German Operetta on Broadway and in the West End, 1900-1940 / / Derek B. Scott.

Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Der...

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Place / Publishing House:Cambridge, England : : Cambridge University Press,, 2019.
Year of Publication:2019
Language:English
Physical Description:1 online resource (x, 383 pages) :; illustrations
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spelling Scott, Derek B., author.
German Operetta on Broadway and in the West End, 1900-1940 / Derek B. Scott.
Cambridge, England : Cambridge University Press, 2019.
1 online resource (x, 383 pages) : illustrations
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Description based on print version record.
Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900-1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period - from modernity and gender relations to new technology and new media - and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core.
Includes bibliographical references and index.
Introduction; Part I. The Production of Operetta: 1. The music of operetta; 2. Cultural transfer: translation and transcreation; 3. The business of operetta; 4. Directors, designers and performers; Part II. The Reception of Operetta: 5. The reception of operetta in London and New York; 6. Operetta and intermediality; 7. Operetta and modernity; 8. Operetta and cosmopolitanism; Postlude: the demise of operetta; Appendix 1. Productions of operetta from the German stage on Broadway and in the West End; Appendix 2. Longest runs of operetta from the German stage on Broadway and in the West End; Appendix 3. Operettas with English librettos by composers for the German stage; Appendix 4. Selected period recordings of English versions of operetta from the German stage; Appendix 5. Selected films in English of operettas from the German stage; Appendix 6. Research resources.
Operetta.
1-108-72332-2
language English
format eBook
author Scott, Derek B.,
spellingShingle Scott, Derek B.,
German Operetta on Broadway and in the West End, 1900-1940 /
Introduction; Part I. The Production of Operetta: 1. The music of operetta; 2. Cultural transfer: translation and transcreation; 3. The business of operetta; 4. Directors, designers and performers; Part II. The Reception of Operetta: 5. The reception of operetta in London and New York; 6. Operetta and intermediality; 7. Operetta and modernity; 8. Operetta and cosmopolitanism; Postlude: the demise of operetta; Appendix 1. Productions of operetta from the German stage on Broadway and in the West End; Appendix 2. Longest runs of operetta from the German stage on Broadway and in the West End; Appendix 3. Operettas with English librettos by composers for the German stage; Appendix 4. Selected period recordings of English versions of operetta from the German stage; Appendix 5. Selected films in English of operettas from the German stage; Appendix 6. Research resources.
author_facet Scott, Derek B.,
author_variant d b s db dbs
author_role VerfasserIn
author_sort Scott, Derek B.,
title German Operetta on Broadway and in the West End, 1900-1940 /
title_full German Operetta on Broadway and in the West End, 1900-1940 / Derek B. Scott.
title_fullStr German Operetta on Broadway and in the West End, 1900-1940 / Derek B. Scott.
title_full_unstemmed German Operetta on Broadway and in the West End, 1900-1940 / Derek B. Scott.
title_auth German Operetta on Broadway and in the West End, 1900-1940 /
title_new German Operetta on Broadway and in the West End, 1900-1940 /
title_sort german operetta on broadway and in the west end, 1900-1940 /
publisher Cambridge University Press,
publishDate 2019
physical 1 online resource (x, 383 pages) : illustrations
contents Introduction; Part I. The Production of Operetta: 1. The music of operetta; 2. Cultural transfer: translation and transcreation; 3. The business of operetta; 4. Directors, designers and performers; Part II. The Reception of Operetta: 5. The reception of operetta in London and New York; 6. Operetta and intermediality; 7. Operetta and modernity; 8. Operetta and cosmopolitanism; Postlude: the demise of operetta; Appendix 1. Productions of operetta from the German stage on Broadway and in the West End; Appendix 2. Longest runs of operetta from the German stage on Broadway and in the West End; Appendix 3. Operettas with English librettos by composers for the German stage; Appendix 4. Selected period recordings of English versions of operetta from the German stage; Appendix 5. Selected films in English of operettas from the German stage; Appendix 6. Research resources.
isbn 1-108-72332-2
callnumber-first M - Music
callnumber-subject ML - Literature on Music
callnumber-label ML1900
callnumber-sort ML 41900 S368 42019
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 780 - Music
dewey-ones 782 - Vocal music
dewey-full 782.12
dewey-sort 3782.12
dewey-raw 782.12
dewey-search 782.12
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is_hierarchy_title German Operetta on Broadway and in the West End, 1900-1940 /
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