Goethe's Faust I Outlined : : Moritz Retzsch's Prints in Circulation / / Evanghelia Stead.

• Superior document: Library of the Written Word Series ; Volume 113
• VerfasserIn: Stead, Evanghélia,
• Place / Publishing House: Leiden, The Netherlands : : Brill,, [2023]; ©2023
• Year of Publication: 2023
• Edition: First edition.
• Language: English
• Series: Library of the written word ; Volume 113.
• Physical Description: 1 online resource (482 pages)

"In a new approach to Goethe's "Faust I", Evanghelia Stead extensively discusses Moritz Retzsch's twenty-six outline prints (1816) and how their spin-offs made the unfathomable play available to larger reader communities through copying and extensive distribution circuits, including bespoke gifts. The images amply transformed as they travelled throughout Europe and overseas, revealing differences between countries and cultures but also their pliability and resilience whenever remediated. This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence. This study was facilitated by the Institut Universitaire de France / IUF. "-- Provided by publisher.

Table of Contents

front cover -- 9789004543010_webready_content_text -- Contents -- Acknowledgments -- Figures -- Abbreviations -- Introduction: Air View and Ant Perspective: Moritz Retzsch's Etchings after Goethe's Faust I -- 1 Retzsch in the German States, a Borderline Celebrity -- 1.1 Profile in Contrast -- 1.2 Romantic Pranks and Rituals -- 1.3 Portraits and Sociability -- 1.4 A Poetic Mind -- 1.5 The Toils of Fancy and Melancholy -- 1.6 Fluctuating Fate in Nineteenth-Century German States -- 1.7 Plights and Plusses of Comparison (Retzsch, Cornelius &amp -- Naeke) -- 1.8 German Amendments in the Twentieth Century -- 1.9 Conclusion -- 2 Faust I Outlined and the Original Retzsch Effect -- 2.1 A Modern Fourfold Device -- 2.2 Goethe's Gifts -- 2.3 In Goethe's Orb -- 2.4 Retzsch at Work: Early Correspondence -- 2.5 A Speculation on Relics -- 2.6 "Full of Spirit" -- 2.7 Outline Reformation -- 2.8 Retzsch in Colour -- 2.9 To conclude -- 3 German Editions and Copies: The Bait of Rich Morsels -- 3.1 Avowable (and Uncertain) Cotta Portfolios -- 3.2 From Portfolios to Albums -- 3.3 Pirated Goods -- 3.4 Styled for the Ladies -- 3.5 Valuing Copies in Visual Circulation -- 4 First Steps in Britain -- 4.1 A Momentous Gift from Perthes to Crabb Robinson -- 4.2 Imported Wares and Motley Exemplars -- 4.3 Media Coverage and Publicity (A Mediated Launch) -- 4.4 A First English Point of View (George Soane's Letterpress) -- 4.5 Books as Cultural Objects: Readers and Cultural Representation -- 4.6 Dibdin in Action -- 5 Retzsch Copied in Britain and Beyond -- 5.1 Attractive and Collectable -- 5.2 Cultural Adaptability -- 5.3 Boosey's 1820 Edition Re-issued? -- 5.4 "A More Careful Abstract" -- 5.5 Faustus as Template -- 5.6 Retzsch Gains Ground in Other Garb and Guises -- 5.7 Retzsch Wielded by Illustration -- 5.8 Competing Formats -- 5.9 "Bound to Please".

5.10 First Conclusions on Foreign Circulation -- 6 Retzsch in France and Belgium -- 6.1 Retzsch by Muret for Artists, Readers, and Print Collectors -- 6.2 Three Little Audot -- 6.3 A Francized Original Retzsch -- 6.4 Copies vs. Originals? The Brussels Case -- 6.5 Retzsch in French Nineteenth-Century Print Culture -- 6.6 Retzsch's Diffuse Influence -- 6.7 Conclusion -- 7 Extensive and Intensive Iconography -- 7.1 Loose Leaves -- 7.2 Copies, Copies, Copies … -- 7.3 Bowdlerizing -- 7.4 A Kiss's Exceptional Fortune -- 7.5 Spread and Sway on Style, Form and Set -- 7.6 Extensive vs. Intensive Iconography -- 7.7 Extensive Rations -- 7.8 Intensive Inspiration -- 7.9 Recycling and Authorship in Image Circulation -- 8 The Power of Parody: A Crow amongst Nations -- 8.1 A Crow's Quill -- 8.2 Travesties -- 8.3 Mischief in Images -- 8.4 Homecoming and "Who Loves a Laugh" -- 8.5 A Mocking Deity with a Meerschaum Pipe -- 9 Outlines in the Limelight -- 9.1 Aptitudes and Assets -- 9.2 Weimar Trials -- 9.3 Staging: German Décors -- 9.4 British and French Décors -- 9.5 Time, Stage and the Arts -- 9.6 Performance: Fixed, Inviolable Instants? -- 9.7 Outfits: Models and Embodiment -- 9.8 Creating Types -- 9.9 In the Limelight over Time -- 10 Ink Worlds -- 10.1 Devilish Relish of Converted Israelites -- 10.2 Théophile Gautier from Travelogue to Aesthetics -- 10.3 Visual Traps in Prose -- 10.4 Pictures within the Picture in Illustrated Books -- 10.5 Games of Fiction, Tricks and Screens -- 11 Two Gifted Women -- 11.1 Goethe's and Byron's Gifts -- 11.2 The Book as a Rose -- 11.3 Twelve Apostles and a Faust -- 12 Artefacts: Poetics of Everyday Life -- 12.1 Treasures of Gold and China -- 12.2 Porcelain for the Many -- 12.3 Moulded and Backlit -- 12.4 In Tin and Frail Paper -- 12.5 Conclusion -- Conclusion: Grains of Sand as Cities.

Appendix 1: Moritz Retzsch's 26 Umrisse in Original and Copied Editions -- Appendix 2: Moritz Retzsch's Prints Remediated -- Bibliography -- Index on Moritz Retzsch -- General Index -- back cover.