The endless theory of days : : the art and poetry of Gerard Titus-Carmel / / Michael Bishop.

The Endless Theory of Days: The Art and Poetry of Gérard Titus-Carmel seeks to set forth the case for the special, multiple genius of a man who, despite the experience of a biting melancholy resulting from loss, despite an ‘indefectible feeling of estrangement from the world’, despite, too, the corr...

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Bibliographic Details
Superior document:Chiasma ; 22
:
Year of Publication:2007
Edition:1st ed.
Language:English
Series:Chiasma ; 22.
Physical Description:1 online resource (165 p.)
Notes:Description based upon print version of record.
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245 1 4 |a The endless theory of days :  |b the art and poetry of Gerard Titus-Carmel /  |c Michael Bishop. 
250 |a 1st ed. 
260 |a Amsterdam ;  |a New York :  |b Rodopi,  |c 2007. 
300 |a 1 online resource (165 p.) 
336 |a text  |b txt 
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490 1 |a Chiasma ;  |v 22 
500 |a Description based upon print version of record. 
546 |a English 
505 0 0 |a Preliminary Material -- FOREWORD -- FROM HOT DOGS AND BANANAS TO DETERIORATION AND ALTERATION: FORM, IDEA, BEING -- JOAQUIN’S LOVE AFFAIR -- THE CRYPTIC AND THE NECESSARY, DEAMBULATION AND STICKS -- FROM COFFINS TO ITALIANA AND RIGGINGS, SHOP CURTAINS AND NARWA -- ACCOMPANYING THE OTHER: FROM CHARDIN, GOYA AND CAILLEBOTTE TO BONNARD, CRANE AND ROUD -- FALLING AND FLOWING -- THE SELF ACCOMPANIED: FROM ROBBE-GRILLET, ROSSI AND ROCHE TO COMMÈRE, BANCQUART AND BONNEFOY -- EXCAVATION AND FORGETTING, EMBANKMENT AND ABYSS -- FROM SHADOWS, INTERIORS AND SEASONS TO CAIRNS, FORESTS AND NIELLI -- QUESTIONS OF PRESENCE AND MANNERS OF DARKNESS -- LEAFINGS, JUNGLES AND HERBARIUM -- TODAY -- SELECTED BIBLIOGRAPHY. 
520 |a The Endless Theory of Days: The Art and Poetry of Gérard Titus-Carmel seeks to set forth the case for the special, multiple genius of a man who, despite the experience of a biting melancholy resulting from loss, despite an ‘indefectible feeling of estrangement from the world’, despite, too, the corrosive sense of art’s, of languages’s, deceptiveness, has never lost sight of a curious duty to the shadows that haunt and that, with now a strangeness that smiles, yet beckon toward ‘the very place, finally clarified and recognised, of pure evidence. [The place,] that is, where beauty is named’. This place, Gérard Titus-Carmel may feel, lies no doubt impossibly beyond the strict locus of his art and his writing, but it is a place he has struggled with dignity and unceasingly deployed energy to bring to a semblance of incarnation in a vast plastic and poetical oeuvre that has stirred, and will continue to stir, the minds and hearts of all those – from Derrida and Bonnefoy, Alain Robbe-Grillet and Pascal Quignard to Jacques Dupin and Marie-Claire Bancquart, and countless others – who have witnessed its exquisitely solemn unfolding over, today, more than forty years. 
504 |a Includes bibliographical references. 
650 0 |a French literature  |y 20th century. 
600 1 0 |a Titus-Carmel, Gerard,  |d 1942- 
776 |z 90-420-2165-9 
830 0 |a Chiasma ;  |v 22. 
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