Cinematic intermediality : : theory and practice / / edited by Kim Knowles, Marion Schmid.

As a fundamentally hybrid medium, cinema has always been defined by its interactions with other art forms such as painting, sculpture, photography, performance and dance. Taking the in-between nature of the cinematic medium as its starting point, this collection of essays maps out new directions for...

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Bibliographic Details
Superior document:Edinburgh studies in film and intermediality
TeilnehmendeR:
Place / Publishing House:Edinburgh : : Edinburgh University Press,, 2021.
Year of Publication:2021
Language:English
Series:Edinburgh studies in film and intermediality.
Physical Description:1 online resource (xiii, 206 pages) :; illustrations.
Notes:Includes index.
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Table of Contents:
  • Intro
  • Cinematic Intermediality
  • Copyright
  • Contents
  • Figures
  • Acknowledgements
  • The Contributors
  • Introduction
  • Part 1 Mapping the Interzone
  • 1 Film and Performance: Intermedial Intersections
  • 2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004)
  • 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema
  • 4 Dream Screen: On Cinema and Painting, Blur and Absorption
  • Part 2 The Intermedial Avant-gardes
  • 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015
  • 6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings
  • 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G
  • Part 3 Technology, Apparatus, Affect
  • 8 Intermediality and the Origins of Cinema
  • 9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame
  • 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine, and Eugène Green, Le Fis de Joseph
  • Part 4 Intermedial Creation
  • 11 What Does a Dance Filmmaker See?
  • 12 Performance, Moving Image, Installation: The Making of Body of War and Faith
  • 13 Muybridge's Disobedient Horses: Non-stop Stop-motion
  • 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror
  • Index.