Performative Literary Culture : : Literary Associations and the World of Learning, 1200-1700.

"Performative literary culture emerged as a set of practices that shaped production and distribution of learning in late medieval and early modern Western Europe, both in Latin and the vernacular. Performative literary culture encompasses the plays, songs, and poetry performed for live audience...

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Superior document:Brill's studies in intellectual history 347
:
TeilnehmendeR:
Place / Publishing House:Boston : : BRILL,, 2023.
©2023.
Year of Publication:2023
Edition:1st ed.
Language:English
Series:Brill's studies in intellectual history 347
Physical Description:1 online resource (454 pages)
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520 |a "Performative literary culture emerged as a set of practices that shaped production and distribution of learning in late medieval and early modern Western Europe, both in Latin and the vernacular. Performative literary culture encompasses the plays, songs, and poetry performed for live audiences in (semi-)public spaces and the organizations championing performative literature through meetings and events. These organizations included chambers of rhetoric, confraternities of the Puy, joyous companies, guilds of Meistersingers, the Consistory of Joyful Knowledge, academies, companies of the Basoche and Inns of Court, and the institutions or people organizing the Spanish justas. Written by a team of experts, the contributions in this book explore how performative literary cultures shaped the exchange of public learning, knowledge, and ideas between the oral, theatrical, and literary spheres. Contributors include: Francisco J. Álvarez, Adrian Armstrong, Gabriele Ball , Anita Boele, Cynthia J. Brown, Susanna de Beer, Hilde de Ridder-Symoens, Ignacio García Aguilar, Laura Kendrick, Samuel Mareel, Inmaculada Osuna, Bart Ramakers, Dylan Reid, Catrien Santing, Susie Speakman Sutch, and Arjan van Dixhoorn"--  |c Provided by publisher. 
588 |a Description based on publisher supplied metadata and other sources. 
505 0 |a Preface ix -- List of illustrations xiv -- Notes on contributors xv -- Introduction -- Arjan van Dixhoorn -- Part 1: Institutions of performative literary culture -- 2. Formal inscriptions of performance / Adrian Armstrong, Cynthia J. Brown, Samuel Mareel and Bart Ramakers -- 3. 'To speak well and prudently': Literary Associations and Civic Corporate Culture / Dylan Reid -- 4. Benefits of joyfulness: Ideas into practice / Susanna de Beer, Catrien Santing and Arjan van Dixhoorn -- 5. Careers: The role of literary exercise / Arjan van Dixhoorn with the collaboration of Ignacio García Aguilar, Francisco J. Álvarez and Inmaculada Osuna -- 6. Transformations: The rise of new institutions / Arjan van Dixhoorn and Gabriele Ball -- Part 2: Individual careers -- 7. Performative practices in eustache deschamps' occasional verse / Laura Kendrick -- 8. Pervasive performance in the work of Jean Molinet / Adrian Armstrong -- 9. Luis de Milán: Performativity at court / Francisco J. Álvarez -- 10. Jan de Baertmakere Alias Smeken and Urban festive culture / Samuel Mareel and Susie Speakman Sutch -- 11. The jovial mode of konrad celtis / Catrien Santing -- 12. Pierre Gringore: Interpreter of sixteenth-century French performative literary culture / Cynthia J. Brown -- 13. Jacques Sireulde: The Handsome Usher / Dylan Reid -- 14. Louris Jansz: sixteenth-century Rhetorician / Anita Boele -- 15. Be who thou art: The Vernacular learning of Johan Fruytiers / Arjan van Dixhoorn -- 16. Literary activities and theatricality at Leuven University: The case of Erycius Puteanus / Hilde de Ridder-Symoens -- 17. Lope de Vega: Performativity and professionalization / Ignacio García Aguilar and Inmaculada Osuna -- 18. Countess Anna Sophia of Schwarzburg-Rudolstadt and her concept of 'Virtue' / Gabriele Ball -- Bibliography -- Index. 
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