Dynamics of desacralization : : disenchanted literary talents / / Paola Partenza (ed.).
Biographische InformationenPaola Partenza teaches English Literature at the University of Pescara-Chieti (Italy). ReihePassages - Transitions - Intersections - Band 001
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Place / Publishing House: | Göttingen, Germany : : V&R unipress,, 2015. ©2015 |
Year of Publication: | 2015 |
Language: | English |
Series: | V&R Academic
Passages-Transitions-Intersections ; Volume 1 |
Physical Description: | 1 online resource (180 p.) |
Notes: | "This is a peer-reviewed volume." |
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245 | 0 | 0 | |a Dynamics of desacralization : |b disenchanted literary talents / |c Paola Partenza (ed.). |
264 | 1 | |a Göttingen, Germany : |b V&R unipress, |c 2015. | |
264 | 4 | |c ©2015 | |
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490 | 0 | |a V&R Academic | |
490 | 0 | |a Passages-Transitions-Intersections ; |v Volume 1 | |
505 | 0 | |a Title Page; Copyright; Table of Contents; Body; Acknowledgements; Introduction; Guyonne Leduc: "The Stylistic Desacralization of Man in Britain in the [Sophia] Pamphlets (1739-1740)"; Christopher Stokes: Desacralizing the Sign: Tooke, Stewart and Romantic Materialism; Horne Tooke: The Diversions of Purley and the Disenchanted Sign; John Stewart: The Revolution of Reason and the Dialectical Sign; Materialism, Language, Romanticism; Works cited; Barbara M. Benedict: Satire, Sentiment and Desacralization: The Relic and the Commodity in Jane Austens Novels; The Sacralization of the Object | |
505 | 8 | |a The Objectification of the SacredConclusion; Works cited; Paola Partenza: Alfred Tennyson's De-sacralization of the Afterlife; Works cited; Roger Ebbatson: Seeking "the Beyond": Desacralising/Resacralising Nature in Richard Jefferies; Works cited; John Fawell: An Earthy Sacredness: Maupassants and Van Goghs Christianized Materialism; Maupassants Cynicism towards Religion; Maupassant, Religion and Nature; Maupassants Sensual Landscapes; Van Gogh and Spirituality; Van Gogh and Nature: "A Love of Things that Exist"; Conclusion | |
505 | 8 | |a Simona Beccone: Displacement-Distortion Theory and the Desacralisation of Aesthetic Categories: the Case Study of Hardy's "Neutral Tones"Foveal vs. peripheral vision and the displacement-distortion model; Displacement-distortion and the phenomenology of aesthetic experience and categorization; Displacement-distortion and aesthetic sacralisation-desacralisation; Repetition and entropy; Thomas Hardy's "Neutral Tones"; Defocusing; Deformation: grotesque and horror; Repetition; Conclusions; Works cited; Jennifer Kilgore-Caradec: Geoffrey Hill's Serpents and Dragons; Works cited | |
505 | 8 | |a Esra Melikoglu: "Morpho Eugenia": The Individual Struggle for Self-Realisation and the Question of Morality in a Darwinian World Without GodWorks cited; Notes on Contributors | |
520 | |a Biographische InformationenPaola Partenza teaches English Literature at the University of Pescara-Chieti (Italy). ReihePassages - Transitions - Intersections - Band 001 | ||
500 | |a "This is a peer-reviewed volume." | ||
504 | |a Includes bibliographical references at the end of each chapters. | ||
588 | |a Description based on online resource; title from PDF title page (ebrary, viewed February 18, 2015). | ||
650 | 0 | |a Romanticism. | |
650 | 0 | |a English literature |y 20th century |x History and criticism. | |
700 | 1 | |a Partenza, Paola, |e editor. | |
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