Authoring the Self / / Scott Hess.

Drawing upon historicist and cultural studies approaches to literature, this book argues that the Romantic construction of the self emerged out of the growth of commercial print culture and the expansion and fragmentation of the reading public beginning in eighteenth-century Britain. Arguing for con...

Full description

Saved in:
Bibliographic Details
VerfasserIn:
Place / Publishing House:[Place of publication not identified] : : Taylor & Francis,, 2005.
Year of Publication:2005
Language:English
Physical Description:1 online resource
Tags: Add Tag
No Tags, Be the first to tag this record!
id 993603165804498
ctrlnum (CKB)5470000000566577
(NjHacI)995470000000566577
(EXLCZ)995470000000566577
collection bib_alma
record_format marc
spelling Hess, Scott, author.
Authoring the Self / Scott Hess.
[Place of publication not identified] : Taylor & Francis, 2005.
1 online resource
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Description based on publisher supplied metadata and other sources.
Drawing upon historicist and cultural studies approaches to literature, this book argues that the Romantic construction of the self emerged out of the growth of commercial print culture and the expansion and fragmentation of the reading public beginning in eighteenth-century Britain. Arguing for continuity between eighteenth-century literature and the rise of Romanticism, this groundbreaking book traces the influence of new print market conditions on the development of the Romantic poetic self.
Introduction -- Chapter 1: The Eighteenth- and Early-Nineteenth-Century British Print Market, the Author, and Romantic Hermeneutics -- Chapter 2: Books and the Man I Sing: Alexander Pope, Print Culture, and Authorical Self-Making -- Chapter 3: Thomas Gray and the Elegy : Ambivalent Authorship and Uncertain Self -- Chapter 4: James Beattie's Minstrel and the Displace Authorial Self -- Chapter 5: William Cowper: The Accidental Poet and the Emerging Self -- Chapter 6: The Mariner as Author and the Wedding Guest as Reader: The Rime of the Ancyent Marinere as a Dramatization of Print Circulation and the Construction of Authorial Identity -- Chapter 7: Wordsworth's Epitaphic Poetics, Authorial Self-Representation, and the Print Market -- Chapter 8: Wordsworth and the Authorial Self.
Literature History and criticism.
1-135-87511-1
language English
format eBook
author Hess, Scott,
spellingShingle Hess, Scott,
Authoring the Self /
Introduction -- Chapter 1: The Eighteenth- and Early-Nineteenth-Century British Print Market, the Author, and Romantic Hermeneutics -- Chapter 2: Books and the Man I Sing: Alexander Pope, Print Culture, and Authorical Self-Making -- Chapter 3: Thomas Gray and the Elegy : Ambivalent Authorship and Uncertain Self -- Chapter 4: James Beattie's Minstrel and the Displace Authorial Self -- Chapter 5: William Cowper: The Accidental Poet and the Emerging Self -- Chapter 6: The Mariner as Author and the Wedding Guest as Reader: The Rime of the Ancyent Marinere as a Dramatization of Print Circulation and the Construction of Authorial Identity -- Chapter 7: Wordsworth's Epitaphic Poetics, Authorial Self-Representation, and the Print Market -- Chapter 8: Wordsworth and the Authorial Self.
author_facet Hess, Scott,
author_variant s h sh
author_role VerfasserIn
author_sort Hess, Scott,
title Authoring the Self /
title_full Authoring the Self / Scott Hess.
title_fullStr Authoring the Self / Scott Hess.
title_full_unstemmed Authoring the Self / Scott Hess.
title_auth Authoring the Self /
title_new Authoring the Self /
title_sort authoring the self /
publisher Taylor & Francis,
publishDate 2005
physical 1 online resource
contents Introduction -- Chapter 1: The Eighteenth- and Early-Nineteenth-Century British Print Market, the Author, and Romantic Hermeneutics -- Chapter 2: Books and the Man I Sing: Alexander Pope, Print Culture, and Authorical Self-Making -- Chapter 3: Thomas Gray and the Elegy : Ambivalent Authorship and Uncertain Self -- Chapter 4: James Beattie's Minstrel and the Displace Authorial Self -- Chapter 5: William Cowper: The Accidental Poet and the Emerging Self -- Chapter 6: The Mariner as Author and the Wedding Guest as Reader: The Rime of the Ancyent Marinere as a Dramatization of Print Circulation and the Construction of Authorial Identity -- Chapter 7: Wordsworth's Epitaphic Poetics, Authorial Self-Representation, and the Print Market -- Chapter 8: Wordsworth and the Authorial Self.
isbn 1-135-87511-1
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN511
callnumber-sort PN 3511 H477 42005
illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 800 - Literature, rhetoric & criticism
dewey-ones 809 - History, description & criticism
dewey-full 809
dewey-sort 3809
dewey-raw 809
dewey-search 809
work_keys_str_mv AT hessscott authoringtheself
status_str n
ids_txt_mv (CKB)5470000000566577
(NjHacI)995470000000566577
(EXLCZ)995470000000566577
carrierType_str_mv cr
is_hierarchy_title Authoring the Self /
_version_ 1796653193949609984
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02166nam a2200289 i 4500</leader><controlfield tag="001">993603165804498</controlfield><controlfield tag="005">20230512030416.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">230512s2005 xx o 000 0 eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)5470000000566577</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(NjHacI)995470000000566577</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)995470000000566577</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">NjHacI</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="c">NjHacl</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN511</subfield><subfield code="b">.H477 2005</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">809</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hess, Scott,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Authoring the Self /</subfield><subfield code="c">Scott Hess.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">[Place of publication not identified] :</subfield><subfield code="b">Taylor &amp; Francis,</subfield><subfield code="c">2005.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Drawing upon historicist and cultural studies approaches to literature, this book argues that the Romantic construction of the self emerged out of the growth of commercial print culture and the expansion and fragmentation of the reading public beginning in eighteenth-century Britain. Arguing for continuity between eighteenth-century literature and the rise of Romanticism, this groundbreaking book traces the influence of new print market conditions on the development of the Romantic poetic self.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction -- Chapter 1: The Eighteenth- and Early-Nineteenth-Century British Print Market, the Author, and Romantic Hermeneutics -- Chapter 2: Books and the Man I Sing: Alexander Pope, Print Culture, and Authorical Self-Making -- Chapter 3: Thomas Gray and the Elegy : Ambivalent Authorship and Uncertain Self -- Chapter 4: James Beattie's Minstrel and the Displace Authorial Self -- Chapter 5: William Cowper: The Accidental Poet and the Emerging Self -- Chapter 6: The Mariner as Author and the Wedding Guest as Reader: The Rime of the Ancyent Marinere as a Dramatization of Print Circulation and the Construction of Authorial Identity -- Chapter 7: Wordsworth's Epitaphic Poetics, Authorial Self-Representation, and the Print Market -- Chapter 8: Wordsworth and the Authorial Self.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Literature</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">1-135-87511-1</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-06-09 07:44:33 Europe/Vienna</subfield><subfield code="f">System</subfield><subfield code="c">marc21</subfield><subfield code="a">2021-06-12 22:12:12 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">DOAB Directory of Open Access Books</subfield><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&amp;portfolio_pid=5337801630004498&amp;Force_direct=true</subfield><subfield code="Z">5337801630004498</subfield><subfield code="b">Available</subfield><subfield code="8">5337801630004498</subfield></datafield></record></collection>