Faking It! : : The Performance of Forgery in Late Medieval and Early Modern Culture / / Edited by Philip Lavender, Matilda Amundsen Bergström.
"Faking It! collects eleven chapters which explore the question of forgery from different disciplinary angles: literary historical and art historical contributions share space with discussions of jewels, architecture and coinage. The various case studies take as their focus developments in Rena...
Saved in:
Superior document: | Intersections |
---|---|
: | |
TeilnehmendeR: | |
Place / Publishing House: | Boston : : BRILL,, 2022. ©2023. |
Year of Publication: | 2022 |
Edition: | 1st ed. |
Language: | English |
Series: | Intersections
|
Physical Description: | 1 online resource (378 pages) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993583969804498 |
---|---|
ctrlnum |
(MiAaPQ)EBC30308637 (Au-PeEL)EBL30308637 (CKB)25934645500041 (EXLCZ)9925934645500041 |
collection |
bib_alma |
record_format |
marc |
spelling |
Lavender, Philip. Faking It! : The Performance of Forgery in Late Medieval and Early Modern Culture / Edited by Philip Lavender, Matilda Amundsen Bergström. 1st ed. Boston : BRILL, 2022. ©2023. 1 online resource (378 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Intersections Intro -- Contents -- Acknowledgements -- Figures -- Notes on the Editors -- Notes on the Contributors -- 1 Introduction: The Performance of Forgery -- 2 Forgery, Audience and Authentication: Icelandic Agreements of the Fifteenth Century -- 3 All That Glitters Is Not Gold: False Jewellery and Its Juridical Regulation in Italy between the Late Middle Ages and the Early Modern Period -- 4 Re-Forging a Forgery: The French Editions of Annius of Viterbo's Antiquitates -- 5 Prenatal Prophecies and Linguistic Ciphers: A Russian Political Forgery Devoted to the Autocratic Evil of Ivan the Terrible -- 6 Girolamo Baruffaldi as a Forger: The Case of Barbara Torelli -- 7 The Deceptive Power of a Monogram: Appropriating Dürer's Identity in the Sixteenth and Early Seventeenth Centuries -- 8 Mind Your U's and V's!: Counterfeiting Newspapers in Civil War Britain -- 9 The Theatre of Forgery: Curzio Inghirami (Volterra, 1614-1655) and Giorgio Grognet de Vassé (Malta, 1774-1862) -- 10 Sailing and Sinking on the Sea of Forgery:The Tradition of Fake Sagas in Seventeenth- and Eighteenth-Century Sweden and Denmark -- 11 Of Theatrical Illusion and Fake Advertisements: George Bickham the Younger, Samuel Foote and the Great Bottle Hoax of 1749 -- 12 Counterfeiting Coins and Convict Transportation from England to Australia in the Eighteenth Century -- Index Nominum. Description based on publisher supplied metadata and other sources. "Faking It! collects eleven chapters which explore the question of forgery from different disciplinary angles: literary historical and art historical contributions share space with discussions of jewels, architecture and coinage. The various case studies take as their focus developments in Renaissance Italy and Early Modern England as well as in France, Germany, Malta, Denmark, Sweden, Iceland, Russia and Australia. While each chapter contributes to a better understanding of the local context of cultural production, together they suggest new answers to how we can understand forgery. The concept of performance allows us to see beyond normative approaches and gain insight into some of the ambiguities concerning the nature of forgery. Contributors include: Brian Boeck, Federica Boldrini, Patricia Pires Boulhosa, Laurent Curelly, Helen Hughes, Jacqueline Hylkema, Philip Lavender, Lorenzo Paoli, Ingrid D. Rowland, Camilla Russo, and Ksenija Tschetschik-Hammerl"-- Provided by publisher. Forgery History. Amundsen Bergström, Matilda. Print version: Lavender, Philip Faking It! Boston : BRILL,c2022 |
language |
English |
format |
eBook |
author |
Lavender, Philip. |
spellingShingle |
Lavender, Philip. Faking It! : The Performance of Forgery in Late Medieval and Early Modern Culture / Intersections Intro -- Contents -- Acknowledgements -- Figures -- Notes on the Editors -- Notes on the Contributors -- 1 Introduction: The Performance of Forgery -- 2 Forgery, Audience and Authentication: Icelandic Agreements of the Fifteenth Century -- 3 All That Glitters Is Not Gold: False Jewellery and Its Juridical Regulation in Italy between the Late Middle Ages and the Early Modern Period -- 4 Re-Forging a Forgery: The French Editions of Annius of Viterbo's Antiquitates -- 5 Prenatal Prophecies and Linguistic Ciphers: A Russian Political Forgery Devoted to the Autocratic Evil of Ivan the Terrible -- 6 Girolamo Baruffaldi as a Forger: The Case of Barbara Torelli -- 7 The Deceptive Power of a Monogram: Appropriating Dürer's Identity in the Sixteenth and Early Seventeenth Centuries -- 8 Mind Your U's and V's!: Counterfeiting Newspapers in Civil War Britain -- 9 The Theatre of Forgery: Curzio Inghirami (Volterra, 1614-1655) and Giorgio Grognet de Vassé (Malta, 1774-1862) -- 10 Sailing and Sinking on the Sea of Forgery:The Tradition of Fake Sagas in Seventeenth- and Eighteenth-Century Sweden and Denmark -- 11 Of Theatrical Illusion and Fake Advertisements: George Bickham the Younger, Samuel Foote and the Great Bottle Hoax of 1749 -- 12 Counterfeiting Coins and Convict Transportation from England to Australia in the Eighteenth Century -- Index Nominum. |
author_facet |
Lavender, Philip. Amundsen Bergström, Matilda. |
author_variant |
p l pl |
author2 |
Amundsen Bergström, Matilda. |
author2_variant |
b m a bm bma |
author2_role |
TeilnehmendeR |
author_sort |
Lavender, Philip. |
title |
Faking It! : The Performance of Forgery in Late Medieval and Early Modern Culture / |
title_sub |
The Performance of Forgery in Late Medieval and Early Modern Culture / |
title_full |
Faking It! : The Performance of Forgery in Late Medieval and Early Modern Culture / Edited by Philip Lavender, Matilda Amundsen Bergström. |
title_fullStr |
Faking It! : The Performance of Forgery in Late Medieval and Early Modern Culture / Edited by Philip Lavender, Matilda Amundsen Bergström. |
title_full_unstemmed |
Faking It! : The Performance of Forgery in Late Medieval and Early Modern Culture / Edited by Philip Lavender, Matilda Amundsen Bergström. |
title_auth |
Faking It! : The Performance of Forgery in Late Medieval and Early Modern Culture / |
title_new |
Faking It! : |
title_sort |
faking it! : the performance of forgery in late medieval and early modern culture / |
series |
Intersections |
series2 |
Intersections |
publisher |
BRILL, |
publishDate |
2022 |
physical |
1 online resource (378 pages) |
edition |
1st ed. |
contents |
Intro -- Contents -- Acknowledgements -- Figures -- Notes on the Editors -- Notes on the Contributors -- 1 Introduction: The Performance of Forgery -- 2 Forgery, Audience and Authentication: Icelandic Agreements of the Fifteenth Century -- 3 All That Glitters Is Not Gold: False Jewellery and Its Juridical Regulation in Italy between the Late Middle Ages and the Early Modern Period -- 4 Re-Forging a Forgery: The French Editions of Annius of Viterbo's Antiquitates -- 5 Prenatal Prophecies and Linguistic Ciphers: A Russian Political Forgery Devoted to the Autocratic Evil of Ivan the Terrible -- 6 Girolamo Baruffaldi as a Forger: The Case of Barbara Torelli -- 7 The Deceptive Power of a Monogram: Appropriating Dürer's Identity in the Sixteenth and Early Seventeenth Centuries -- 8 Mind Your U's and V's!: Counterfeiting Newspapers in Civil War Britain -- 9 The Theatre of Forgery: Curzio Inghirami (Volterra, 1614-1655) and Giorgio Grognet de Vassé (Malta, 1774-1862) -- 10 Sailing and Sinking on the Sea of Forgery:The Tradition of Fake Sagas in Seventeenth- and Eighteenth-Century Sweden and Denmark -- 11 Of Theatrical Illusion and Fake Advertisements: George Bickham the Younger, Samuel Foote and the Great Bottle Hoax of 1749 -- 12 Counterfeiting Coins and Convict Transportation from England to Australia in the Eighteenth Century -- Index Nominum. |
isbn |
9789004106901 |
callnumber-first |
H - Social Science |
callnumber-subject |
HV - Social Pathology, Criminology |
callnumber-label |
HV6675 |
callnumber-sort |
HV 46675 F35 42023 |
illustrated |
Not Illustrated |
dewey-hundreds |
300 - Social sciences |
dewey-tens |
360 - Social problems & social services |
dewey-ones |
364 - Criminology |
dewey-full |
364.163509 |
dewey-sort |
3364.163509 |
dewey-raw |
364.163509 |
dewey-search |
364.163509 |
work_keys_str_mv |
AT lavenderphilip fakingittheperformanceofforgeryinlatemedievalandearlymodernculture AT amundsenbergstrommatilda fakingittheperformanceofforgeryinlatemedievalandearlymodernculture |
status_str |
n |
ids_txt_mv |
(MiAaPQ)EBC30308637 (Au-PeEL)EBL30308637 (CKB)25934645500041 (EXLCZ)9925934645500041 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Intersections |
is_hierarchy_title |
Faking It! : The Performance of Forgery in Late Medieval and Early Modern Culture / |
container_title |
Intersections |
author2_original_writing_str_mv |
noLinkedField |
_version_ |
