Collaborative production in the creative industries / / edited by James Graham, Alessandro Gandini.

In recent years research into creative labour and cultural work has usually addressed the politics of production in these fields, but the sociotechnical and aesthetic dimensions of collaborative creative work have been somewhat overlooked. This book aims to address this gap. Through case studies tha...

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Bibliographic Details
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Place / Publishing House:London : : University of Westminster Press,, [2017]
©2017
Year of Publication:2017
Language:English
Physical Description:1 online resource (vi, 231 pages) :; illustrations
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Table of Contents:
  • Acknowledgements
  • 1. Introduction: Collaborative Production in the Creative Industries James Graham (Middlesex University) and Alessandro Gandini (King's College, London)
  • 2. Collaborating, Competing, Co-working, Coalescing: Artists, Freelancers and Social Entrepreneurs as the 'New Subjects' of the Creative Economy Alessandro Gandini (King's College, London), Carolina Bandinelli (King's College, London) and Alberto Cossu (University of Milan)
  • 3. Beyond 'Collaborative Economy' Discourse: Present, Past and Potential of Digital Intermediation Platforms Jacob T. Matthews (Cemti / Paris 8 University)
  • 4. Collaborative Production and the Transformation of Publishing: The Case of Wattpad Rosamund Davies (University of Greenwich)
  • 5. The Cultural Economy of Auteurship in Independent Publishing: The Symbolic Success of the Photobook Ponte City James Graham (Middlesex University)
  • 6. From the Workshop of J. J. Abrams: Bad Robot, Networked Collaboration, and Promotional Authorship Leora Hadas (University of Nottingham)
  • 7. Elegies to Cinematography: The Digital Workflow, Digital Naturalism and Recent Best Cinematography Oscars Jamie Clarke (Southampton Solent University)
  • 8. Improbable Curators: Analysing Nostalgia, Authorship and Audience on Tumblr Microblogs Dinu Gabriel Munteanu (Bournemouth University)
  • 9. Expertise and Collaboration: Cultural Workers' Performance on Social Media Karen Patel (Birmingham City University)
  • 10. Girls Rock! Best Practices and Challenges in Collaborative Production at Rock Camp for Girls Miranda Campbell (Ryerson University)
  • 11. Work In The Creative Economy: Living Contradictions Between the Market and Creative Collaboration Ashley Lee Wong (School of Creative Media, City University of Hong Kong)
  • About the Editors and Contributors
  • Index.