Function and Meaning in Buddhist Art / / edited by K. R. van Kooij and H. van der Veere.

• Superior document: Gonda Indological Studies ; v.3
• TeilnehmendeR: Kooij, K. R. van,; Veere, H. van der,
• Place / Publishing House: Groningen : : BRILL,, 1996.
• Year of Publication: 1996
• Edition: 1st ed.
• Language: English
• Series: Gonda Indological Studies
• Physical Description: 1 online resource (212 pages)

What was the function of Buddhist art at the time Buddhism was a major religion in large areas of South, East, and South-East Asia? Can we establish what these sculptures and paintings meant to Buddhist believers living at a time when this art fulfilled important religious needs? These questions are discussed, not answered, in a volume about 'Function and Meaning of Buddhist Art' which contains the papers of a workshop on this theme held at Leiden University in 1991. While dealing with a variety of themes and subject-matter, sometimes in great detail, sixteen specialists focus on ritual and semantic aspects of Buddhist works of art from countries such as India, China, Japan, Tibet, Thailand, and Indonesia. Recent non-western art-historical publications show an increasing tendency to work with methodological frameworks developed by specialists on western art. Moreover, there are more similarities between Buddhist and other religious art 'than, literally, meet the eye'. For this reason, two comparative studies are included in which parallels and universals are brought forward. Two main lines emerge in the results offered in this book, the one indicating a tendency to focus on intended meanings; the other concentrating on more than one level of reception of Buddhist art in a liturgical context.

Table of Contents

Intro -- Title Page -- Copyright Page -- Table of Contents -- Dedication -- Preface -- Introduction -- PART I Ritual function -- Buddhist art in medieval China: the ecclesiastical view -- Relics and reliquaries, texts and artefacts -- Remarks on festivals and altars in early Buddhist art -- Pilgrimage and the evidence of Bodhgaya's images -- Between men and gods -- Early portrait painting in Tibet -- The role of the icon in different layers of Shingon ritual, exemplified by the figure of Aizen-Myōō -- Five Secrets maṇḍala -- PART II Intended meaning -- The depiction of Māra in early Buddhist art -- Mañjuśrī and his sword -- Lokeśvaras in Nepal. A living tradition? -- Ruixiang at Dunhuang -- The role of legend in Koryŏ iconography (I). The Kṣitigarbha triad in Engakuji -- The role of narrative sculpture and painting in Thailand -- PART III Comparisons -- Buddhist art and ritual: a view from the west -- Comparative iconology: an ethological approach -- Index of geographical and Buddhist names.