Centennial Hauntings : : Pope, Byron and Eliot in the Year 88.

• Superior document: DQR Studies in Literature
• VerfasserIn: Barfoot, C. C.,
• TeilnehmendeR: D'haen, Theo.
• Place / Publishing House: Boston : : BRILL,, 1990.; ©1990.
• Year of Publication: 1990
• Edition: 1st ed.
• Language: English
• Series: DQR Studies in Literature
• Physical Description: 1 online resource (376 pages)

Table of Contents

Intro -- Title Page -- Copyright Page -- Table of Contents -- Introduction: The Year 88 -- Hauntings 1: Pope's Ghosts -- The Papist's House, The Papist's Horse: Alexander Pope and the Removal from Binfield -- Pope's Janus-Faced Imagery -- Pope, Locke, and The New Dunciad -- A Common Language: Mandeville as a Contemporary of Pope -- Goodness and Good Humour: Pope and the Later Eighteenth Century -- The Rape of the Lock and The Waste Land: Versions of the Mock-Heroic -- Translating The Rape of the Lock: The Battle, the Strategy and the Tactics -- Hauntings 2: Byron's Phantoms -- Byron's "Poetical System" - Revolutionary or Augustan? -- Poetry" Versus "Verse": Byron Prefers Erring with Pope -- Byron's Vision of Dante -- Bilderdijk between Pope and Byron: The Paradox of His Translation of An Essay on Man into Dutch -- The Dutch Byron: Byron in Dutch Translation -- Hauntings 3: Eliot's Spooks -- T.S. Eliot, the Invisible Philosopher -- Original Sin: T.S. Eliot and T.E. Hulme -- The Mask of Agamemnon: Reflexions upon Eliot's "Sweeney among the Nightingales -- And Voices Are in the Wind's Singing": On the Voices of T.S. Eliot -- And to Make an End Is to Make a Beginning": A Reading of "Marina -- Bacon and Eliot, Eliot and Bacon: The Handling of Medium and Image -- The Influence of T.S. Eliot on a Representative Modern Arab Poet, Badr Shãh Al-Sayyãb -- Contributors.