Traditional Indian Theory and Practice of Music and Dance /

Traditional Indian Theory and Practice of Music and Dance / / Jonathan Bernard Katz.

These articles concern the role of the Sanskrit tradition in the performing arts in India. They consider the relations between theory and practice in music and dance with particular reference to the Sanskrit textual tradition of musicology.

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Bibliographic Details
Superior document:Panels of the VIIth World Sanskrit Conference ; volume 11
VerfasserIn:
Katz, Jonathan Bernard,
Place / Publishing House:Leiden : : BRILL,, 1992.
Year of Publication:1992
Language:English
Series:Panels of the VIIth World Sanskrit Conference ; volume 11.
Physical Description:1 online resource (230 pages).
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spelling Katz, Jonathan Bernard, author.
Traditional Indian Theory and Practice of Music and Dance / Jonathan Bernard Katz.
Leiden : BRILL, 1992.
1 online resource (230 pages).
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Panels of the VIIth World Sanskrit Conference ; volume 11
Description based on publisher supplied metadata and other sources.
These articles concern the role of the Sanskrit tradition in the performing arts in India. They consider the relations between theory and practice in music and dance with particular reference to the Sanskrit textual tradition of musicology.
Jonathan Katz, 'Introduction: Śāstra, prayoga and sanngīta.'Harold Powers, 'Reinterpretations of tradition in Hindustani music: Omkarnath Thakur contra Vishnu Narayan Bhatkhande.'Richard Widdess, 'Reflections on a medieval melody: theory, practice and notation in early Indian musicological texts.'N. Ramanathan, 'Influence of śāstra on prayoga: the svara system in the post-Sangītaratnākara period with special reference to South Indian music.'Lewis Rowell, 'The prabandhas in Matanga's Bṛhaddeśī.'P.L. Sharma, 'Śāstra and prayoga: śāstric tradition and contemporary tāla practice, with special reference to Hindustani music.'Mukund Lath, 'Taṇḍu: the first theoretician of dance.'S.S. Janaki, The hand-gesture patāka in nāṭya.'Mandrakranta Bose, 'Categories of dance: bandha and anibandha'.
Music theory.
90-04-09715-5
Panels of the VIIth World Sanskrit Conference ; volume 11.
language English
format eBook
author Katz, Jonathan Bernard,
spellingShingle Katz, Jonathan Bernard,
Traditional Indian Theory and Practice of Music and Dance /
Panels of the VIIth World Sanskrit Conference ;
Jonathan Katz, 'Introduction: Śāstra, prayoga and sanngīta.'Harold Powers, 'Reinterpretations of tradition in Hindustani music: Omkarnath Thakur contra Vishnu Narayan Bhatkhande.'Richard Widdess, 'Reflections on a medieval melody: theory, practice and notation in early Indian musicological texts.'N. Ramanathan, 'Influence of śāstra on prayoga: the svara system in the post-Sangītaratnākara period with special reference to South Indian music.'Lewis Rowell, 'The prabandhas in Matanga's Bṛhaddeśī.'P.L. Sharma, 'Śāstra and prayoga: śāstric tradition and contemporary tāla practice, with special reference to Hindustani music.'Mukund Lath, 'Taṇḍu: the first theoretician of dance.'S.S. Janaki, The hand-gesture patāka in nāṭya.'Mandrakranta Bose, 'Categories of dance: bandha and anibandha'.
author_facet Katz, Jonathan Bernard,
author_variant j b k jb jbk
author_role VerfasserIn
author_sort Katz, Jonathan Bernard,
title Traditional Indian Theory and Practice of Music and Dance /
title_full Traditional Indian Theory and Practice of Music and Dance / Jonathan Bernard Katz.
title_fullStr Traditional Indian Theory and Practice of Music and Dance / Jonathan Bernard Katz.
title_full_unstemmed Traditional Indian Theory and Practice of Music and Dance / Jonathan Bernard Katz.
title_auth Traditional Indian Theory and Practice of Music and Dance /
title_new Traditional Indian Theory and Practice of Music and Dance /
title_sort traditional indian theory and practice of music and dance /
series Panels of the VIIth World Sanskrit Conference ;
series2 Panels of the VIIth World Sanskrit Conference ;
publisher BRILL,
publishDate 1992
physical 1 online resource (230 pages).
contents Jonathan Katz, 'Introduction: Śāstra, prayoga and sanngīta.'Harold Powers, 'Reinterpretations of tradition in Hindustani music: Omkarnath Thakur contra Vishnu Narayan Bhatkhande.'Richard Widdess, 'Reflections on a medieval melody: theory, practice and notation in early Indian musicological texts.'N. Ramanathan, 'Influence of śāstra on prayoga: the svara system in the post-Sangītaratnākara period with special reference to South Indian music.'Lewis Rowell, 'The prabandhas in Matanga's Bṛhaddeśī.'P.L. Sharma, 'Śāstra and prayoga: śāstric tradition and contemporary tāla practice, with special reference to Hindustani music.'Mukund Lath, 'Taṇḍu: the first theoretician of dance.'S.S. Janaki, The hand-gesture patāka in nāṭya.'Mandrakranta Bose, 'Categories of dance: bandha and anibandha'.
isbn 90-04-64608-6
90-04-09715-5
callnumber-first M - Music
callnumber-subject MT - Instruction and Study
callnumber-label MT6
callnumber-sort MT 16 K389 41992
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 780 - Music
dewey-ones 781 - General principles & musical forms
dewey-full 781
dewey-sort 3781
dewey-raw 781
dewey-search 781
work_keys_str_mv AT katzjonathanbernard traditionalindiantheoryandpracticeofmusicanddance
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hierarchy_parent_title Panels of the VIIth World Sanskrit Conference ; volume 11
hierarchy_sequence volume 11.
is_hierarchy_title Traditional Indian Theory and Practice of Music and Dance /
container_title Panels of the VIIth World Sanskrit Conference ; volume 11
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