1796653009561714688 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03624nam a22003733i 4500</leader><controlfield tag="001">993583969804498</controlfield><controlfield tag="005">20231110225034.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr#cnu||||||||</controlfield><controlfield tag="008">230105s2022 xx o ||||0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789004106901</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC30308637</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL30308637</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)25934645500041</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)9925934645500041</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">HV6675</subfield><subfield code="b">.F35 2023</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">364.163509</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Lavender, Philip.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Faking It! :</subfield><subfield code="b">The Performance of Forgery in Late Medieval and Early Modern Culture /</subfield><subfield code="c">Edited by Philip Lavender, Matilda Amundsen Bergström.</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Boston :</subfield><subfield code="b">BRILL,</subfield><subfield code="c">2022.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2023.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (378 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Intersections </subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Intro -- Contents -- Acknowledgements -- Figures -- Notes on the Editors -- Notes on the Contributors -- 1 Introduction: The Performance of Forgery -- 2 Forgery, Audience and Authentication: Icelandic Agreements of the Fifteenth Century -- 3 All That Glitters Is Not Gold: False Jewellery and Its Juridical Regulation in Italy between the Late Middle Ages and the Early Modern Period -- 4 Re-Forging a Forgery: The French Editions of Annius of Viterbo's Antiquitates -- 5 Prenatal Prophecies and Linguistic Ciphers: A Russian Political Forgery Devoted to the Autocratic Evil of Ivan the Terrible -- 6 Girolamo Baruffaldi as a Forger: The Case of Barbara Torelli -- 7 The Deceptive Power of a Monogram: Appropriating Dürer's Identity in the Sixteenth and Early Seventeenth Centuries -- 8 Mind Your U's and V's!: Counterfeiting Newspapers in Civil War Britain -- 9 The Theatre of Forgery: Curzio Inghirami (Volterra, 1614-1655) and Giorgio Grognet de Vassé (Malta, 1774-1862) -- 10 Sailing and Sinking on the Sea of Forgery:The Tradition of Fake Sagas in Seventeenth- and Eighteenth-Century Sweden and Denmark -- 11 Of Theatrical Illusion and Fake Advertisements: George Bickham the Younger, Samuel Foote and the Great Bottle Hoax of 1749 -- 12 Counterfeiting Coins and Convict Transportation from England to Australia in the Eighteenth Century -- Index Nominum.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Faking It! collects eleven chapters which explore the question of forgery from different disciplinary angles: literary historical and art historical contributions share space with discussions of jewels, architecture and coinage. The various case studies take as their focus developments in Renaissance Italy and Early Modern England as well as in France, Germany, Malta, Denmark, Sweden, Iceland, Russia and Australia. While each chapter contributes to a better understanding of the local context of cultural production, together they suggest new answers to how we can understand forgery. The concept of performance allows us to see beyond normative approaches and gain insight into some of the ambiguities concerning the nature of forgery. Contributors include: Brian Boeck, Federica Boldrini, Patricia Pires Boulhosa, Laurent Curelly, Helen Hughes, Jacqueline Hylkema, Philip Lavender, Lorenzo Paoli, Ingrid D. Rowland, Camilla Russo, and Ksenija Tschetschik-Hammerl"--</subfield><subfield code="c">Provided by publisher.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Forgery</subfield><subfield code="x">History.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Amundsen Bergström, Matilda.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Lavender, Philip</subfield><subfield code="t">Faking It!</subfield><subfield code="d">Boston : BRILL,c2022</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Intersections </subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-11-11 06:11:04 Europe/Vienna</subfield><subfield code="d">00</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2023-01-07 00:54:53 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">Brill</subfield><subfield code="P">EBA Brill All</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343715200004498&Force_direct=true</subfield><subfield code="Z">5343715200004498</subfield><subfield code="b">Available</subfield><subfield code="8">5343715200004498</subfield></datafield></record></collection> |