Literatures of the World and the Future of Comparative Literature : : Proceedings of the 22nd Congress of the International Comparative Literature Association.

"The 2019 congress of the International Comparative Literature Association attracted many hundreds of scholars from all around the world to Macau. This volume contains a modest selection of papers to discuss the four hottest fields of the discipline: the future of comparison, the position of na...

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Bibliographic Details
Superior document:Textxet: Studies in Comparative Literature Series ; v.102
:
TeilnehmendeR:
Place / Publishing House:Boston : : BRILL,, 2023.
©2023.
Year of Publication:2023
Edition:1st ed.
Language:English
Series:Textxet: Studies in Comparative Literature Series
Physical Description:1 online resource (383 pages)
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Table of Contents:
  • Intro
  • ‎Contents
  • ‎Preface
  • ‎Notes on Contributors
  • ‎Part 1. Comparative Literature
  • ‎Chapter 1. Introduction (Wang)
  • ‎Chapter 2. Aphorism in Modern Japanese Literature: Elements for a Brief History of the Reception of a Foreign Literary Genre (Beauvieux)
  • ‎Abstract
  • ‎Keywords
  • ‎Works Cited
  • ‎Chapter 3. Female Narrative as a Strategy in Maxing Hong Kingston's and Amy Tan's Fiction (Cheng)
  • ‎Abstract
  • ‎Keywords
  • ‎1. Autobiographical Narrative
  • ‎2. Storytelling Technique
  • ‎3. Chinese Chapter Novel Structure
  • ‎Works Cited
  • ‎Chapter 4. Between Waves and Trees: Digital Humanities and Comparative Reading of Texts (Franco)
  • ‎Abstract
  • ‎Keywords
  • ‎Works Cited
  • ‎Chapter 5. Two Faces of A.K. Hasheem in Colombo: Intelligent Tourist Agents Navigating the Waves of Anglo-Japanese Relations (Hashimoto)
  • ‎Abstract
  • ‎Keywords
  • ‎Introduction
  • ‎1. The Hasheem Company Known for Reliability
  • ‎2. Hasheem as a Pan-Asianist?
  • ‎3. Conclusion
  • ‎Works Cited
  • ‎Chapter 6. Performance as Act: A New Trend in Intercultural Theatre Studies (He)
  • ‎Abstract
  • ‎Keywords
  • ‎1. Intercultural Theatre from the Perspective of ANT
  • ‎2. The Intersubjectivity of Performers
  • ‎3. The Performer-Audience Relationship
  • ‎4. Cultural Identity and Cosmopolitanism
  • ‎5. Conclusion
  • ‎Works Cited
  • ‎Chapter 7. Germinal and Minas de San Francisco: Journey(s) of "Disquiet" to the Mine and the Human in Émile Zola and Fernando Namora (Jubilado)
  • ‎Abstract
  • ‎Keywords
  • ‎1. Journey to the Mine
  • ‎2. Journey and Ideology
  • ‎Works Cited
  • ‎Chapter 8. On the Presentation of Cao Yu's Thunderstorm in South Korea (Niu and Lyu)
  • ‎Abstract
  • ‎Keywords
  • ‎1. Cao Yu and His Drama Leiyu (Thunderstorm)
  • ‎2. Thunderstorm Adaptation on the South Korean Stage in the 1950s
  • ‎3. Review of Performance of Thunderstorm in South Korea.
  • ‎4. Conclusion
  • ‎Bibliography
  • ‎Part 2. National Literatures and Diaspora Literature
  • ‎Chapter 9. Introduction (Sheng)
  • ‎Chapter 10. The Progressive Movement and Some Aspects of the Debate over Bangla Poetry (Chattopadhyay)
  • ‎Abstract
  • ‎Keywords
  • ‎1. A Few Words on the Key Figures
  • ‎2. Setting the Debate
  • ‎3. Samar Sen's Poetry and Its Politics
  • ‎4. The Reception of Eliot
  • ‎5. Beyond Sen and Dutta
  • ‎Works Cited
  • ‎Chapter 11. A Study on Novels Dealing with Japanese-Korean Romances or Marriages during the Late Japanese Colonial Period (Liu)
  • ‎Abstract
  • ‎Keywords
  • ‎1. Introduction
  • ‎2. Novels about Japanese-Taiwanese Romances or Marriages
  • ‎3. Novels about Japanese-Korean Romances or Marriages
  • ‎4. Conclusion
  • ‎Works Cited
  • ‎Chapter 12. The Role of Poetry and Voice of the Oppressed: Bengali and Telugu (Ghosh)
  • ‎Abstract
  • ‎Keywords
  • ‎1. Debate between Form and Content …
  • ‎2. Conclusion
  • ‎Works Cited
  • ‎Chapter 13. Spatial Narrative in Lisa See's Snow Flower and the Secret Fan (Dong)
  • ‎Abstract
  • ‎Keywords
  • ‎1. Physical Space and Its Narrative Function
  • ‎2. Psychological Space and Spatial Cognition
  • ‎3. Thirdspace and Female Community
  • ‎Works Cited
  • ‎Chapter 14. Experience-Oriented Reading of Literature versus Literary Criticism (Pettersson)
  • ‎Abstract
  • ‎Keywords
  • ‎1. Literature and Experience-Oriented Reading
  • ‎2. Literary Studies and Literary Criticism
  • ‎3. The Idea that Literary Critics Are Readers
  • ‎4. Literature's Values for Readers
  • ‎5. On Literary-Critical Practice
  • ‎6. The Idea of the Literary Critic as a Model Reader
  • ‎7. Concluding Remarks
  • ‎Works Cited
  • ‎Chapter 15. Queering the Brazilian White Patriarchal Home: An Improbable Room/ a Deauthorized Voice (Schmidt)
  • ‎Abstract
  • ‎Keywords
  • ‎1. A Voice from the Margins.
