Parody in the age of remix : : mashup creativity vs. the takedown / / Ragnhild Brøvig.

"Drawing on interviews with mashup producers, close readings of the mashup music and videos, and a historically and aesthetically informed cultural studies approach, Brøvig demonstrates how mashup music embraces the essence of parody through its mashing and repurposing of sources, associations,...

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Place / Publishing House:Cambridge, Massachusetts : : The MIT Press,, 2023.
Year of Publication:2023
Edition:1st ed.
Language:English
Physical Description:1 online resource
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245 1 0 |a Parody in the age of remix :  |b mashup creativity vs. the takedown /  |c Ragnhild Brøvig. 
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505 0 |a Intro -- Contents -- Acknowledgments -- 1 Introduction: Mashups and Takedowns -- 2 Mashup Music as Parody: Its Roots and Specificity -- 3 Producing Mashups and the Pleasure of Play -- 4 The HAHA, AHA, and AH Impacts of Mashups -- 5 Sampling Ethics and Mashups' Legality -- 6 How Platform Moderation Affects Mashup Producers -- 7 Authorship and Ownership in the Age of Remix and Takedowns -- Appendix: Notes on MASHED Interview and Survey Methods -- Notes -- References -- Index. 
520 |a "Drawing on interviews with mashup producers, close readings of the mashup music and videos, and a historically and aesthetically informed cultural studies approach, Brøvig demonstrates how mashup music embraces the essence of parody through its mashing and repurposing of sources, associations, and connotations"--  |c Provided by publisher. 
588 |a OCLC-licensed vendor bibliographic record. 
650 0 |a Mashups (Music)  |x Philosophy and aesthetics. 
650 0 |a Mashups (Music)  |x History and criticism. 
650 0 |a Parody in music. 
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653 |a MUSIC / History & Criticism 
653 |a LAW / Intellectual Property / Copyright 
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