Theatre, opera and consciousness : history and current debates / / Daniel Meyer-Dinkgrafe.
The study of consciousness has developed considerably over the past ten years, with an emphasis on seeking to explain subjective experience. Our understanding of key questions relating to the performing arts, in theory and practice, benefits from the insights of consciousness studies. Theatre, Opera...
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Year of Publication: | 2013 |
Edition: | 1st ed. |
Language: | English |
Series: | Consciousness, Literature and the Arts
33. |
Physical Description: | 1 online resource (236 p.) |
Notes: | Description based upon print version of record. |
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Meyer-Dinkgräfe, Daniel, 1958- Theatre, opera and consciousness [electronic resource] : history and current debates / Daniel Meyer-Dinkgrafe. 1st ed. Amsterdam ; New York : Rodopi, 2013. 1 online resource (236 p.) text txt computer c online resource cr data file rda Consciousness, literature and the arts ; 33 Description based upon print version of record. English Preliminary Material -- Acknowledgments -- Introduction -- Consciousness and Western Theatre History: Theory and Examples -- Consciousness and Ethics -- Consciousness and the concept of Guru in South Asian spiritual and artistic traditions: contemporary relevance and future potential. -- Consciousness, warm-up, cool-down and the actor as observer -- Opera and Spirituality -- Spiritual Aspects of Operatic Singing: Klaus Florian Vogt -- Spirituality and Operatic Conducting -- Conclusion and Outlook -- Bibliography -- Index. The study of consciousness has developed considerably over the past ten years, with an emphasis on seeking to explain subjective experience. Our understanding of key questions relating to the performing arts, in theory and practice, benefits from the insights of consciousness studies. Theatre, Opera and Consciousness discusses selected concerns of theatre history from a consciousness studies perspective, develops a new perspective on ethical implications of theatre practice, reassesses the concept of the guru , and offers a new approach to the actor’s cool-down. The book expands the framework from theatre to opera, and presents a new consideration of the spiritual aspects of singing in opera, conducting for opera, and the opera experience for singers and spectators alike. Includes bibliographical references (p. 217-234) and index. Performing arts Psychological aspects. Consciousness. 90-420-3663-X 1-299-77694-9 Consciousness, Literature and the Arts 33. |
language |
English |
format |
Electronic eBook |
author |
Meyer-Dinkgräfe, Daniel, 1958- |
spellingShingle |
Meyer-Dinkgräfe, Daniel, 1958- Theatre, opera and consciousness history and current debates / Consciousness, literature and the arts ; Preliminary Material -- Acknowledgments -- Introduction -- Consciousness and Western Theatre History: Theory and Examples -- Consciousness and Ethics -- Consciousness and the concept of Guru in South Asian spiritual and artistic traditions: contemporary relevance and future potential. -- Consciousness, warm-up, cool-down and the actor as observer -- Opera and Spirituality -- Spiritual Aspects of Operatic Singing: Klaus Florian Vogt -- Spirituality and Operatic Conducting -- Conclusion and Outlook -- Bibliography -- Index. |
author_facet |
Meyer-Dinkgräfe, Daniel, 1958- |
author_variant |
d m d dmd |
author_sort |
Meyer-Dinkgräfe, Daniel, 1958- |
title |
Theatre, opera and consciousness history and current debates / |
title_sub |
history and current debates / |
title_full |
Theatre, opera and consciousness [electronic resource] : history and current debates / Daniel Meyer-Dinkgrafe. |
title_fullStr |
Theatre, opera and consciousness [electronic resource] : history and current debates / Daniel Meyer-Dinkgrafe. |
title_full_unstemmed |
Theatre, opera and consciousness [electronic resource] : history and current debates / Daniel Meyer-Dinkgrafe. |
title_auth |
Theatre, opera and consciousness history and current debates / |
title_new |
Theatre, opera and consciousness |
title_sort |
theatre, opera and consciousness history and current debates / |
series |
Consciousness, literature and the arts ; |
series2 |
Consciousness, literature and the arts ; |
publisher |
Rodopi, |
publishDate |
2013 |
physical |
1 online resource (236 p.) |
edition |
1st ed. |
contents |
Preliminary Material -- Acknowledgments -- Introduction -- Consciousness and Western Theatre History: Theory and Examples -- Consciousness and Ethics -- Consciousness and the concept of Guru in South Asian spiritual and artistic traditions: contemporary relevance and future potential. -- Consciousness, warm-up, cool-down and the actor as observer -- Opera and Spirituality -- Spiritual Aspects of Operatic Singing: Klaus Florian Vogt -- Spirituality and Operatic Conducting -- Conclusion and Outlook -- Bibliography -- Index. |
isbn |
94-012-0929-4 90-420-3663-X 1-299-77694-9 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1590 |
callnumber-sort |
PN 41590 P76 M48 42013 |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
792 - Stage presentations |
dewey-full |
792.019 |
dewey-sort |
3792.019 |
dewey-raw |
792.019 |
dewey-search |
792.019 |
oclc_num |
855504865 854754375 |
work_keys_str_mv |
AT meyerdinkgrafedaniel theatreoperaandconsciousnesshistoryandcurrentdebates |
status_str |
n |
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