The Impact of Nazism on Twentieth-Century Music / / Erik Levi.

The impact of Nazism on twentieth-century music was immense as evidenced by this volume featuring seventeen essays by a group of internationally recognised scholars. The range of enquiry is extraordinarily wide, covering the issue of “Inner Emigration” during the Third Reich and remigration in the N...

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Bibliographic Details
HerausgeberIn:
Place / Publishing House:Köln : : Böhlau Verlag, , [2014]
©2014
Year of Publication:2014
Language:German
Series:exil.arte-Schriften
Physical Description:1 online resource (360 p.)
Notes:Includes index.
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Table of Contents:
  • Frontmatter
  • Inhalt
  • Introduction
  • What is Internal Exile in Music? The Cases of Walter Braunfels, Heinz Tiessen, Eduard Erdmann and Philipp Jarnach
  • Defining ‘Jewish Music’ in Nazi Germany Handel and the Berlin Jewish Culture League
  • ‘Olden Melodies Return’ Memory in Joseph Achron’s Hebrew Melody
  • Swearing an Oath Korngold, Film, and the Sound of Resistance?
  • From Surabaya to Ellis Island On two versions of Kurt Weill’s ‘Surabaya-Johnny
  • Hanns Eisler’s Hollywooder Liederbuch and ‘the new stuff of life’
  • Karl Weigl’s Final Years, 1938–1949 A Story of Perseverance
  • The Transformation of Viktor Ullmann’s Compositional Language
  • Nazi Censorship in Music, Warsaw 1941
  • Paul Hirsch and Alfred Einstein The trials and tribulations of collaboration in exile
  • The Abyss and the Berries
  • Music as Memory Émigré Composers in Britain and their Wartime Experiences
  • ‘Problematic Tendencies’ Émigré Composers in London, 1933–1945
  • Nazism, Anti-Semitism and Music in the Second Republic Spain (1931–1936)
  • The musical policies of the Third Reich in relation to the first years of Francoism (1938–1943)
  • Hispanic-German Music Festivals during the Second World War
  • ‘Some of the Jewish musicians are back at their desks’ A case study in the remigration of European musicians after World War II
  • The Contributors
  • Index
  • Backmatter