Authorship and identity in late thirteenth-century motets /

Authorship and identity in late thirteenth-century motets / / Catherine A. Bradley.

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"Questions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier Codex (Montpellier, Bibliothèque interuniversitaire, Section de médecine, H. 196, hereafter Mo). Mo does not explicitly attribute any of its c...

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Bibliographic Details
Superior document:Royal Musical Association monographs
VerfasserIn:
Bradley, Catherine A.,
Place / Publishing House:[Place of publication not identified] : : Taylor & Francis,, 2022.
Year of Publication:2022
Language:English
Series:Royal Musical Association monographs.
Physical Description:1 online resource (xviii, 136 pages).
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Table of Contents:
  • Adam de la Halle's presence in the final fascicles of the Montpellier Codex
  • Adam and Petrus de Cruce: the 'Aucun ...' opening and questions of chronology
  • People and places: Adam and an 'Entre...' motet tradition
  • Petrus in the Montpellier codex
  • Non-Plainchant tenor quotations: unwritten songs and questions of compositional ownership.

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