The Impact of Nazism on Twentieth-Century Music / / Erik Levi.
The impact of Nazism on twentieth-century music was immense as evidenced by this volume featuring seventeen essays by a group of internationally recognised scholars. The range of enquiry is extraordinarily wide, covering the issue of “Inner Emigration” during the Third Reich and remigration in the N...
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Place / Publishing House: | Köln : : Böhlau Verlag, , [2014] ©2014 |
Year of Publication: | 2014 |
Language: | German |
Series: | exil.arte-Schriften
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Physical Description: | 1 online resource (360 p.) |
Notes: | Includes index. |
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Table of Contents:
- Frontmatter
- Inhalt
- Introduction
- What is Internal Exile in Music? The Cases of Walter Braunfels, Heinz Tiessen, Eduard Erdmann and Philipp Jarnach
- Defining ‘Jewish Music’ in Nazi Germany Handel and the Berlin Jewish Culture League
- ‘Olden Melodies Return’ Memory in Joseph Achron’s Hebrew Melody
- Swearing an Oath Korngold, Film, and the Sound of Resistance?
- From Surabaya to Ellis Island On two versions of Kurt Weill’s ‘Surabaya-Johnny
- Hanns Eisler’s Hollywooder Liederbuch and ‘the new stuff of life’
- Karl Weigl’s Final Years, 1938–1949 A Story of Perseverance
- The Transformation of Viktor Ullmann’s Compositional Language
- Nazi Censorship in Music, Warsaw 1941
- Paul Hirsch and Alfred Einstein The trials and tribulations of collaboration in exile
- The Abyss and the Berries
- Music as Memory Émigré Composers in Britain and their Wartime Experiences
- ‘Problematic Tendencies’ Émigré Composers in London, 1933–1945
- Nazism, Anti-Semitism and Music in the Second Republic Spain (1931–1936)
- The musical policies of the Third Reich in relation to the first years of Francoism (1938–1943)
- Hispanic-German Music Festivals during the Second World War
- ‘Some of the Jewish musicians are back at their desks’ A case study in the remigration of European musicians after World War II
- The Contributors
- Index
- Backmatter