Selected essays on opera / / by Ulrich Weisstein; edited by Walter Bernhart.
Ulrich Weisstein, an international authority in the fields of comparative literature and comparative arts, has been a pioneer paving the way for present-day intermedia studies. Among his broad intermedial interests opera has always held a central place. For the first time this volume makes available...
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Superior document: | Word and music studies ; 8 |
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: | |
TeilnehmendeR: | |
Year of Publication: | 2006 |
Edition: | 1st ed. |
Language: | English |
Series: | Word and music studies ;
8. |
Physical Description: | 1 online resource (401 p.) |
Notes: | Description based upon print version of record. |
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Table of Contents:
- Preface
- Selected Essays on Opera by Ulrich Weisstein
- The Libretto as Literature (1961)
- Cocteau, Stravinsky, Brecht, and the Birth of Epic Opera (1962)
- Introduction to The Essence of Opera (1964)
- Reflections on a Golden Style: W.H. Auden's Theory of Opera (1970)
- "Per porle in lista": Da Ponte/Leporello's Amorous Inventory and its Literary and Operatic Antecedents from Tirso de Molina to Giovanni Bertati (1981)
- Educating Siegfried (1984)
- (Pariser) Farce oder wienerische Maskerade? Die französischen Quellen des Rosenkavalier (1987)
- The Little Word und: Tristan und Isolde as Verbal Construct (1987)
- Benedetto Marcellos Il Teatro alla moda : Scherz, Satire, Parodie oder tiefere Bedeutung? (1989)
- Von Ballhorn ins Bockshorn gejagt: Unwillkürliche Parodie und unfreiwillige Komik im Ambroise Thomas' Mignon (1989)
- "Die letzte Häutung". Two German Künstleropern of the Twentieth Century: Hans Pfitzner's Palestrina and Paul Hindemith's Mathis der Maler (1992)
- Between Progress and Regression: The Text of Stravinsky's Opera The Rake's Progress in the Light of its Evolution (1992)
- What is Romantic Opera? Toward a Musico-Literary Definition (1994)
- Böse Menschen singen keine Arien : Prolegomena zu einer ungeschriebenen Geschichte der Opernzensur (1996)
- Sources
- Acknowledgments
- Index of Persons and Operas Mentioned in the Text.