Literature redeemed : : "neo-modernism" in the works of the post-Soviet Russian writers Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin / / by Nicolas Dreyer.
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Place / Publishing House: | Wien ;, Köln ;, Weimar : : Böhlau Verlag,, [2020] ©2020 |
Year of Publication: | 2020 |
Edition: | 1st ed. |
Language: | English |
Physical Description: | 1 online resource (289 pages) |
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100 | 1 | |a Dreyer, Nicolas, |e author. | |
245 | 1 | 0 | |a Literature redeemed : |b "neo-modernism" in the works of the post-Soviet Russian writers Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin / |c by Nicolas Dreyer. |
250 | |a 1st ed. | ||
264 | 1 | |a Wien ; |a Köln ; |a Weimar : |b Böhlau Verlag, |c [2020] | |
264 | 4 | |c ©2020 | |
300 | |a 1 online resource (289 pages) | ||
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337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
588 | |a Description based on print version record. | ||
505 | 0 | |a Cover -- Title Page -- Copyright -- Table of Contents -- Body -- Preface -- Acknowledgments -- Note on the Text -- Introduction -- 1 Postmodernism -- 1.1 Terminology -- 1.1.1 Literature -- 1.1.2 Philosophy -- 1.2 Modernity and Postmodernity -- 1.3 Literary Postmodernism -- 1.3.1 Modernism -- 1.3.2 Postmodernism -- 1.4 Conclusions -- 2 Russian Modernity -- 2.1 Continuity vs. Progress -- 2.2 Soviet Marxism -- 2.3 Shell vs. Substance Phenomena -- 2.4 Cultural Continuity -- 2.5 Conclusions -- 3 Russian Modernism -- 3.1 Spiritual Seeking -- 3.2 Style -- 3.3 Perspective -- 3.4 Ontology vs. Epistemology -- 3.5 Anti-rationalism -- 3.6 The Absurd and Daniil Kharms -- 3.7 Russian Modernism and Beyond -- 4 Perspectives on Humor and Postmodernism in Post-Soviet Russian Fiction -- 4.1 Aufarbeitung, Bew altigung and Relief -- 4.1.1 Humor -- 4.1.2 Carnivalization -- 4.1.3 Jesting and Iurodstvo -- 4.1.4 Conceptualism and Sots-Art -- 4.1.5 St eb -- 4.2 Literature Redeemed -- 4.2.1 Intertextuality -- 4.2.2 Metafiction -- 4.2.3 Pastiche and Parody -- 4.3 Conclusions -- 5 The Gnostic : Vladimir Sorokin -- 5.1 The Narrative World of Blue Lard -- 5.2 Moral Concerns -- 5.2.1 Humor -- 5.2.2 The Notion of Progress -- 5.2.3 Russian History and Culture -- 5.2.4 Discourse and Violence -- 5.3 Typological Considerations -- 5.3.1 Surrealism -- 5.3.2 Gnosticism -- 5.4 Conclusions -- 6 The Aesopian : Vladimir Tuchkov -- 6.1 Intertextuality and Pastiche -- 6.2 Anti-utopia and the Logic of Power -- 6.3 Moral Masochism -- 6.4 Parody and Metafiction -- 6.5 Conclusions -- 7 The Kharmsian : Aleksandr Khurgin -- 7.1 Semantic Interplay -- 7.2 Structure -- 7.3 Themes -- 7.4 Conclusions -- Conclusions -- Selected Bibliography -- Works of Reference and Bibliographies -- Primary Sources as Focus of Analysis of Post-Soviet Fiction -- Writers' Websites Containing Bibliographies. | |
505 | 8 | |a Primary Sources Informing the Theoretical and Secondary Discussion: Literature and Film -- Secondary Sources: Philosophy, Theory, Criticism and Media Coverage -- Index. | |
600 | 1 | 0 | |a Sorokin, Vladimir, |d 1955- |x Criticism and interpretation. |
776 | |z 3-412-50008-9 | ||
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AVE | |i Vandenhoeck & Ruprecht Journals |P Vandenhoeck And Ruprecht Complete |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343912190004498&Force_direct=true |Z 5343912190004498 |b Available |8 5343912190004498 |