came in from the Cold /
New Hollywood and the Sixties Melting Pot /
Part Three: People and Places --
Dinosaurs in the Age of the Cinemobile /
"The Cylinders Were Whispering My Name": The Films of Monte Hellman /
Nashville Contra Jaws, Or "The Imagination of Disaster" Revisited /
For Wanda /
Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock /
Auteurism and War-teurism: Terrence Malick's War Movie /
Part Four: Critical Debates --
The Pathos of Failure: American Films in the 1970's: Notes on the Unmotivated Hero [1975] /
Trapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) /
Grim Fascination: Fingers, James Toback, and 1970's American Cinema /
Allegories of Post-Fordism in 1970's New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling /
Bibliography --
List of Contributors --
Pictures (with credits) --
Index of Film Titles
title_sub new Hollywood cinema in the 1970s /
title_full The last great American picture show : new Hollywood cinema in the 1970s / edited by Thomas Elsaesser, Alexander Horwath and Noel King.
title_fullStr The last great American picture show : new Hollywood cinema in the 1970s / edited by Thomas Elsaesser, Alexander Horwath and Noel King.
title_full_unstemmed The last great American picture show : new Hollywood cinema in the 1970s / edited by Thomas Elsaesser, Alexander Horwath and Noel King.
title_auth The last great American picture show : new Hollywood cinema in the 1970s /
title_alt Front matter --
Table of Contents --
Part One: Introductions --
The Impure Cinema: New Hollywood 1967-1976 /
"The Last Good Time We Ever Had": Remembering the New Hollywood Cinema /
American Auteur Cinema: The Last - or First - Picture Show? /
Part Two: Histories --
The Decade When Movies Mattered /
A Walking Contradiction (Partly Truth and Partly Fiction) /
The Exploitation Generation. Or: How Marginal Movies Came in from the Cold /
New Hollywood and the Sixties Melting Pot /
Part Three: People and Places --
Dinosaurs in the Age of the Cinemobile /
"The Cylinders Were Whispering My Name": The Films of Monte Hellman /
Nashville Contra Jaws, Or "The Imagination of Disaster" Revisited /
For Wanda /
Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock /
Auteurism and War-teurism: Terrence Malick's War Movie /
Part Four: Critical Debates --
The Pathos of Failure: American Films in the 1970's: Notes on the Unmotivated Hero [1975] /
Trapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) /
Grim Fascination: Fingers, James Toback, and 1970's American Cinema /
Allegories of Post-Fordism in 1970's New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling /
Bibliography --
List of Contributors --
Pictures (with credits) --
Index of Film Titles
title_new The last great American picture show :
title_sort the last great american picture show : new hollywood cinema in the 1970s /
series Film culture in transition
series2 Film culture in transition
publisher Amsterdam University Press,
publishDate 2004
physical 1 online resource (391 pages) : digital, PDF file(s).
edition 1st ed.
contents Front matter --
Table of Contents --
Part One: Introductions --
The Impure Cinema: New Hollywood 1967-1976 /
"The Last Good Time We Ever Had": Remembering the New Hollywood Cinema /
American Auteur Cinema: The Last - or First - Picture Show? /
Part Two: Histories --
The Decade When Movies Mattered /
A Walking Contradiction (Partly Truth and Partly Fiction) /
The Exploitation Generation. Or: How Marginal Movies Came in from the Cold /
New Hollywood and the Sixties Melting Pot /
Part Three: People and Places --
Dinosaurs in the Age of the Cinemobile /
"The Cylinders Were Whispering My Name": The Films of Monte Hellman /
Nashville Contra Jaws, Or "The Imagination of Disaster" Revisited /
For Wanda /
Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock /
Auteurism and War-teurism: Terrence Malick's War Movie /
Part Four: Critical Debates --
The Pathos of Failure: American Films in the 1970's: Notes on the Unmotivated Hero [1975] /
Trapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) /
Grim Fascination: Fingers, James Toback, and 1970's American Cinema /
Allegories of Post-Fordism in 1970's New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling /
Bibliography --
List of Contributors --
Pictures (with credits) --
Index of Film Titles
isbn 1-280-95894-4
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90-5356-631-7
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1993
callnumber-sort PN 41993.5 U65 L38 42004
geographic_facet United States
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.430979494
dewey-sort 3791.430979494
dewey-raw 791.430979494
dewey-search 791.430979494
oclc_num 55848929
888545476
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