  • ‎2. Envisioning Collectivities to Come
  • ‎Works Cited
  • ‎Chapter 16. Culinary Representations of Vitality and Heroism in Mo Yan's Red Sorghum (Xiao)
  • ‎Abstract
  • ‎Keywords
  • ‎1. Fistcake
  • ‎2. Sorghum Wine
  • ‎3. Dog Meat
  • ‎4. Food, Drink and Unsung Heroes
  • ‎Works Cited
  • ‎Chapter 17. Embodying the Chimera: Cultural Identity and Gazing in Amy Tan's The Hundred Secret Senses (Yi)
  • ‎Abstract
  • ‎Keywords
  • ‎1. The Child's Gaze
  • ‎2. The "Other" Gazes Back
  • ‎3. The Chimera Embodied
  • ‎4. Conclusion
  • ‎Works Cited
  • ‎Part 3. Translation Studies
  • ‎Chapter 18. Introduction (Sun)
  • ‎Works Cited
  • ‎Chapter 19. Translating the Untranslatable: Foreign Otherness and Cross-Cultural Readability (Du)
  • ‎Abstract
  • ‎Keywords
  • ‎1. Introduction
  • ‎2. Untranslatability, Foreign Otherness, and Readability
  • ‎3. Methodology and Data
  • ‎4. Translating the Untranslatable
  • ‎5. Findings and Implications
  • ‎6. Conclusion
  • ‎Works Cited
  • ‎Chapter 20. "Nature" in Wordsworth's Poems Translated in Late Nineteenth-Century Japan (Wu)
  • ‎Abstract
  • ‎Keywords
  • ‎1. Introduction
  • ‎2. "Nature" Translated by Target Language before 1893
  • ‎3. Mythology Translated in Early Romanticism of the Meiji Period
  • ‎4. English Studies as the Turning Point at 1893
  • ‎5. Complexity Born through Westernization and Domestication
  • ‎6. Conclusion
  • ‎Works Cited
  • ‎Chapter 21. The Influence of Translated Poetry on the Occurrence of Modernity in Modern Chinese Poetry (Xiong)
  • ‎Abstract
  • ‎Keywords
  • ‎1. Introduction
  • ‎2. Part i
  • ‎3. Part ii
  • ‎4. Part iii
  • ‎5. Conclusion
  • ‎Works Cited
  • ‎Part 4. World Literature
  • ‎Chapter 22. Introduction (Boldrini)
  • ‎Works Cited
  • ‎Chapter 23. Literature: A World History-the View from Europe (D'haen)
  • ‎Abstract
  • ‎Keywords
  • ‎Works Cited
  • ‎Chapter 24. Responsiveness to Comparison (Festić).
  • ‎Abstract
  • ‎Keywords
  • ‎1. Introduction
  • ‎2. Comparison Is Not Competition
  • ‎3. Desire, or: Anxiety versus Becoming
  • ‎4. Movement and Hope
  • ‎Works Cited
  • ‎Chapter 25. Hungarian Literature as World Literature (Hajdu)
  • ‎Abstract
  • ‎Keywords
  • ‎Acknowledgement
  • ‎Works Cited
  • ‎Chapter 26. "Cosmopolitics": Derrida on Cosmopolitanism and Sovereignty (Mansfield)
  • ‎Abstract
  • ‎Keywords
  • ‎Works Cited
  • ‎Chapter 27. A Triple Configuration: Comparative Literature, World Literature, and Single-Language Literature (Trivedi)
  • ‎Abstract
  • ‎Keywords
  • ‎1. A Translational Triangle: English-Chinese-Hindi
  • ‎2. Comparative Literature and World Literature: Some Contra-Distinctions
  • ‎3. The Future of Comparative Literature
  • ‎Works Cited
  • ‎Chapter 28. China and World Literature Studies: Re-Orient? (D'haen)
  • ‎Abstract
  • ‎Keywords
  • ‎Works Cited
  • ‎Index.