Diverging ontologies in music for dancing : : European Voices V / / Ardian Ahmedaja.
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| Superior document: | Music traditions ; ; volume 3 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Wien : : Böhlau Verlag,, 2023. |
| Year of Publication: | 2023 |
| Language: | English |
| Series: | Music traditions ;
volume 3. |
| Physical Description: | 1 online resource (208 pages). |
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Table of Contents:
- I. Interaction and coordinated behaviour. Dance and music interplay: Types of choreo-musical relationships in Norwegian heritage
- Egil Bakka Music for dance, dance for feelings: The identity, strategies and values of musicians and dancer-choreographers in Italian tango
- Enrique Camara de Landa From polka dance to polka mass: Polka in the (trans-)cultural identity context among the Slovenian diaspora in the USA
- Mojca Kovačič II. Music for dancing and music for listening. The role of the musician in the performance of traditional dances in Bosnia and Herzegovina
- Jasmina Talam Textural event density and solo multipart instruemntal music for dancing
- Ulrich Morgenstern The so-called Zigeunerstimmung - An old Tyrolean style of playing guitar
- Stefan Hackl III. Ballet as a particular practice of music for dancing. Ballet music from a practical perspective
- Oliver Peter Graber.