Spielarten des Gottes-Genusses : : Semantiken des Geniessens in der europäischen Frauenmystik des 13. Jahrhunderts / / Andrea Zech.

In women's mystic texts of the late Middle Ages, forms of pleasure were devised and tested that by far eclipse much of what appears to be extreme and daring today. Pain and pleasure were blended into each other without diminishing the tension of both extremes. By ingenious use of semantics, And...

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Place / Publishing House:Göttingen, [Germany] : : Vandenhoeck & Ruprecht,, 2015.
©2015
Year of Publication:2015
Language:German
Physical Description:1 online resource (375 pages)
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520 |a In women's mystic texts of the late Middle Ages, forms of pleasure were devised and tested that by far eclipse much of what appears to be extreme and daring today. Pain and pleasure were blended into each other without diminishing the tension of both extremes. By ingenious use of semantics, Andrea Zech's study demonstrates impressively how recipients can follow and comprehend the pleasure of God imaginatively and performatively. In a language of its own, pleasure is thus portrayed like a postmodern performance without denying its otherness. 
650 0 |a Mystical union  |x History  |y 1500. 
650 0 |a Pleasure  |x Religious aspects  |x Christianity. 
650 0 |a Women mystics  |z Europe  |x Psychology. 
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