Trauma, memory, and narrative in the contemporary South African novel : : essays / / edited by Ewald Mengel & Michela Borzaga.

• TeilnehmendeR: Mengel, Ewald, 1950-; Borzaga, Michela, 1977-
• Year of Publication: 2012
• Language: English
• Series: Cross/Cultures 153.
• Physical Description: 1 online resource (419 p.)
• Notes: Description based upon print version of record.

The contributions to this volume probe the complex relationship of trauma, memory, and narrative. By looking at the South African situation through the lens of trauma, they make clear how the psychic deformations and injuries left behind by racism and colonialism cannot be mended by material reparation or by simply reversing economic and political power-structures. Western trauma theories – as developed by scholars such as Caruth, van der Kolk, Herman and others – are insufficient for analysing the more complex situation in a postcolony such as South Africa. This is because Western trauma concepts focus on the individual traumatized by a single identifiable event that causes PTSD (Post Traumatic Stress Disorder). What we need is an understanding of trauma that sees it not only as a result of an identifiable event but also as the consequence of an historical condition – in the case of South Africa, that of colonialism, and, more specifically, of apartheid. For most black and coloured South Africans, the structural violence of apartheid’s laws were the existential condition under which they had to exist. The living conditions in the townships, pass laws, relocation, and racial segregation affected great parts of the South African population and were responsible for the collective traumatization of several generations. This trauma, however, is not an unclaimed (and unclaimable) experience. Postcolonial thinkers who have been reflecting on the experience of violence and trauma in a colonial context, writing from within a Fanonian tradition, have, on the contrary, believed in the importance of reclaiming the past and of transcending mechanisms of victimization and resentment, so typical of traumatized consciousnesses. Narration and the novel have a decisive role to play here.

Table of Contents

Preliminary Material -- Trauma and the Turn to Affect / Ruth Leys -- Permanent Risk: When Crisis Defines a Nation’s Writing / Elleke Boehmer -- Affecting Politics: Post-Apartheid Fiction and the Limits of Trauma / Vilashini Cooppan -- Trauma in the Postcolony: Towards a New Theoretical Approach / Michela Borzaga -- It is in the Blood: Trauma and Memory in the South African Novel / Sindiwe Magona -- The Ethics and Morality of Witnessing: On the Politics of Antjie Krog (Samuel’s) Country of My Skull / Yazir Henry -- Trauma and Genre in the Contemporary South African Novel / Ewald Mengel -- “To speak of this you would need the tongue of a god”: On Representing the Trauma of Township Violence / Derek Attridge -- Rethinking Religion in a Time of Trauma / Chris N. van der Merwe -- Re-Examining Apartheid Brokenness: To Every Birth Its Blood1 as a Literary Testament / Annie Gagiano -- Disgrace, Historical Trauma, and the Extreme Edge of Civility / Tlhalo Sam Raditlhalo -- Forced Removals as Sites/Sights of Historical Trauma in South African Writings of the 1980s and 1990s / Carmen Concilio -- Trauma Refracted: J.M. Coetzee’s Summertime / David Attwell -- “Is not the truth the truth?”: The Political and the Personal in the Writings of Gillian Slovo and Jann Turner / Geoffrey V. Davis -- “Nothing like this can be your fault at your age”: Trauma-Narrative and the Politics of Self-Accusation in The Innocence of Roast Chicken / Jochen Petzold -- Out of the Mouths: Voices of Children in Contemporary South African Literature / Susan Mann -- Replaying Trauma with a Difference: Zoë Wicomb’s Dialogic Aesthetic / Michael Meyer -- Trauma, Memory, and History in Marlene van Niekerk’s The Way of the Women / Sue Kossew -- Notes on Contributors -- Index.