Diminuzioni e accrescimenti : : Le misure dei maestri di prospettiva / / Maria Teresa Bartoli, Monica Lusoli.

The perspective in graphic arts was born with a different form than the one used to present it in today's courses, and it developed along with the transformations of scientific thought. This study disassembles from the inside the perspective images of a series of works, and then assembles them...

Full description

Saved in:
Bibliographic Details
Superior document:Studi e saggi
VerfasserIn:
TeilnehmendeR:
Place / Publishing House:Florence : : Firenze University Press,, 2018.
Year of Publication:2018
Language:Italian
Series:Studi e saggi (Florence, Italy)
Physical Description:1 online resource (320 pages).
Tags: Add Tag
No Tags, Be the first to tag this record!
id 993603874204498
ctrlnum (CKB)5860000000047514
(NjHacI)995860000000047514
(EXLCZ)995860000000047514
collection bib_alma
record_format marc
spelling Bartoli, Maria Teresa, author.
Diminuzioni e accrescimenti : Le misure dei maestri di prospettiva / Maria Teresa Bartoli, Monica Lusoli.
Diminuzioni e accrescimenti
Florence : Firenze University Press, 2018.
1 online resource (320 pages).
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Studi e saggi
Description based on publisher supplied metadata and other sources.
The perspective in graphic arts was born with a different form than the one used to present it in today's courses, and it developed along with the transformations of scientific thought. This study disassembles from the inside the perspective images of a series of works, and then assembles them again, using clear graphic elaborations to show every step of the process. The sequence of the essays illustrates the evolution of role of the abacus and of measures in the works of the first artist-scientists, according to the scientific thought of the time. From Humanism to Baroque, perspective ceases to be a research on the truth of the eye. On the contrary, it becomes the search of the the eye's deception, exploiting mechanical devices and complex theorems of geometric optics. The original quest is therefore replaced by technical virtuosity. The final repertoire offers a selection of examples showing the wideness of the theme over the centuries.
Trompe l'oeil painting.
88-927-3105-X
Lusoli, Monica, author.
Studi e saggi (Florence, Italy)
language Italian
format eBook
author Bartoli, Maria Teresa,
Lusoli, Monica,
spellingShingle Bartoli, Maria Teresa,
Lusoli, Monica,
Diminuzioni e accrescimenti : Le misure dei maestri di prospettiva /
Studi e saggi
author_facet Bartoli, Maria Teresa,
Lusoli, Monica,
Lusoli, Monica,
author_variant m t b mt mtb
m l ml
author_role VerfasserIn
VerfasserIn
author2 Lusoli, Monica,
author2_role TeilnehmendeR
author_sort Bartoli, Maria Teresa,
title Diminuzioni e accrescimenti : Le misure dei maestri di prospettiva /
title_sub Le misure dei maestri di prospettiva /
title_full Diminuzioni e accrescimenti : Le misure dei maestri di prospettiva / Maria Teresa Bartoli, Monica Lusoli.
title_fullStr Diminuzioni e accrescimenti : Le misure dei maestri di prospettiva / Maria Teresa Bartoli, Monica Lusoli.
title_full_unstemmed Diminuzioni e accrescimenti : Le misure dei maestri di prospettiva / Maria Teresa Bartoli, Monica Lusoli.
title_auth Diminuzioni e accrescimenti : Le misure dei maestri di prospettiva /
title_alt Diminuzioni e accrescimenti
title_new Diminuzioni e accrescimenti :
title_sort diminuzioni e accrescimenti : le misure dei maestri di prospettiva /
series Studi e saggi
series2 Studi e saggi
publisher Firenze University Press,
publishDate 2018
physical 1 online resource (320 pages).
isbn 88-927-3105-X
callnumber-first N - Fine Arts
callnumber-subject ND - Painting
callnumber-label ND1390
callnumber-sort ND 41390 B378 42018
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 750 - Painting
dewey-ones 758 - Other subjects
dewey-full 758.4
dewey-sort 3758.4
dewey-raw 758.4
dewey-search 758.4
work_keys_str_mv AT bartolimariateresa diminuzionieaccrescimentilemisuredeimaestridiprospettiva
AT lusolimonica diminuzionieaccrescimentilemisuredeimaestridiprospettiva
AT bartolimariateresa diminuzionieaccrescimenti
AT lusolimonica diminuzionieaccrescimenti
status_str n
ids_txt_mv (CKB)5860000000047514
(NjHacI)995860000000047514
(EXLCZ)995860000000047514
carrierType_str_mv cr
hierarchy_parent_title Studi e saggi
is_hierarchy_title Diminuzioni e accrescimenti : Le misure dei maestri di prospettiva /
container_title Studi e saggi
author2_original_writing_str_mv noLinkedField
_version_ 1796653259743559682
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02002nam a2200313 i 4500</leader><controlfield tag="001">993603874204498</controlfield><controlfield tag="005">20230516070244.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">230516s2018 it o 000 0 ita d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)5860000000047514</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(NjHacI)995860000000047514</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)995860000000047514</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">NjHacI</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="c">NjHacl</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ND1390</subfield><subfield code="b">.B378 2018</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">758.4</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bartoli, Maria Teresa,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Diminuzioni e accrescimenti :</subfield><subfield code="b">Le misure dei maestri di prospettiva /</subfield><subfield code="c">Maria Teresa Bartoli, Monica Lusoli.</subfield></datafield><datafield tag="246" ind1=" " ind2=" "><subfield code="a">Diminuzioni e accrescimenti </subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Florence :</subfield><subfield code="b">Firenze University Press,</subfield><subfield code="c">2018.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (320 pages).</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Studi e saggi</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The perspective in graphic arts was born with a different form than the one used to present it in today's courses, and it developed along with the transformations of scientific thought. This study disassembles from the inside the perspective images of a series of works, and then assembles them again, using clear graphic elaborations to show every step of the process. The sequence of the essays illustrates the evolution of role of the abacus and of measures in the works of the first artist-scientists, according to the scientific thought of the time. From Humanism to Baroque, perspective ceases to be a research on the truth of the eye. On the contrary, it becomes the search of the the eye's deception, exploiting mechanical devices and complex theorems of geometric optics. The original quest is therefore replaced by technical virtuosity. The final repertoire offers a selection of examples showing the wideness of the theme over the centuries.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Trompe l'oeil painting.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">88-927-3105-X</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lusoli, Monica,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Studi e saggi (Florence, Italy)</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-06-09 12:31:54 Europe/Vienna</subfield><subfield code="f">System</subfield><subfield code="c">marc21</subfield><subfield code="a">2022-06-08 16:08:14 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">DOAB Directory of Open Access Books</subfield><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&amp;portfolio_pid=5337705620004498&amp;Force_direct=true</subfield><subfield code="Z">5337705620004498</subfield><subfield code="b">Available</subfield><subfield code="8">5337705620004498</subfield></datafield></record></collection>